Beauty vs Beast: A Better Pan

Jason from MNPP here with this week's "Beauty vs Beast," pitting another dastardly villain against a doe-eyed do-gooder and asking you to choose. We've been anticipating Guillermo Del Toro's Crimson Peak for so very long that it feels crazy it's finally out this week; we're not alone - lean out your window and you can surely hear the Hiddleston fans squealing in the streets. So let's look back at Guillermo's last non-giant-robot non-comic-book-demon based entertainment, the roundly admired if not downright adored Pan's Labyrinth. Can you believe that film is over nine years old? Take a look at a picture of actress Ivana Baquero these days if you don't believe me. Speaking of...

PREVIOUSLY Last week was All About Winslet (not that every week isn't all about Winslet really) with her 40th birthday and the release of Steve Jobs (did you guys see it this weekend? Wasn't it awesome?), and so we faced her off with her foremost collaborator, Leo the second time around in Revolutionary Road. Y'all went with Kate, because of course you did, she's Kate. Said Bryan:

"I love both of them in this movie, but the close up of Kate smoking at the table after Michael Shannon's blow-up is actorly perfection. Maybe the most severe and intense she's ever been. I also love how she threatens to scream if he says another word... I wish more casting directors would take note of her ability at playing unpredictability / mental illness."

NYFF: Sing the Electric "Steve Jobs"

Reporting from the ongoing New York Film Festival here is Jason on Oscar hopeful "Steve Jobs".

It should surprise no one that a movie directed by Danny Boyle and written by Aaron Sorkin is all about rhythm. The rhythm is established at the start (and Steve Jobs runs zero to sixty so you'd best get a grip quick) and pulses outwards like the blink of a cursor, or a techno beat. You could probably set your watch to it... if you were a maniacal math genius who could work out the exact algorithm they're working off of. 

The new film is structured around three events in Jobs professional life: his first presentation of his Macintosh computer in 1984; the "perfect black cube" of the NeXT machine in 1988 after he was fired from Apple; and his triumphant return to the company a decade later with the crayola-tinted iMac every girl in my college dorm owned. Within each chapter, there are a series of sonnets of sorts, devoted to the folks in his life - his daughter, his work-wife, his boss, so on. The pieces shift once the rhythm is established, but structurally speaking the film is rigorous, in a (and I do not use these words lightly) soul-pleasing kind of way. Once you find your way in to Steve Jobs, there's this satisfaction in expectations, and the massaging thereof. [More...]

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Beauty vs Beast: Marriage Among the Ruins

Jason here, taking a little break between New York Film Festival screenings to give you this week's edition of "Beauty vs Beast" -- this past weekend Danny Boyle's film Steve Jobs screened at NYFF to sold-out crowds and from what I gathered very good notices (stay tuned for TFE's take soon; I took that picture to the left myself at the press conference), and I heard that on Saturday night Danny Boyle led the crowd in a rousing rendition of "Happy Birthday" to birthday girl, beloved actress, Oscar winner, and icon Kate Winslet.

Kate turns 40 today! We have been worshipping Kate ever since she helped bash in her girlfriend's mother's head with a brick in Peter Jackson's Heavenly Creatures, and we've never wavered... well okay we had no idea what anybody was thinking with Labor Day either, but other than that, not ever. Here on her 40th birthday let's give love to one of her best recent performances, one that just happened to coincide with a reunion with the Bogie to her Bacall, Leonardo DiCaprio, who was doing very fine work right across from her.

PREVIOUSLY Last week in anticipation of Ridley Scott's The Martian's looming box office boom we faced off our favorite pair of Red Planet invaders -- well it was Tim Burton's little green men that zapped their way into our hearts, to the tune of nearly 80% of your vote. Sorry Tripods, better luck next invasion. Said Denny:

"ACKACKACKACKLOLOLOLOL The martians from Mars Attacks win for their Frankenstein-ian experiments ALONE. "

TIFF's Red Carpet, Much Improved

Jose here, with a new life mission: make someone as happy as Kate Winslet looked at the premiere of The Dressmaker.

 The Oscar winner was the epitome of radiance as she walked the red carpet in a stunning Badgley Mischka design. Official reports say she was blowing kisses to the crowd, signing autographs and putting on her best face for her fans, however I choose to believe she was smiling because she saw how improved the looks were at the festival by the time she arrived. See the looks after the jump. 

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TIFF: Kate Winslet Goes Couture in 'The Dressmaker'

Glenn here. I'm not in Toronto (booo!), but I did get to see this homegrown film recently so let's talk about The Dressmaker. This is a film that makes a lot better sense when the end credits roll and you realize that director Jocelyn Moorhouse co-wrote the screenplay with her husband, none other than P.J. Hogan. It makes sense because The Dressmaker, despite the refinement suggested by its prestige audience-courting title, is kinda crazy. It is a buoyantly excessive feat of far-fetched camp that isn’t as good as its highly-stylized cinematic cousins of the early 1990s such as Strictly Ballroom, The Adventures of Priscilla Queen of the Desert, and Hogan’s own Muriel’s Wedding, yet which nonetheless has enough of a unique voice to work as a very Australian piece of crowd-pleasuring fluff. It’s the cinematic equivalent of Betsy Johnson designing an haute couture line for Dior. [more...]

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