Yes, No, Maybe So: Frozen

Hi, it's Tim. In the past couple of days, Disney has released the first full North American trailer for their upcoming animated musical Frozen, giving us the first look at the actual movie beyond that silly, vaguely aggravating gag reel with the snowman that accompanied Monsters University into theaters. Though "first" requires that we ignore the existence of a pretty fantastic Japanese trailer that doesn't resemble the new American one much at all.

Which means, among other things, that this new ad tells us exactly what the Disney marketing people think of their target audiences in different countries, namely... well, let's not give away the ending.

Here's the trailer in case you haven't had the chance to see it yet and the Yes No Maybe So breakdown after the jump

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Early Bird Oscar Predix: The Toons

Last year's Animated Oscar race is going to be a tough act to follow. In what was arguably the most competitive race of all 12 years of Oscar's newest category, there was precious little agreement about who might win and even less about who deserved to; Brave, Frankenweenie, ParaNorman and Wreck-It Ralph all had their loyal camps (Pirates! A Band of Misfits was the only "just happy to be nominated" contestant.) At the very last minute, buzz-wise, it appeared to boil down to Disney vs. Disney/Pixar. Big-fisted Ralph fought big-haired Merida and the Scottish lass won.

But what does 2013 have in store for us? It's looking like a much leaner year, and a least at first glance, a far less animated (heh) one. Monsters University might just be emblematic of what's going on. The prequel to the inaugural loser of this very category (Monsters Inc) is, like all the rest, part of a franchise or would-be-franchise and also a noisy colorful 3D CGI fest for very young children. That's about all there seems to be from The Croods on through Free Birds in which two turkeys (voiced by Owen Wilson & Woody Harrelson) travel back in time to stop the first Thanksgiving. There's less variety both in types of audiences sought and in types of animated styles.

For different styles and tones of animation we'll have to look to foreign films. Pray and pray hard that Hayao Miyazaki's latest The Wind Rises crosses the Ocean in time. I don't know if it's finished since news has been sparse but Ana Y Bruno is a Mexican film about a little girl who meets a goblin (or some such) in the psych ward of her mother's hospitable (?). But even with foreign films they're often just trying to be Hollywood blockbusters. I haven't seen more than a still from South Africa's Khumba! about a half-striped zebra but it looks very much like a Madagascar-spinoff. And one of it's characters is "Bradley, a self-obsessed, flamboyant ostrich." Uhoh. Should we alert GLAAD?

Hayao Miyazaki's "The Wind Rises" is bowing this summer in Japan

The film that I'm most excited about Song of the Sea, a follow up from the team who made the jaw-droppingly gorgeous The Secret of Kells, will not be ready for this year's race. Big sigh. Which is not to say that this year's race will be lacking in previous Oscar players. One interesting possible development, depending on which films achieve eligiblity is the presence of former Best Foreign Film nominees as directors of new animated features. The Argentinian director of Oscar winner The Secret in Their Eyes, Juan José Campanella, has made a toon called Metegol (aka Foosball) about a foosball team come to life and the Mexican director Carlos Carrera whose drama The Crime of Father Amaro was Oscar nominated is behind the aforementioned Ana. 

We hope that GKids, the new off-the-beaten path animated distributor, brings us something interesting again but for now my crystal ball says it's Disney vs. Disney/Pixar again this year (Round Two). I'm predicting that the final battle will come down to Frozen (based on Hans Christian Andersen's fairy tale 'The Snow Queen') vs. Monsters University. Only this time maybe Disney will beat Pixar... forcing Mike and Sulley to remain Oscarless. Oscar voters will continue to live with their greatest shame: preferring Shrek to Monsters, Inc.

In the absence of a Pixar original (I'll stop weeping that they've joined the rest of Hollywood in franchise laziness and just live with it though I reserve the right to spit at Toy Story 4 whenever that rolls around given that its existence would forever tarnish the finality . What other choice do I have?) the film I'm most eager to see is definitely Frozen. I loved Tangled (which went unnominated in a narrower field of three) and I'm hoping that their latest musical fairytale -- this one has Kristen Bell and Broadway musical alumni Idina Menzel, Josh Gad, and Jonathan Groff doing the voicework -- is a worthy follow up.

RELATED: New Animated Feature Oscar Chart

"We have 12 Vacancies. 12 Cabins. 12 Links"

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Irish Times is pissed about Streep's Oscar win and illustrates, again, that a backlash grows. But here's the interesting part...

One can think of many star actresses...who will submerge themselves in films bigger than themselves. But Streep has to be bigger than the movie, to the point where she can become, in effect, a substitute for it.

You may recall we were talking about just this fascinating issue (within the Oscar symposium). It's hardly a Streep-Only topic. What does it mean to "carry" a movie and should an actor ever be asked to? 

Rope of Silicon has "sexy" issues with Scarlett Johansson as Janet Leigh in the upcoming feature Alfred Hitchcock and the Making of Psycho (omg please change the title). So do I and the first being that Scarjo, who I enjoy, is very different than Janet Leigh in body, age and looks. She might be able to summon up the contemplative paranoia mood of Leigh but otherwise it's a huge miss if you ask me.
Guardian odd lawsuit of day. Sandra Bullock is pissed that a watch company is selling a watch by comparing it to her Blind Side look.
Coming Soon Disney must've liked the response to titling Rapunzel Tangled because their next fairy tale musical will be based on The Snow Queen and it's called Frozen. Kristen Bell, Veronica Mars herself, gets lead vocal duties.
/Film remembers Black Swan with a new behind the scenes photo gallery. I don't remember Natalie wearing this white cloak thing onstage. Have I lost my mind or just my short term memory?
ioncinema details a new "slippery nature of truth" project called True Story starring Jonah Hill and James Franco. Brad Pitt's Plan B is producing. Pitt has good taste and this sounds interesting. 
Pajiba lists the 25 biggest animated hit (adjusted for inflation). Pixar doesn't even make the top 10!
Indiewire lists films they hope show at Cannes this summer

And even though I always try to let each year's Oscars go within a week's time of the ceremony, I find myself still reading Oscar recaps since I have emerged from my cave of silence. I did like these two overviews of the ceremony from two of my favorite online peeps, The Self Styled Siren and Glenn at Stale Popcorn. So if you also share the Oscar sickness, read 'em.