20:10 The Patriarch's Wishes.

The 11th annual Film Bitch Awards have wrapped... finally. Just for fun and a bit of retro nodding, here's the image from the 20th minute and 10th second of 2010's Gold Medalist,  I AM LOVE.

It's that fateful dinner time scene when the Rechhi patriarch makes a shocking announcement that will begin to tear at the fabric of the wealthy clan, eventually weakening their solidarity and collective grip on their prized exotic possession, Emma (Tilda Swinton). Ugh, I love that movie so much!

He picked me, mommy. Did you hear me?

Black Swan was the leader with 16 nominations and 13 medals all told spread out on every awards page: major nods, acting, visuals, sound, line readings, character & extras, and scene work but it was The Social Network which took home the most gold (8). The South Korean marvel Mother managed the best nomination tally without any accompanying medals (4) and Rabbit Hole, which just missed the year's top ten list, had a strangely not-so strong showing with only 2 nominations and one gold (Nicole Kidman, Best Actress) ...

But awards are never a 100% accurate reflection of one's love.

Film Bitch Nominees. Final Categories

Whew that took me too long this year? I'm working on a new system for 2011, building templates already so we'll see if it pans out. I can't promise anything but I really want something smooth and daily next December/January with the medals handed out before the Oscars. I can dream. I'll wrap up with gold silver and bronze medals Monday or Tuesday but for now...

Best Sex Scenes, Best Kiss, Openings, Endings, Title Sequences, & Best Scenes...
Featuring achievements from 127 Hours, Black Swan, Somewhere, Mother, The Kids Are All Right, I Am Love and many more... all of which are now available on DVD. If you live in a city that doesn't get the movies on time, are you finally all caught up on your 2010 viewing? Was Blue Valentine your lone holdout?

Enjoy and please comment. But don't fall in love with married lesbians.

April Showers Bring May Flowers. (Plus: More Film Bitch Nominees)

As illustrated by that pocketful of sunshine, Emma Stone.

April Showers: American History X (1998), How Stella Got Her Groove Back (1998), A Walk on the Moon (1999), South Pacific (1958), Lara Croft: Tomb Raider (2001), The Long Good Friday (1980), Groundhog Day (1993), A Streetcar Named Desire (1951), The Hurt Locker (2009), I Robot (2004), Single White Female (1992), The Fifth Element (1997) and Shutter Island (2010).

May Flowers: Weekdays at noon. Any suggestions?

oh, okay, okay. I know we can't end without actually watching Emma doing "Pocketful of Sunshine" again. If the entirety of Easy A had been as great as this post-credits opening scene, the movie would have been an A+

P.S. This one-minute delight is nominated in the 2010 FiLM BiTCH Awards for Best Musical Number from a Non-Musical Film. Here's that last page of honorees in progress. Almost finished. Sorry for that weirdly protracted hiatus.

Film Bitch Awards Continue

Our annual awards jamboree went into an unexpected coma due to Oscar exhaustion but the film bitch awards are back as we try and really not just sorta wrap up the 2010 film year. So here are BEST POSTER, SEXPOT and DIVA OF THE YEAR featuring achievements from Cher, Joan Rivers, I Am Love, Fish Tank, Burlesque, Love and Other Drugs and yes even Alice in Wonderland (among other films).

 

So that's six pages down. One more to go. Woohoooooo almost finis! (Just in time for the NEW Oscar predictions for 2011 which always kick off in some form on April 1st ). We'll fill in the BEST SCENES next (final page) but I'm still debating various efforts, like this number below for Best Musical Number in a Non Musical Film.

Since not many of you saw Hrithik Roshan in Kites here's the film's best scene. Someone told me it was edited out for the US version of the movie (they released three versions I believe) which is in-san-it-y since there's plenty of unnecessary filler elsewhere in the movie (seriously you could lose like 10 minutes simply by shaving of 10 seconds from every scene involving long soulful gazes between Hrithik and Barbara Mori there are so many of them) and this is Hrithik's only musical number. And don't people buy tickets for his movies because of the dance numbers?

I could watch him dance for hours. So it's kind of annoying that the editing is so hyperactive. I mean his body is all the hyperactivity one needs, always locking, shaking, popping, flipping, swaying, slinking, swerving, slurving (I made that last word up) and busting out all over.  Hrithik just missed the sexpot list. The sexiest people are, generally speaking, the ones who just exude carnality (Mila Kunis in Black Swan and Tom Hardy in Inception, hell-O) without every noticeably forcing the point. But since Hrithik is basically a superhero made flesh, one forgives most of the oversized everything so... almost! Here's hoping he gets another chance headlining an international effort like Kites, just a better one next time.

So, what'cha think of them divas? And I'll gladly take recommendations for the final categories: Action Sequence, Musical Moments, Kiss & Sex Scenes, Opening & Closing Scenes, Credits and just Best Moments in general.

Best of 2010: Cameos, Breakthroughs, Ensembles

The Film Bitch Awards Continue
Movie obsessives who get lost in star faces on the screen, would do well to keep their eyes peeled to the bit players or the actors toiling away in thankless roles. Sometimes, they're adding great textures or reinforcing the structural girding of their movie in the way they absorb or reflect or counteract what the name players are doing. Other times they're nailing one specific mood in such an amusing or ably defined way that you figure they might be be able to at least earn a living off commercials while they wait for someone to give them a shot at playing several moods. For instance, though I don't know her name I love the way the woman playing the real estate agent in Rabbit Hole is so silently 'this won't go well' nervous than 'this is worse than I expected' mortified by Aaron Eckhart's inappropriate intrusions into the home selling process.

 
My point is simply this: year after year ACTING remains a fascinating art form or craft or independently sentient color on a director's palette or whatever the hell you want to call it. Actors are magic. They have super powers.

I chose a scene from Never Let Me Go to illustrate this post because I think it's frankly a marvel. It's my favorite in the movie for the way it uses two tiny characters to make larger points about the whole film and to open up emotional pathways in the leads. When I went to write up Andrea Riseborough's caption, I found myself wishing for space for 250 words at least. In the middle of the scene, when all she and her boyfriend (Domnhall Gleeson) are pleading for information from their new companions there's this terrific beat.

I suppose you lot would know about that sort of thing. Being from Hailsham you'd know how that sort of thing works.

Greeted by the blank stares of our leads, and noticeably losing hope that her fantasy is a reality, those two sentences have this wonderful spike of condescencion and judgement, though she's pleasant and almost maternal in the rest of her scant few minutes onscreen. It sucks to have your dreams crushed by people greener than you.

Awards are also posted in Body of Work , Ensembles and Breakthrough categories. So read on for notes on Macy Gray, Mia Wasikowska, Ewan McGregor, Juliette Lewis, Brandon Routh, and actors you may be less familiar with like Robin Bartlett, Anthony Deptula, Slamin Dazi and more.

all the writeups and nominations here.