Something Link-ed This Way Comes

The Movies
• How does The Intern stack up to previous Nancy Meyers releases at the box office? It's a bit too early to tell but I totally didn't know and was a bit surprised to realize that they were nearly all bigger hits overseas than in the US [Box Office Mojo]
• Sasha Stone comes up with a new sneaky way to define leading roles as supporting. She's calling them "anchors" as in "anchors to the lead," not "the other lead." Hee. Of course she doesn't mean Anchor as Category Fraud but a rose by any other name... [Awards Daily]
• Singing the praises of the Film Society of Lincoln Center and their upcoming slate for cinema-voracious New Yorkers. And really, sing these praises at full volume. [MNPP]
• Not everyone loves the new Macbeth [Shadowplay] 
• "The people behind [Sicario] understand that what makes a great thriller is not the abundance of shootings, murders or jump scares and plot twists - it's the fear that something horrible can happen at any moment." [Cinematic Corner] 

Off Screen
• Oh god. File under totally depressing: If even Meryl Streep doesn't understand what feminism is, the earth is doomed. One of the most successful things conservative thinkers ever did is fooling progressives (and women of any political stripe) into thinking it was a bad word [Refinery 29]
• I mean... Keira Knightley is awesome but shouting marriage proposals at her while she's trying to make her Broadway debut last night. Not cool, drunk stalker! [Playbill]
• "Homophobia unites people of different Christian faiths" - Dan Savage, hero, on the Pope/Kim Davis mishegoss [MSNBC]
• I missed this report last week but The Tony Awards might be leaving their regular home - considering different theaters [NYT]
• "The last time I saw Madonna was on September 6th, 1989, during the live telecast of the MTV Video Music Awards. I was in my parents basement with my mother..."  Love these personal essays about stars when people can pull them off. Must Read. [The Hairpin]

Scream Queens
• Is Nick Jonas too into queerbaiting his fans? [Towleroad]
• Are any of you watching? It's such a mess, strains for laughs and (worst of all) revels in its misogyny (Murphy and his writers really need to stop putting words like "gash" into the girls mouths to demean other girls) to the point where you know it's not parody but just actual feeling disguised as parody. I'm only in it for Jamie Lee Curtis (fun but she's been better) and recent Emmy nominee Niecy Nash (making the very very very most of a small role - what a gift she is!). This quote from Towleroad's recap of the third episode made me LOL:

“Chainsaw” ...crammed in so many obvious red herrings, I think it qualifies as an aquarium.

Image of the Day
Michael Fassbender as MacBeth. I will never for the life of me understand what is taking so long with this movie (remember how long ago we saw the first images -- I swear it was 2013 -- or even why they're going to distribute it like a poor stepchild movie. (sigh).

click to embiggen

"Critics Choice" Ch-ch-changes
It's worth noting that the BFCA, of which I am a member -- yes, I'm still bragging about sitting with Jessica Chastain last year --  is making a major change. They're fusing their fairly new TV arm (which currently holds their ceremony in May each year) with their cinema body for one conjoined show starting in January that's 3 hours long. I don't understand what that will mean for current TV shows (two awards for their favorites in just a seven-month span?) but this will obviously make the Critics Choice Awards far more like their sworn enemy* the Golden Globes. Obviously to make this successful the BFCA will have to axe some of their odder categories from their ever-expanding roster but that was okay because things were getting seriously weird there in their attempts to cover everything but NOT officially categorize anything (resulting in weird 'it's an action movie but it's not... it's a comedy but it's not... it's a drama but... no, scratch that we don't say "drama" about anything --that's the default!') 

I have to admit that it seems odd to have two separate organizations do one event together. Just let us vote on both, and not have to be part of two organizations! Just change the name to Broadcast Critics Choice Awards, dropping the pesky film or tv separations. 

* I'm kidding though for all the heat the Golden Globe take from US journalists, it's perpetually hilarious that US journalists always want to be more like them. 

Michael Snowbender

David here with some festive casting news.

It won't look anything like this.

Variety reports that the ever-present Michael Fassbender is in talks to star in The Snowman. I know what you’re thinking, but no, this isn’t Fassy’s Jack Frost. He’ll star as Harry Hole, in the adaptation of the seventh entry in Norwegian crime novelist Jo Nesbø’s book series. It’s a chilly series from Scandinavia, which has been owning the crime drama – mainly on TV – for the past half a decade at least, with massive successes like the original The Killing.

You may have heard talk about the series for a few years now – Working Title optioned the rights a while back, with the original intention to create a series akin to the Alex Cross films (Along Came a Spider, etc.), and it even had none other than Martin Scorsese mooted as a director at one point. He’s since moved into an exec producer role, leaving the director’s chair open for a more suitable candidate: Tomas Alfredson, whose next move we’ve been awaiting since Tinker Tailor Soldier Spy and whose global breakout Let the Right On In shows exemplary form for bringing the Scandinavian cool to the screen.

Hole (that’s pronounced “Hoola”, according to Nesbø) is standard detective stuff, the “stereotype of the hardboiled, troubled maverick”: abrasive, heavy smoker, alcoholic, and – naturally - an unusually perceptive detective. With Fassbender’s strong, ruminative presence bringing Hole to life, and Alfredson’s detached, observant style, this hopefully makes for a crime drama with all the bracing chill of the books.

What do you reckon? Christmas cheer or a snow-go?

Michael Fassbender X 2

Here's Murtada on two Michael Fassbender Fall movies that have released posters.

First we have Steve Jobs. The poster’s in the same vein as Apple’s minimalist ads. We approve, it does the job, recalls the subject matter and let us know who is involved. The movie is the centerpiece at the New York Film Festival and everyone suspects it will hit Telluride as well. And October 9 isn’t that far away.

When you have huge photogenic movie stars all you need is their faces. Even from behind the veil Marion Cotillard's face is telling a story. Intensity thy name is Fassbender. Sold.

But what is happening with this movie? The posters as well as all the marketing materials are coming from UK distributor StudioCanal. They took the movie to Cannes and released clips, posters and a teaser trailer. The movie is scheduled for release in UK on October 2 and in France on November 18. By the end of December everyone who lives in Europe will probably have had a chance to see it.

So far there is no US release date. The Weinstein Company has announced a deal with Amazon that vaguely states the movie will be available online “relatively quickly” after theatrical release. That release will be through their VOD arm, TWC-Radius. What is happening?

Is this movie the latest victim of TWC’s erratic release plans? And so soon after The Immigrant. Remember that? What does Cotillard have to do to get her performances in theaters in the US? There’s turmoil at TWC so who knows what will happen. But come on, you have 2 major movie stars, a well known story that doesn’t need much explaining and a director, Justin Kurzel, on the rise. Reviews at Cannes have been mostly positive. Release it.

Are you worried for Macbeth? Do we need to start an online petition for its release?

Update : Looks like TWC heard us! A couple of hours after publication they announced a December 4 limited release for Macbeth.

Links: Video Game Movies, Big Lebowski Reads, Oscar Site Purchases

David Poland won't review Pixels 'because... why?'
Variety Our Brand is Crisis starring Sandra Bullock gets an October 30th release date. With that film, The Walk and Freeheld all coming out it could be a huge year for features based on documentaries at the Oscars
TFE in case you missed it Ann Dowd is in that film, too and loved being part of the ensemble
Towleroad I interviewed the director/star of Do I Sound Gay?, a documentary on the gay voice that's out right now
The Guardian reviews the latest Jason Reitman live read (The Big Lebowski) and loves on Michael Fassbender as "The Dude" and Patton Oswalt (in John Goodman's role of "Walter" and Mae Whitman (multiple parts) in particular. Not so much Jennifer Lawrence in Julianne Moore's original part

Variety interviews legendary documentarian Barbara Kopple. My shame: I've still never seen Harlan County, USA but people always say it's amazing
Comics Alliance on rumors about "Robin" in Batman v Superman. He might be played by Zach Snyder's son Eli who has only worked for his dad but it's "not entirely" and only "sort of" nepotism. (Related: on the internet, words continue to lose their meanings)
/Film looks at upcoming video game based movies. I don't play video games so none of this means anything to me but if you do... (I amend. There's one I'll see called Assassin's Creed but that's only because Fassy and Cotillard are both in on the heels of co-starring in Macbeth)
Awards Daily loves Grandma and agrees with us that Lily Tomlin needs to be in the Best Actress conversation 
Gold Derby I forgot to mention that they were bought up by a larger media company so congrats to Tom O'Neill. That leaves David Poland, Jeffrey Wells, Sasha Stone and little ol' me as the last of the original indies still doing this. Not everyone wants to be bought up... I'm not sure who I'd be without The Film Experience... but on the other hand, money is nice. green. useful.   

Off Cinema
Esquire has a fascinating/terrifying long read on climate scientist 'what if the end of the world was your day job?' 
Stage Buddy for Kander & Ebb's 50th anniversary, a ranking of their top 50 songs. Wow this is comprehensive. The order is all out of whack (Cabaret and Chicago combined only get 3 songs in the top 25!)  but still, good job Andrew! This reminded me how much I loved the music in The Visit and how great the music is in New York New York.

Speaking of... here's your Showtune to Go from The Scottsboro Boys (2010) which I'm so sad I never saw during its Broadway run (this song "Go Back Home" which comes fairly early in the show is so gorgeous). I only heard raves and it won 12 Tony nominations but in the season of The Book of Mormon there was no oxygen for the competition. Maybe someone will one day make it into a movie?

Can't Buy Me Link

The Movie Scene weighs in on the twitter vitriol for Pixar's Lava
NYT on famed movie producer Jerry Weintraub (1937-2015)
Film Stage Penélope Cruz returns (finally) in Spanish drama Ma Ma about a teacher with breast cancer - I'd expect fall festivals
AV Club impressive mashup of Ant-Man trailer as 50s weird science type movie, complete with Vincent Price narration
/Film in very against-type casting news, Michael Fassbender will play The Big Lebowski's "Dude" in one of Jason Reitman's live-read events

Pajiba Your first look at Pedro Pascal in Netflix's new drama Narcos -- will it be Netflix's next big hit?
Kenneth in the (212) Seems that Amanda Peterson of the 80s youth hits Explorers and Can't Buy Me Love has died at only 43. No cause of death yet 
Playbill this sounds like a bad idea: Ian Fleming's James Bond aiming for a stage musical adaptation in 2017 or 2018
i09 every Justic League hero in one montage - yes, Batman v. Superman is trying to boost excitement via Comic Con -- including many so lame they'll surely never make the big screen
Comics Alliance Guardians of the Galaxy promos its new animated series with poster, etcetera 
Playbill have you heard this awful 'what are audiences coming to?' story? Some guy tried to charge his phone in on the stage (in a fake electrical socket) at the hit comedy Hand to God

Magic Mike XXL keeping the interwebs talking...
Peter Labuza on 35mm "whiteness" and filming black blodies in Magic Mike XXL
Pajiba unanswered questions about Mike's furniture career. You know, the important stuff
Salon on XXL's dedication to a thematic taboo: Failure 
Cosmopolitan has Disney princes reimagined as strippers -- hasn't this erotic Disney trend reached its sell by date yet? I mean the craze started, what, 11 years ago or something

Showtune to Go
In addition to Magic Mike being in the pop culture air lately, during channel flipping this week I caught Hugh Jackman's filmed stage show of Oklahoma! again and remembered how much I loved Patrick Wilson in it on Broadway and began wondering why he doesn't do musicals anymore? To be frank, I don't understand his career choices at all but he should definitely do another stage musical. It's a no brainer. So let's combine the two threads with a Tony clip of Patrick Wilson's stripper musical based on the 1997 Best Picture nominee which predated Magic Mike by a lot. (Lots of fun star cameos in this Tony clip including some we've lost -- Anne Bancroft. *sniffle*)