Doc Corner: Are 'Wild Wild Country' and 'Evil Genius' on Netflix Peak TV?

by Glenn Dunks

Peak television! One could argue that unlike film, television only grows and grows in stature as the more resources and money are thrown its way. Whether you’re part of the small screen migration or still prefer things big and silver, it is hard to deny the impact that has occurred and the major cultural and structural shift that has forced its creators to tap into new and exciting takes on the form and storytelling more generally. I don't think anybody would find that a controversial stance at all.

However, is there a point where this newfound reservoir of creativity and both financial and technical supply is actively harming storytelling? On the fictional side of TV, for instance, I have argued that a series like Westworld is definitely harmed by being offered the benefits of contemporary television's bounty – being given a monumental budget – and the expectations that that breeds from a storytelling point of view to be instantly the biggest and most Capital I Important version of itself without the option of gradually enhancing its characters and narrative through world-building.

On the documentary side, however, the issue is somewhat murkier...

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'just link a prayer, your click can take me there... 🎵

• Guardian has a really fascinating interview with Sean Penn about his novel (yes he wrote one), his ex-wives, his humanitarian work, the Me Too movement and more
• AV Club Netflix suggests it's going to back away a bit from its war against the movies... or at least from competing on the awards battlefield. Does this mean they're abandoning their Oscar campaigns? This statement is quite vague.
• Boy Culture connects two of my favorite things of all time: Madonna's "Like a Prayer" phase and... Natalie Wood?
• Time Can Oceans 8 bring back the glamourous caper?

• EW Uma Thurman willing to work with Quentin Tarantino again
• W interviews Grace Jone about her fierceness "I pack a good wallop"
• Variety YES! A24 is planting the seeds for an Oscar campaign for Toni Collette in the horror film Hereditary
• Coming Soon For some reason Monty Python's Spamalot is going to become a movie
• Variety Olivia de Havilland talks about being Cannes very first female jury president decades ago
• Electric Literature "storytelling" in WestWorld and how literary it actually is
• Awards Daily Academy votes to expel Roman Polanski and Bill Cosby
• AV Club Steve Martin and Martin Short are actual best friends
• i09 beautiful posters for King Kong's Broadway musical debut
• Playboy "Hollywood's pansexual moment" - interesting points in this article but I'm really quite annoyed that we've jumped from gay rights to "let not define ourselves and let's explore fluidity" and are acting like homophobia is solved / gays are accepted. There are literally still laws being pushed in the US to discriminate against queer people - even this very week! 

Click to enlargeAvengers Mania
<-- This Captain Marvel poster going around looked so official I thought it was. Apparently it's actually fan art by a Brazilian illustrator Fabio Rodrigues

• Vulture Infinity War facial hair rankings
• Monkey See Glen Weldon coins a genius term for the ending of Avengers: Infinity War. Well worth a close read.
• Crooked Marquee Eric D Snider wins the award for "best headline to an Avengers Infinity War review"
• /Film Black Widow's solo film actively looking for a director (even though no screenplay is written yet. Hmmm)
• AV Film how are we supposed to care about Ant-Man and the Wasp post the brutal ending of Infinity War
• Coming Soon Infinity War has been out just one week and it's already nearly at a billion dollars globally. Jesus.
• Express a very elaborate theory on how Captain Marvel and Ant Man could save the day in Infinity Wars Part 2

Doc Corner: Women Astronauts and Rachel Dolezal on Netflix

By Glenn Dunks

“That’s one small leap for a woman, another giant step for mankind” is how Mercury 13 opens. Ignore that it is probably the teensiest bit too twee of a means to open a movie – and also doesn’t make much sense in so far as what they’re referencing – and consider for a moment what could have been. David Sington and Heather Walsh’s film isn’t one of speculative fiction, but rather the untold story of the women who partook in a NASA program.

In many ways, Mercury 13 feels like a blueprint for a feature narrative drama film. Watching the doc and one can almost see it playing out with actors like Emma Stone in the roles of these determined women who took to the skies and played an important part in the war efforts before being recruited for a secret mission to test whether women were fit for space travel.

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"Sense8" Returns Only to End

The finale of Sense8, the cancelled Netflix series from the Wachowski sisters, will start streaming on June 8th. As you'll recall the one-of-a-kind series was cancelled after two seasons but after much fan pleading, a final movie was ordered to wrap things up. Not unlike what HBO did for Looking... only with possibly even less sex this time. The synopsis threatens that they no longer have personal lives... i.e. no cluster orgies for Wrap-up movie.

Personal lives are pushed aside as the cluster, their sidekicks, and some unexpected allies band together for a rescue mission and BPO take-down in order to protect the future of all Sensates

What is even the point then? I'm kidding (well, mostly). The synopsis makes this sound like it's an all action finale. And not that kind of "action". Sigh.

Are you looking forward?

Cannes News: Everbody Knows, The Poster Unveils, and Netflix Whines

It's still wintry here in NYC (groan) but Spring technically arrived a little while ago which means that the Cannes film festival is right around the corner. Here are three pieces of news involving the festival which will run from May 8th to May 19th.

The Poster
This year's poster, pictured above, is a quad rather than a horizontal for some reason. Usually they come in both formats or are just horizontal. It's based on the work of stills photographer Georges Pierre and the Jean Luc Godard film Pierrot Le Fou (1965). That's two posters based on Godard films in fairly quick succession. Last year's poster featured 1960s Italian sex symbol Claudia Cardinale but the year before that the poster was in tribute to Jean-Luc Godard's Contempt (1963)! 'Maybe Cannes ought to look beyond the 1960s and Godard sometime soon?,' he suggested with ribbing affection. 

Opening Night film and the Netflix controversy after the jump...

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