This review originally appeared in abridged version in Nathaniel's column at Towleroad
All throughout Demolition, which opened the 40th annual Toronto International Film Festival which closes this coming Sunday, new widower Davis Mitchell (Jake Gyllenhaal) is putting the title into action. His wife has just died, he is convinced he feels nothing about it, and he begins to tear things down and scatter their parts about. The general idea is ‘take something apart to see how it all fits together’ but he doesn’t bother with the fitting back together part.
He’s also demolitioning his own life, of course, in the process. This peculiar destructive streak starts out small with his morning routine. At first, in montage, this includes lots of preening and shaving (including his chest. *sniffle*) to turn him into a smooth starched and well dressed executive but it’s quickly abandoned. Cue: sexy scruff and increasingly erratic behavior. (Unfortunately we are not shown the return of the chest hair. Stingy move, movie!)
Everything has become a metaphor…”
…Davis intones in the middle of the picture to his confused and impatient boss and father-in-law (Chris Cooper), as an attempt to explain his new and frankly worrisome headspace. But he’s right. Everything is a metaphor in Demolition and thus, apart from Gyllenhaal’s work, the movie sparked polarized reactions. More...