It's Michelle/Marilyn for Dallas, Florida, Vegas and Chicago

The critical map continues to unfold with only three films scoring repeatedly: The Artist, The Descendants and The Tree of Life. All of them recently picking up another "best of year" prize. I had expected Hugo to feature more prominently after its high profile NBR win but that hasn't come to pass. But isn't it awfully nice to see a year with three major critical players even if you don't much like one of them (for me that's The Descendants). In short: Death to sweeps!

Michelle Williams is dominating the critics awards

While she's not quite a sweeper Michelle Williams is going to be on a lot of airplanes if she intends to attend all of these critics ceremonies that plan to honor her work in My Week With Marilyn! After the jump prizes from... Chicago and St. Louis who both just announced, Dallas Ft Worth, Florida, and Las Vegas (which I missed last week oopsie).

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Parties: Overheard at Guild / Oscar Functions

I thought for fun I'd collect several bits from conversations to share with y'all. A couple of the following bits were said directly to me, some were part of group conversations, some were merely overheard at screenings or events. All are anonymous and shall remain so of course but are fun for awards geeks and movie fanatics to think about. I am not a fiction writer so these are all actual quotes (or paraphrasals, rather, since I don't walk around with a tape recorder.) One thing that's important to remember but easy to forget about the Oscars is that the 6000+ voting members are individuals with individual taste. They are no monolithic unit though the world likes to imagine them sharing one gold plated borg-mind.

While mostly it is fun to talk with voters, one discouraging thing you quickly realize is true that I'd personally always hoped was false is this: many of the voters wait until right about now to start watching the movies. A lot of conversational roads have abrupt dead ends like "I haven't seen that yet but it's on the stack!" In short: they don't go to the movies as often as movie fanatics. Or, as one actress told me recently, "I see a lot of movies but I see them either long before they're in cinemas or long after." It made a lot of sense to me once I stopped to consider the inside mechanics of this Business we call Show. 

On to the (silent) sound bytes on My Week With Marilyn, Moneyball, The Artist, Young Adult and more.

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Live-Blog: Oscar Bound Actress Roundtable

We've been waiting for this full video of The Hollywood Reporter's Actress Roundtable for weeks (included at bottom of this post). Last year we had fun live-blogging / discussing it, so... "again!".

This year THR assembled from left to right in couch seating: best actress hopefuls Viola Davis, Charlize Theron, Glenn Close, Michelle Williams and best supporting actress hopefuls Octavia Spencer and Carey Mulligan. The directors (we're still waiting on their full video) were on stools. Is this a subconcious move on THR's part? Putting directors on pedestals and actresses on a (casting) couch where they have to worry about how they cross and uncross their bare legs? 

00:01 Damn, starting with a toughie, asking them about performances of their own they were disappointed in. Let's watch the actresses dodge the question! This one goes to Octavia who has the least amount of work to watch, career-wise. She doesn't. She actually sounds kind of grumpy.

02:30 Michelle Williams says she watches some of her work. Naturally she won't name names but implies that she doesn't watch it if she thinks it's not going to be good. Hmmm. When is Michelle not good? But claims she's never had a bad relationship with a character.

I like being directed. I like not being in charge.

And then a cute bit about finally learning to use her computer to research Marilyn. Apparently YouTube helped that performance along. It's not just for bad karaoke and funny cat videos!

06:00 Carey Mulligan describe her Shame character as "kind of a mess..." admits she didn't do much research beyond the very basics of why cutters hurt themselves. Says that self-destructiveness of characters does not bother her off the set.

No, no, no. It's nice. It's quite cathartic; have a good cry, have a good scream, then go home and go to bed.

We love this but it probably won't win her ballot points. Don't they want to think you suffered for it?

08:00 A question about back story as follow up. Of course. Why does everyone need to know everything about backstory all the time. This make-a me crazy. If Tim Burton had made Shame, there would have been a half hour long gothic flashback to describe exactly what happened to the Shame siblings when they were precocious but gloomy kids. Who needs it? You're supposed to engage with movies and interpret them... not have them happen at you like brick walls with cemented feeling.

Carey is so cute as she struggles with this question though. She also has a laugh when talking about how much she fears taking her clothes off to be "sexy". That said, she didn't have trouble with the nudity after absorbing the character -- Steve McQueen had her look at the photography of Francesca Woodman -- and understanding her as someone "who wants to be seen."

10:50 Charlize has a potty mouth.

 ...which makes Octavia laugh. In trying to recover from dropping the F bomb Charlize then says "oh shit. sorry." LOL.

Charlize's sexual education, Viola Davis's lips and Glenn Close's eyes after the jump

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NYFF: "My Week With Marilyn"

Poor Marilyn. The press hounded her. Fans would tear off pieces of her soul if they could. Co-stars and directors dissed her. Men wouldn't leave her alone (not that she wanted them to). And now Simon Curtis is holding yet another Monroe seance -- her soul will never rest in peace -- with his feature film debut My Week With Marilyn (2011),  a "true" story about the making of The Prince and the Showgirl (1957).

True must come with quotes. The film is based on the memoirs of Colin Clark, the third assistant director on the "lightest of comedies" directed by and starring Sir Laurence Olivier (Kenneth Branagh) and Marilyn Monroe (Michelle Williams). Can we trust the awestruck account of a young movie dreamer's version of his friendship and quasi-romance with the world's most famous actress? My Week With Marilyn emphatically does despite the amusingly placcid (if repetitive) moonyness with which the talented Eddie Redmayne portrays him, as if he's just as doped up as Marilyn, but much smarter about his cocktails of choice.

"Surprise!" Marilyn escapes with Colin Clark, lowly third assistant directorClark was 23 going on 24 when he met the immortal bombshell while hustling into the movies, landing his first job on a set through the help of his father's connections, despite the fact that the father did not approve of him 'running off to the circus'. The details of Clark's adventure in the movies are both acted out and explained to us in voiceover in the film's inelegant screenplay, which prefers for the characters to state the obvious or speak their psychologies aloud. Sometimes they even speak Marilyn's aloud; in the great transitive powers of true celebrity, everyone on earth is her psycho-therapist. Sometimes this obviousness of speech has comic payoffs (the film works best as a comedic clash between proper British theatrical training and idiot-savant American stardom) and once it even pays off both dramatically and comedically in a sadly funny scene where Colin Clark tells it like it is, succinctly, to Marilyn. He understands Marilyn and Olivier's mirrored goals and prophesies the failure of the movie.

Thought Balloons as dialogue and Michelle's performance after the jump...

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Yes, No, Maybe So: "My Week With Marilyn"

Visual information was a long time coming with My Week With Marilyn, but now at last the trailer for the film has arrived giving us a peek at Michelle Williams as Hollywood's most famous blonde bombshell and the story of a diversion with a reporter during the filming of The Prince and the Showgirl.

Dougray Scott and Michelle Williams as Mr & Mrs Arthur Miller

In the trailer we see lots of Michelle as Marilyn and a pissy Sir Kenneth Branagh as Sir Laurence Olivier. Judi Dench seems starstruck, Dominic Cooper annoyed, and Eddie Redmayne appropriately in over his head as the young man she takes up with.  Let's break it down. Do we wanna see it and why?

Breakdown and full trailer after the jump.

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