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Entries in Oscars (11) (341)

Thursday
Dec012011

Congratulations to the Movie-ish Grammy Nominees !

Given that roughly 193,026 musicians can call themselves Grammy nominees for the first time or again in the wake of last night's announcement (so many categories), we'd like to congratulate those nominees that are somehow connected to the movies. But before we do that, tell me who has your vote for "album of the year"?

 

I have the Gaga and Adele CDs and love both. Do you recommend the others?

Anyway... Silver screen type nominees & best music videos after the jump
Including: Val Kilmer, Patton Oswalt, Daniel Radcliffe and more...

Click to read more ...

Thursday
Dec012011

Complete the Chastainy Sentences...

If I could ask Jessica Chastain one question it'd be this:  ________________________________________.

She's the new _________________ because  ______________ .

When I heard she won the first Supporting Actress award of precursor season I thought _______________________ .

I really hope she works with _________________ and plays __________________ .

 

Tuesday
Nov292011

Mike Mills on "Beginners" and Making Stories About Ourselves.

Christopher Plummer and Mike Mills promoting "Beginners"Sometimes the beginning of awards season offers pleasant surprises. Such is the case with Beginners, one of the year's best films, which recently debuted on DVD and is now suddenly on the shortlist of potential Oscar contenders with early and surprisingly robust attention from both the Gotham Awards where it won the top prize and the Independent Spirit Awards (3 nominations including Best Feature). 

I had the opportunity to speak with writer/director Mike Mills recently about Beginners, his second feature. The film famously draws heavily from Mills' own life to depict the relationship between a lonely artist named Oliver (Ewan McGregor) and his gay father Hal (Christopher Plummer) who comes out late in life shortly before succumbing to cancer. Oliver does his own romantic soul searching with an actress named Anna (Melanie Laurent) after his father's death.

The film moved me deeply this past summer and I told Mills as much as we began to talk. I had just rewatched the film on the morning we spoke.

NATHANIEL: It's so fresh in my memory, but how about you? Have you watched the movie recently?

MIKE MILLS: No. You know, most of my friends are filmmakers. A lot of filmmakers I know, we never watch our films after they're done. They're like old lovers or old worlds we were in. Since I premiered it at Toronto in 2010 I haven't watched the whole thing straight through. I watch parts of it and when I do Q&As I end up watching the end a lot or I peek in. Parts of it are tolerable but watching the whole thing is slightly torturous. More than slightly torturous.

Because you've lived with it for so long?

MILLS: Yeah. I've seen it probably a hundred times in making it. It's not the same experience for me, obviously, as it is for the audience. I'm thinking of all the strings behind the puppets. Maybe in a few years. It's strange. It's kind of sad. My wife [Miranda July] doesn't -- I have a lot of director friends and none of us look at our movies. 

Well, Beginners is also so autobiographical. So is it at all harder to watch for that reason, than say your first feature Thumbsucker

MILLS: It's not -- well, I don't think so. While it is very autobiographical by the time I've written it, turned it into a story, cast Christopher and all these people, it is a story for me; it's not 1 to 1. For me, I'm the most aware of how much it is not my life. But having said that, I do watch the end a lot. So often, I watch Hal die. I've watched Hal die so many times. The section right after that where it talks about what you do when someone passes away, there are some very real things in there. The daisies at the end -- there's a black and white photo of daisies. That's my mom's photo. That part can really hit me. One, it reminds me of my mom. Two, 'whoa! I put something incredibly intimate and vulnerable in this very public thing.' It almost surprises me every time that it's in there.

"They're just personal photos, they're not art."

I was going to ask. It feels so personal. The very specific can become universal of course. But on the other hand, we are aware that it's based on your life. So...

I'm very happy to remember my dad. It's not like a painful thing. Even his death and even his illness and all of that, we had a lot of great times around that. We had more closeness than we had ever had. So most of the stuff I'm showing you in the film are positive memories, things I enjoy being around. To be honest, most of the stuff with the dad... I pretty much wrote down things my father said to me to the best of my memory. But by the time you've put it in a different place, you've put it into a larger fictional context, and you have Christopher saying it, I really don't go "oh, that's my pop". Do you know what I mean?

But those flowers slap me in the face. They kind of sneak up on my every time.  I worked on the father stuff so much and I got really used to thinking of it as the weird hybrid of personal and story.

[more on his fine screenplay, his art, and working with Oscar-buzzing Christopher Plummer]

 

Click to read more ...

Tuesday
Nov292011

Spirit Awards: "Take Shelter" & "The Artist" Lead the Nominees

The New York Film Critics Circle isn't even finished with its announcements yet and now we've got The Spirit Award nominations. They have the longest lag time between nominations and ceremony since they aren't even held until the day before the Oscars. Like the NYFCC they've been swerving ever closer to Oscar over the years, often championing a runner-up type of candidate like, say, Sideways or Black Swan. That could be good news for The Artist or The Descendants this year depending on which takes the lead in the Oscar race. Though if you believe the nomination tallies here this could be a very big night for Take Shelter.

BEST FEATURE
50/50 (3 noms total) -review
Beginners (4 noms total) -review
Drive (3 noms total) -review
Take Shelter (5 noms total)
The Artist (5 noms total) -review
The Descendants (4 noms total)

I'm super fond of ½ of this lineup and whenever you're super fond of ½ a lineup you should smile. Perhaps unsurprisingly, given the way awards season is aiming to go, The Descendants is my least favorite from their preferred lineup.  

FULL LIST OF NOMINEES AFTER THE JUMP

Click to read more ...

Tuesday
Nov292011

NYFCC. (Ready, Set, Go: Awards Season!)

Here we go... 

Picture THE ARTIST
Director MICHEL HAZANAVICIUS (The Artist)
Actress MERYL STREEP (The Iron Lady)
Actor BRAD PITT (Moneyball and The Tree of Life)

• Big day for The Artist (top two prizes and also the leader at the Spirit Award nominations) and The Tree of Life (three prizes) and Moneyball (two prizes)
• So pleased to see Brad Pitt rewarded for two very different but totally compelling and soulful performances. Pitt's awards history has been strange so it could well be time for career honors.
• They first listed Meryl Streep's win as for "The Lady". Do you think Michelle Yeoh got her hopes up for a  minute? This is Streep's fifth win from NYFCC. They also gave her the title for Julie & Julia, A Cry in the Dark, Sophie's Choice and a multiple films win in 1979.

Supporting Actor ALBERT BROOKS (Drive)
Supporting Actress JESSICA CHASTAIN (Tree of Life, The Help and Take Shelter)
Screenplay STEVEN ZAILLIAN and AARON SORKIN (Moneyball)
Cinematography EMMANUEL LUBEZKI (The Tree of Life)

• Happy for Lubezki & Moneyball. Fine choices and NYFCC had me worried at the beginning.
• Does this mean they thought Jessica Chastian sucked in The Debt and Coriolanus? If you're going for multiples go for multiples. P.S. Chastain's best performance this year was in The Help. It's true and you know it!

Foreign Film A SEPARATION (dir. Asghar Farhadi)
Documentary CAVE OF FORGOTTEN DREAMS (dir. Werner Herzog)
Animated Film no prize this year? we're awaiting confirmation...
First Film MARGIN CALL (dir. JC Chandor)
Special 2011 Prize a posthumous honor for filmmaker Raoul Ruiz 

• I wish Sony Pictures Classic would push A Separation harder and release it earlier. It shouldn't be content with just a few foreign film wins here and there.
• More bad news for Martha Marcy May Marlene after its empty-handed night at the Gothams, it loses best first feature this morning.
• Is the Herzog vote in documentary a "take that, Oscars!" jab... (it didn't even make the finalists with Oscar. They have intermittent Herzog allergies over there in California) or their genuine favorite? 

To give you a little more perspective on the New York Film Critics Circle, herewith a list of previous top awards they've handed out over the past 15 years.

Click to read more ...