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Entries in Godzilla (36)

Wednesday
Apr222015

Team Top Ten: Best Sci-Fi Films (Pre-1977)

Amir, welcoming you back to Team Top Ten! We are returning after a long hiatus with not one, but two top ten lists for April. In connection to our theme of the week, Artificial Intelligence on the big screen, we are here to celebrate science fiction cinema. As with the horror genre and to help ourselves a bit by narrowing down our options, we're cutting the list in two halves. Our dividing point is 1977, when two of the cinema's most enduring science fiction films were released: Close Encounters of the Third Kind and Star Wars ushering in an era of huge advances in popularity and visual effects technology. And yes, those are both science fiction films and your contrarian arguments will not be heard.

We were spoilt for choice for the second part of this poll, for the simple reason that far more science fiction films have been produced since 1977 than before it. Still, this first list is comprised of eleven films that have all become part of the canon and among the best in film history in any genre. Without further ado...

Team Experience Top Ten
Best Science Fictions Film Produced Before 1977...

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Thursday
Jan222015

Poster Madness! The Best of 2014

Glenn here with my now annual list of the best movie posters of the year. I should apologize for being so tardy with this, but I've been working on a big non-movie-related project that took precedent. Never mind that though because we're back. Last year logged the first time that I dragged my lil ol' list of the year's best movie posters over from my own blog onto The Film Experience we're back to see what'll win this year. Last year the honor went to Spring Breakers and this year was no less fierce. I have once more assembled an... eclectic list of films ranging from French orgy dramas and Christian religious flicks to British sci-fi and obscure horror titles.

I have tried to keep the posters featured within down to American 2014 theatrical/VOD releases only. That means designs that emerged online as much as 18 months ago can be on here if the film was only released this year (hi Nymphomaniac!). Likewise, designs for 2015 releases that are already hanging in cinema foyers do not feature - I'm going to spend the next year tossing and turning over whether this hilariously unsubtle phallic poster for Fifty Shades of Grey is actually good or completely terrible. Having said that, being an Australian means I have snuck few Aussie films on the list because, I guess, my list my rules. I should also point out that, just like last year, the lack of many big budget blockbusters on the list isn't my contrariness popping up (my lonely passions are now a thing), rather it's just proves that so many working for Hollywood studios would be absolutely lost without the billions of dollars that they take for granted and the audiences that flock to their movies like sheep.

Follow me as I count down the best posters of 2014!

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Saturday
Jul262014

Live from Comic Con: Teasing Crimson Peak, Godzilla 2, Blackhat

Anne Marie still here in Hall H at San Diego Comic Con, delivering unto you the major studio announcements via an increasingly busy LTE signal. Legendary Pictures was up after WB, ready to deliver on its name. Here's what it brought.


Godzilla 2
Despite the fact that Godzilla isn't even on DVD yet, Legendary rolled out an announcement that the King of Monsters would get a round two. Via recorded message, director Gareth Edwards thanked congoers for inspiring Legendary to make the film two years ago, and for ensuring its success. Then, they revealed the identities of Godzilla's next three adversaries: Mothra, Rodan, and Ghidora. That's 4 monsters for the price of one. Will Legendary be stretching its 100 ton supermonster too thin?

Michael Mann's thriller and Guillermo del Toro all-star Crimson Peak cast after the jump...

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Friday
Jul252014

Day 2 at SDCC: Marvel-ous TV & Fox-y Filmmakers

Anne Marie cowering before GodzillaHello again! Anne Marie here, beaming to your computer screens direct from San Diego Comic Con. Though I thought it wasn't possible, it seems as though the convention got bigger and more crowded. So I learned my lesson and stayed far from the exhibition hall today. Instead, I wandered the Gaslamp District, saw some panels, and did some interviews. (More on those later.) But most of all, I waited in line. In a fun way!

Here are 6 new things I that learned today.

1) Marvel TV won't tell us anything about its Netflix shows. This despite the fact that Daredevil is already filming. Either they're saving that for the Marvel panel tomorrow afternoon (which seems unlikely), or Netflix hasn't yet gotten SDCC-friendly. Netflix has been absent from Comic Con this year, which was suddenly more conspicuous when fully five of Marvel's new shows were absent from the discussion: Luke Cage, Daredevil, Iron Fist, Jessica Jones, and The Defenders.

 

2) Marvel TV is throwing all of its weight behind Agent Carter. After Agents of S.H.I.E.L.D.'s rocky first season (do any non-geeks still watch that show?), Marvel is determined to see its new ABC fledgling soar, so the first episode will be directed by Marvel president Louis d'Esposito, while the fourth will be helmed by Captain America director Joe Johnson. Agent Carter will start right where Captain America: The First Avenger left off, with Agent Peggy Carter (Hayley Atwell) navigating super spydom (and eventually creating S.H.I.E.L.D.) in 1940s America. I have to say, it's pretty cool watching a major studio put so much faith in a female-led show with two lady showrunners, Michele Fazekas and Tara Butters. (Butters and Fazekas share the title with Steve McFeely & Christopher Marcus.) Speaking of female-led shows, Lucy Lawless is joining Agents of S.H.I.E.L.D., although even Xena won't be enough to coax me back to it.

3) Comic Con lines are really, really long. People have been lining up for Hall H's Saturday panels since noon on Friday! It's insane. To wit, here's an exchange I overheard (while waiting in line):

Lady dressed like Wonder Woman: Comic Con is just like Disneyland! Big lines, lots of colorful costumes, crappy food!
Gent with a Top Hat: Then where are the rides?
Lady: I guess the line is the ride!

4) 20th Century Fox couldn't quite top last year. In 2013, Fox assembled the entire star-studded cast of Xmen: Days of Future Past to talk about Xmen past and present. This year, the films on the whole could not deliver the same mania. Let's Be Cops gave folks a quick chuckle but little more. Zachary Quinto admitted that he did not play videogames while attempting to promote Hitman: Agent 47, which is based on a videogame. The Kingsmen got more applause on the wait out than the way in, mostly because con favorite Samuel L. Jackson joined new-to-SDCC Colin Firth in an Odd Couple-like pairing. Even Book of Life, despite a beautiful trailer, generated the most applause when Channing Tatum walked in doing the robot. (As they left, executive producer Guillermo del Toro was once again greeted by a chant of "Hellboy 3! Hellboy 3!)"

5) The most buzz came for The Maze Runner. It's based on the YA novel by James Dashner. When star Dylan O'Brien (Teen Wolf) was asked who would win in a fight, Thomas (his character) or Katniss Everdeen from The Hunger Games, O'Brien caused a gasp and a laugh when he admitted that Katniss would win. "He'd run away, but she'd shoot him with an arrow." Comic Con pro-tip: Always reference The Hunger Games or Harry Potter for immediate buzz.

5) Evangelists look a little different at SDCC.

 

Tomorrow I'll be in Hall H all day covering Legendary, Warner Bros, Marvel, and more! Follow me on Twitter for instant updates, and check back here for in-depth news as each panel ends!

Tuesday
Jul082014

Halfway Pt. 4: Top Ten Movies of 2014 (Thus Far)

For today's Tuesday Top Ten it's your last peek at Nathaniel's top ten list for 2014 until the official one at year's end. Only films that have already played theaters in regular release are eligible hence endearing indies like Happy Christmas (currently On Demand) or instant classics like Love is Strange or next weekend's highly raved openers (Dawn of the Planet of the Apes and Boyhood) cannot yet apply. Herewith my ten favorite pictures of 2014 thus far since we've already looked at favorite sights and favorite sounds. 

You should see all of these movies. How many will stick around for the official top ten of 2014? I haven't a clue. That's half the excitement of drawing these invisible lines in the sand and waiting with hot anticipation for the rest of the year's wonders

TOP TEN FILMS OF 2014'S FIRST HALF
(ALPHA ORDER)

BEGIN AGAIN (John Carney) 104 minutes
Weinstein Co | June 27th| Box Office Rank of 2014 (At This Moment) #85 with $1.7 million

Like a new favorite song you can't stop playing, it's hard to even suss out why it's so damn loveable. My hunch is that its ephemeral endearments are powered by the combo of writer/director John Carney's sincere musicality (he captured lightning in a bottle with Once) and Keira Knightley's wonderfully relaxed but emotionally astute work as an abandoned musician who genuinely doesn't care about fame and fortune but has lots of love for music and people... whether or not they deserve it.

CAPTAIN AMERICA 2 (Anthony & Joe Russo) 136 minutes
Marvel/Disney | April 4th | Box Office Rank of 2014 (At This Moment) #1 $257 million

The best superhero film since the genre's peak in 2004 with that Spider-Man 2 and The Incredibles double-whammy and the best yet from Marvel Studios. I've probably raved enough this year but practically everything works from performance to action to theme and especially the firm sense of identity and character work at its core (here's a fine piece on that). That sense of self saves this superhero film from the generic problems that plague its genre. [Review]

CHILD'S POSE (Calin Peter Netzer) 112 minutes 
Zeitgeist | February 19th |  Box Office Rank of 2014 (At This Moment) #170 with $97 thousand 

Romania's 2013 Oscar submission continues the super annoying but enormously familiar trend of gambling its entire US release strategy around an Oscar nomination that doesn't materialize. Which is a pity since gold statues aren't everything (Ida proves that memorable foreign films don't need any awards buzz at all to find their natural fanbases but more on that in a minute) and this arguably overripe melodrama about a rich bitch trying to cover-up her son's crime is gripping. [Review]

alien invasions, travelling nuns, and mouthy toys after the jump...

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