La La Demy Land

Now that La La Land is in wide release word of mouth from regular moviegoers (rather than critics) keeps expanding. As expected with Best Picture frontrunners, not all of it is kind. This unique and ravishing film has begun to suffer from the inevitable backlash.  Some of my musical theater friends are balking that neither star is a great singer, the songs aren’t sophisticated, and it doesn’t honor Hollywood musicals in the way they’d expected.

To harp on these issues misses the point of what director Damien Chazelle has created.  It's true that neither Emma Stone nor Ryan Gosling have Broadway-caliber singing voices, and it’s also true that future composers of musical theater are likelier to study Sondheim than Justin Hurwitz.  But Chazelle isn’t making a Broadway show, he’s crafting a wholly-original tone for a film, stealing bits and pieces from a wide variety of sources, and doesn’t seem interested in making a purely traditional Hollywood musical.

Chazelle has spoken in interviews about how the single greatest influence on La La Land were the two musical films of French director Jacques Demy:  The Umbrellas of Cherbourg, and The Young Girls of Rochefort...

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Art Director's Guild Nominations

The Art Director's Guild can give us a taste of what's to come for Oscar but that's the reductive way of looking at it. By having multiple categories they give us a much better sense of what these craftsmen thought of the work done in any given film year... or at least told us which screeners they caught up with. Instead of 5 annual nominees like the Oscars, they have 15. Or in this year's case 16 titles (there was a tie in "period film").

MIDNIGHT IN PARIS won a surprise Academy nomination for Production Design (without an ADG nomination). Might CAFE SOCIETY (which *has* an ADG nomination) make the Oscar list despite a current low profile?

Which will go on to Oscar? (I'll have to rethink our chart which has four films which didn't score with the ADG in the top ten though one of them, The Handmaiden, still feels possible as a nomination since foreign films don't generally show up at guild awards before their Oscar nods) Oscar eventual lineup is remarkably similar from year to year in terms of how it pulls from the ADG nominations. For example, here is this decade thus far: 

2015: Oscar chose 3 from ADG's period pieces, 1 each from their contemporary and fantasy selections
2014: Oscar chose 2 from ADG's period pieces, 2 film from fantasy, none from contemporary. They filled the remaining spot with a film ADG had not selected (Mr Turner)
2013: Oscar chose 3 from ADG's period pieces, 1 each from their contemporary and fantasy selections
2012: Oscar chose 3 from ADG's period pieces, 2 from fantasy, none from contemporary.
2011: Oscar chose 2 from ADG's period pieces, 1 from fantasy, none from contemporary, and 2 films the ADG had not selected (Midnight in Paris & War Horse)
2010: Oscar chose 2 from ADG's period pieces, 3 from fantasy, none from contemporary.

The safest bet is that they'll do the same as usual this year with a 3,1,1 split for ADG's Period, Fantasy, and Contemporary fields. All the nominations are after the jump...

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Casting Society and ACE "Eddie" Nominations

Two branches of movie craftsmen have sounded off now in what will soon be a deluge of guild announcements. The casting directors and the editors have spoken and they've rallied behind some Best Picture hopefuls (the three frontrunners: La La Land, Manchester by the Sea, and Moonlight are showing up everywhere) and passionate fanbase movies (20th Century Women, Deadpool, Captain Fantastic) ...and 'oh, they remembered that!' surprises (Hail, Caesar!).

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Gosling and Chazelle to Reunite on the Moon

Chris here. It's that time of the Oscar season where we are starting to hear about the major contenders next projects, and here's one that reunites two major forces behind the frontrunner. Ryan Gosling has already danced among the stars for director Damien Chazelle, and now he'll be launched back into them as Neil Armstrong for First Man.

From James Hansen's biography of the same name, the film will be adapted by Spotlight's Oscar winning cowriter Josh Singer and follow the story of the historic moon landing. The project had originally been developed by Clint Eastwood, but Chazelle is an incredibly more interesting and less expected choice for the project. This would be quite the about face from the jazz-focused La La Land and Whiplash, so we'll be curious to see the results whether or not he becomes the youngest ever Oscar-winning director this year.

Will this be one small step for Chazelle or a giant leap for Gosling?

Co-Star Chemistry, The "Make or Break" Secret Ingredient

Year in Review. Each day another different angled wrap-up.

Last year during our year in review roundup we did our first list of "best co-star chemistry" and it was such a fun way to pinpoint the intangible and often uncategorizable spark that ignites greatness in movies that we're doing it again. Want to capture lightning in a bottle in your movie? Hire the right casting director who will pair the right actors together. No special effect, setpiece, or plot twist can or will ever rival the amount of movie-long electricity that can be generated when actors are really sparking off each other and nailing whatever the roles their characters play in each other's lives simultaneously.

The list is presented without much commentary... unless we couldn't escape it. Chime in in the comments, won't you?

16 Chris Pine & Ben Foster, Hell or High Water (Brothers)

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