Are these your Golden Globes speeches?

by Murtada Elfadl

Banderas with Catherine Zeta Jones at last year's ceremony

It’s almost time for the Golden Globes. Over the years they have given us many memorable speeches that we talked about for days after and influenced the rest of awards season. So it’s time to judge potential speeches Sunday night by evidence given at other awards ceremonies earlier this season. I’ve chosen the best actor drama category because I think the nominees are eclectic in their public style and personae. And play along by thinking of which of these speeches you'd like to see a replica of on Sunday.

If Antonio Banderas were to win, I think he will be charming. However more importantly he will be sincere in paying respect to Pedro Almodovar, who will be in the audience. Wouldn’t you like to see that? 

Adam Driver will be probably not be the most memorable. If we take a look at his speech from last month’s Gothams it’s mostly a list of names. He only shows genuine emotion when he mentions his wife. And perhaps that will be enough to provide a TV moment.

Joaquin Phoenix's speech might be an odd mix of earnest and weird, as evidenced by this speech at TIFF. Unfortunately he won't be able to ramble as much as he did here, or interrupt the presenter. Still he's my bet for giving a speech that might become the most unforgettable. Despite not caring much for Joker (it's fine), it looks like I'm a Phoenix voter when playing this game.

Christian Bale and Jonathan Pryce haven't given speeches this season yet. Or at least ones I could find on youtube. Based entirely on what speech you want to see on Sunday night, who do you want to win this category?

The Look of "Joker"

by Cláudio Alves

In 1989, Tim Burton envisioned Gotham City as an Expressionistic nightmare, something necessarily unreal. Three years later, Batman Returns showed a different sort of urban reverie, one tainted by quasi fascistic imagery, an appropriate dark meaning for a darker film than its predecessor. Joel Schumacher's sequels would see Gotham go through another transfiguration, from a gloomy nightmare into a candy-colored hallucination. This process of growing artificiality would end when Christopher Nolan revitalized Batman for a 21st-century audience.

Nolan's trilogy shows us a Gotham that's a foreigner's idea of an American metropolis and one can almost chart, throughout the films, how the city goes from being a dream of Chicago to New York City 2.0. Todd Phillips' Joker perpetuates this configuration of Gotham as DC Comics' version of Manhattan, but he isn't looking to the real contemporary city for inspiration. The film is set in a New York of yore, a fantasy built from nostalgia and the cinematic legacy of New Hollywood's urban dramas. Gotham is never just a city, rather the idea of one…

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T'was a good weekend for Pedro, Joaquin, JLo, and Renée

Weekend Box Office [Actuals] Oct 4th -6th 🔺 = New or Expanding / ★ = Recommended
W I D E	PLATFORM / SPECIALTY TITLES
Joker	Pain & Glory
1 🔺  Joker  $96.2 *new* REVIEW	1 🔺 War $1.6 on 305 screens *new*

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Joker, Reviewed: An Empty Beauty Full of Anxious Laughter

Please welcome new contributor Michael Frank...

by Michael Frank

The circus around Joker has been exhausting. It’s been a nonstop argument between every single person that posts a positive or negative review, causing friction between subgroups you didn’t even know existed. I admit I found myself having trouble separating the discourse from the film itself. I couldn’t forget the unfortunate interviews given by director Todd Phillips. When I sat in the packed-to-the-brim theater, my head was filled with expectations, anxiety, and the dozens of headlines, articles, and think-pieces I’ve read over the past few weeks. 

I’ve never seen a film provide so much discourse outside the screen, yet feel this empty and broken once it's playing in the confines of a theater. Joker is gorgeous, though, and unrelenting in its violence and instability, by way of both the titular character and its striking visuals...

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Oscar narratives being pushed out of Telluride & Venice

by Nathaniel R

Hmmm... let's see Joaquin Phoenix Joker and Adam Sandler Uncut Gems for Best Actor (blargh and double-blargh*), Adam Driver and Scarlett Johansson for Marriage Story, A24's Waves for everything, Renee Zellweger's second Oscar for Judy, Christian Bale for Ford v Ferrari, Ad Astra for something or other (or will this go the First Man route of being wildly praised at its festival bow and then too "reserved" emotionally to actually catch on?) and... what else... what else.... Sure we missed something.  

It all feels dizzying right now since everything just began happening all at once, as is tradition this week of each year. The numbers of course don't add up. If you accept preemie buzz with no caveats about anything that happens after this week, we already have the Best Actor lineup (Phoenix, Driver, Sandler, Bale, and Banderas) and the supporting actor winner (Brad Pitt, OUATIH). But this is a small sampling of the movies and performances to come in the next few months of the year...

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