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Entries in Latin American Cinema (61)

Monday
Jan182021

Best International Feature: Chile, Mexico, South Korea

by Cláudio Alves

Nathaniel has recently shared the Best International Feature Contenders List and given us an overview of the stars and directors and stats. Like last year, I'll be reviewing as many of the contenders as I can get my hands on, beyond the reviews already shared here at The Film Experience for the submissions from Czech RepublicGeorgia, Guatemala, Ivory Coast, Kenya, PalestineRomania, Switzerland, Taiwan, and Venezuela. The number of contenders is at an all-time high!

To start our voyage around the world, let's take a look at the submitted films from the last three champions of the category: Chile (2017, A Fantastic Woman), Mexico (2018, Roma), and South Korea (2019, Parasite)… 

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Friday
Oct022020

Beauty Break: Maribel Verdú, Goya Darling and Birthday Girl

This post has been updated from its original form, years ago...

Those Goyas must be heavy!

Happy 50th birthday, today, to Spanish beauty Maribel Verdú of Y Tu Mama Tambien and Pan's Labyrinth fame. How many women can claim to have terrorized Snow White and been tag teamed by Gael García Bernal and Diego Luna, and knifed a dictator's officer right in the face? How many women have been nominated for a Goya eleven times and won twice*. Just Maribel, that's who... 

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Saturday
Apr042020

Don't Miss "Invisible Life"

by Cláudio Alves

After a limited release in US theaters, Karim Aïnouz's Invisible Life is now available to stream on Amazon Prime. The film was Brazil's submission for last year's Best International Feature Oscar and, although the Academy chose to overlook its merits, that doesn't mean the picture is undeserving of our attention. This tropical melodrama is one of 2019's most ravishing cinematic experiences, a saturated explosion of deep feeling and chromatic excess, as beautiful as it is devastating. Harkening back to the glory days of Old Hollywood's women's pictures, Invisible Life is like a cocktail made of equal parts Douglas Sirk and Black Orpheus, a hint of Fassbinder adding an abrasive zing to the recipe…

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Thursday
Jan302020

"Ema" at Sundance

by Abe Fried-Tanzer

Chilean director Pablo Larraín was last at the Sundance Film Festival with frequent collaborator Gael García Bernal in 2013 for the Oscar-nominated No. Since then, he’s earned two additional bids from the Golden Globes in the foreign language category for The Club and Neruda. He even made his first film in English: Jackie. Now, Larraín is back with another Bernal film, showing in the Spotlight section after its premiere at the Venice International Film Festival.

Though Bernal plays a substantial role, this film is all about actress Mariana Di Girolamo. She stars as the title character, who is married to Bernal’s choreographer character...

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Monday
Sep092019

Latin American happenings in the Oscar submission realm

by Nathaniel R

In the heat of festival season we're also getting continued news about the Oscar race for Best International Feature. In terms of South America we'd already heard about submissions from the Dominican Republic (The Projectionist), Ecuador (The Longest Night which is sometimes referred to as Mala Noche), Panama (Everybody Changes), and Uruguay (The Moneychangers). There are three more already announced that will likely have higher profiles due to familiar actors. Colombia has Monos starring Julianne Nicholson, Cuba has A Translator starring Rodrigo Santoro and of course there's Brazil's Un Certain Regard-winning melodrama The Invisible Life of Euridice Gusmao which feels like a probable finalist / possible nominee. It's very moving and accessible and Fernanda Montenegro (of Central Station fame) adds a last boost of melancholy and nostalgia to it in terms of Brazilian cinema and Oscar affections. To add to that stack of films we've just learned that Bolivia will submit the gay drama Tu Me Manques (I Miss You) which is based on a hit stage play about a father visiting the boyfriend of his dead son in New York City. It recently won the screenwriting award at OutFest. The director Rodrigo Bellott was submitted once before for his artsy college film Sexual Dependency (2003). The film stars Oscar Martinez (Wild Tales) as the estranged father, Fernando Barbosa as his son's boyfriend, and features Rossy de Palma who is, of course, beloved from many Almodóvar pictures.

After the jump the finalists announced for both Chile and Mexico. Which films will they choose we wonder...

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