The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Pfeiffer in Beat-Up Little SeagullJust so everyone knows, I am indeed still alive. After briefly passing out. I was on a flight when news broke that Michelle Pfeiffer had signed on to the cast of the new untitled Darren Aronofsky film due in 2017 with filming to start this June.
La Pfeiffer has been MIA from the movies in a significant way since White Oleander (2002) her last Oscar worthy performance (she has famously never won despite multiple breathtaking star turns) and the last onscreen appearance without significant breaks thereafter. She flirted with a comeback in a brief flurry of activity around 2007-2008 (Stardust & Cheri being the highlights) but it's been relatively quiet since then. But no more?...
Mark Rylance’s best supporting actor nomination for Bridge of Spies marks the 13th time a performance in a Steven Spielberg movie has been nominated for an Oscar. Which of course calls for a list, so without any further ado here's Murtada's ranking.
Oscar Nominated Performances in Spielberg Films Ranked
13- Anthony Hopkins - Amistad (1997) Other Nominees: Robert Forster – Jackie Brown, Greg Kinnear – As Good as It Gets, Burt Reynolds – Boogie Nights, Robin Williams – Good Will Hunting. Winner: Williams
Did Hopkins have a big righteous courtroom speech? Must be, because why else was this performance nominated. The only thing I remember about it is that Hopkins robbed Rupert Everett of his nomination for My Best Friend’s Wedding.
We promised a grand total of 15 "Best of "2015" Lists (apart from the awards -- yeah, we're overplanning crazy) so here's the second to last. Diversity is the hot topic of the week and regardless of any one particularity (like an Oscar nominee list) thing are getting better on television (obviously) and at the movies, too, though you have to look a little bit harder. Still, if you go to a lot of movies and attempt to draw up lists like this you'll find you're spoilt for choice. There are so many more films these days directed by women, for gay audiences, for people of the color and the like. You just have to look beyond Big Hollywood and keep your eyes open for intriguing surprises if you do regularly hit the all wide releases multiplex.
Since 15 is a finite number (damn you math) not every film with an LGBT character can make the list. Some I didn't see only because you can't see everything (Legend, Duke of Burgundy, Cut Snake, Eastern Boys) and some just didn't make this particular list (Tom at the Farm, Saint Laurent, Gerontophilia, Ricki and the Flash, Mr Holmes, The New Girlfriend, Boulevard, Stonewall, Match, and The Danish Girl) though that shouldn't reflect on the film itself because that group has everything from terrible to great movies within it. The most high profile miss is Lili Elbe (Eddie Redmaybe) but that's mostly because The Danish Girl needed to be queerer and because there are several women that were far more fetching on this list.
Without further ado...
15 Best LGBT Characters of The Movies of '15 from Nasty Baby through Star Wars (???) and on up to Carol
15 Freddy (Sebastián Silva) in Nasty Baby Silva, one of Chile's best known filmmakers, doesn't usually star in his own movies, but this time out he gifts himself the lead role. Freddy, an artist working haphazardly on a new project involving adults pretending to be babies, desperately wants to be a dad and is continually trying to make it happen between his boyfriend (Tunde Adebimpe from Rachel Getting Married) and his best friend (Kristen Wiig). Silva's a fluid filmmaker when it comes to gender, ethnicity, and genre and Nasty Baby is a fluid movie, freely hopping from genre to genre without much warning: drama, comedy, character study, art world satire, and even thriller. (Bonus points for the cat-loving.)
/Film the first footage from Disney's Moana Playbill Rapper Daveed Diggs on getting his shot on Broadway's smash hit Hamilton expanding the world. (I hope to one day see this show. C'mon lottery gods!) Gizmodo an exo suit from Edge of Tomorrow constructed from junk! MNPP pic of the day Matthias Schoenaerts in A Bigger Splash
Comics Alliance apparently director James Gunn says Captain America: Civil War is awesome and this has excited the internet for some reason. Next time someone OUTSIDE of Marvel's employ enthuses about one of their movies early, get back to us? The Envelope thinks that Mad Max Fury Road and Carol will lead Oscar nominations (with 9 each). I dare not hope that this is true because that's just so much fabulousness in one Oscar year. /Film claims that the breakout character of Star Wars is TR-8R -- this shows how well we've been following Star Wars stanning because who knew? Cinema Blend Joss Whedon talks about why he's done with Marvel Reverse Shot a deeply insightful look at Star Wars: The Force Awakens - it's possible that f I've linked to this before but even so, it's a must read. Towleroad Matt Bomer covers Men's Fitness credits Channing Tatum for his current peak physique
Hateful Tangents Interview talks to Demian Bichir about his first gig with Tarantino. Bichir gave the second best performance in it if you ask me because he realized in the absence of being given a real character to play, play a Real Character. Slate the Movie Club is in session and it's hilarious and thoughtful as always. They argue over whether The Hateful Right is "ineffably evil", share the joys of Spy and Carol, and observe tricky critical duties as with Tangerine and The Danish Girl. Bonus points for the "f*** this thing" cat gif. Cinematic Corner on her issues with the heroism of rapists and murderers in The Hateful Eight.
I'm trying to let hate for Hateful Eight go, I really am. But it's like an exorcism. It takes time and I guess I've still got some pea soup to vomit up. I've made no secret that I personally despise this movie -- but I have been reading reviews with kind of a morbid fascination because of how much people try to say it's still somehow a good movie after lining up their lengthy issues with it. I'm not the only one who has noticed this.
It is not a good movie. In fact it's kind of a betrayal of Tarantino by Tarantino because it's him fucking up things he used to do better than anyone. There is zero depth to the characterizations beyond the most simplistic "What a character!" outline, the gore (such as exploding heads) adds nothing other than wank-bank material for sadists, the dialogue is severely lacking in his usual cleverness, and worst of all Tarantino displays none of his usual skill at that constant electric hum of "shit is about to go down!" that powers all of his best films. The only tension in this particular movie is wondering when the shit will finally go down so that it will end. If you think of all of his best films the tension is alive in every scene. The scenes repeatedly feel dangerous as if anything might happen. And something nearly always does. Here we basically have any of those individual scenes only they're now 3 hours long and the tension just goes out of it completely because who cares?
In short, stop justifying this work people; It's okay to think a movie is terrible when it is! Most great auteurs have a dud (or five) somewhere in their filmography. If we try to convince ourselves that every thing a single person makes is masterful, we are denying our own critical faculties and it also makes our love for their true masterpieces highly suspect. For instance here are a five filmmakers I regularly cite when people ask me for "all time favorites": Haynes, Almodovar, Cameron, Minnelli, Hitchcock. All of them have made a film or films that were not that great or that I could not personally connect to. That does not lessen their genius for me. That just means they're human and it helps me to appreciate their masterworks more because I know the love is true and not me trying to argue myself into fandom.
Try this at home. Realize that The Hateful Eight is a shit movie and go back to loving any of his much better films. And cry with me when The Hateful Eight takes Oscar nominations from far more deserving players in ten days time.
She did this in order to kill off a paparazzi's shot at making a ton of money off of creeping on her at the beach. Smart girl. We don't follow celebrity pregnancies so have no idea when she's due but it looks like soon... CONGRATS TO ANNIE & HUSBAND.
List-Mania Top Tens: Variety (Guy Lodge), The Telegraph (Robbie Collins); Slate (Dana Stevens); Pop Culture Crazy (Kacey Bange) Lists Lists Lists: Gothamist (Best Celebrity Subway Sightings); Pajiba (Seriously F*** That Guy - a retrospective of rage); Pajiba (5 Most Intriguing new Netflix Series. They don't mention Daredevil because it's about new series but season 2 kicks off in March, fwiw); Forbes releases their "30 Under 30" List which includes both of The Force Awakens new stars, natch, as well as all three Straight Outta Compton leads.
First Oscar Commercial of the New Year Chris Rock kinda sorta prophesies those annual nasty post-show reviews you read every year.
2016 is upon us. So far it's been a wash since a cold has attacked me without warning but while I sleep and stay hydrated (not simultaneously) and procrastinate here are some favorite tweets of the week. But the year started beautifully with two of our favorite film thinkers and Oscar historians Nick Davis and Mark Harris announcing new projects. Nick will be expanding his "Best Actress" section and Mark Harris will be celebrating 1966 movies all year as he preps for the 50th anniversary of those Best Picture nominees he celebrated in his first book "Pictures at a Revolution" which was on the Best Pictures of 1967.
Our first tweet is a perfect message for the "survey the greats" season we're in via filmmaker Guillermo del Toro. Our friend Nick has an interesting solution to this favorites versus perfection equation. He has two top 100s, greatest and favorites. He just wrote a huge batch of new essays which you should really read. Recent pieces include two movies that are accidentallly perfect for New Year's week including Strange Days and When Harry Met Sally (on the "greatest" list) movies like Movies become "favorites" for so many reasons, whether that's great experiences at the theater where we saw them or, the ease at rewatching them, or just the slow dawning realization that this one you just love whatever its shortcomings (this is me with Burlesque which showed on cable in a loop in 2015 and I couldn't look away.)
Favorite movies don't have to be perfect movies. Like in any relationship, Love is what makes them stick around.