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Entries in Oscars (13) (327)

Sunday
Oct272013

Podcast: Cheetah Tattoos & Broken Sailboats

Nathaniel, Nick and Joe welcome back Katey, who's been in London gazing into Chris Hemsworth's eyes at the Thor junket. We gathered to discuss J.C. Chandor's All is Lost but as per usual, the conversation turned.

Topics include but are not limited to...

  • Gotham Nominations: Blue Caprice & Inside Llewyn Davis
  • Awards Futures for The Butler & Frances Ha
  • The Counselor & Cameron Diaz
  • Actor Retirements from Goldie Hawn to Leonardo DiCaprio
  • Wolf of Wall Street & Release Date Swappage

... and a few leftover feelings from 2012 from Bad Teacher to Django Unchained turn up, too! You can listen at the bottom of the post or download it on iTunes. Join in the conversation in the comments.

 

supplemental reading: this tweet, this post

 

All is Lost for the Counselor in Gotham

Friday
Oct252013

Link He Wrote

GQ Michael Fassbender profiled
Deadline Octavia Spencer in a Murder She Wrote reboot? Maybe because I think procedurals are the most formulaic of all genres and entirely dependable on personality to be distinctive at all this sounds like a great idea to me. To others (Angela Lansbury super fans) it will surely sound like sacrilege.
MCN Late October and still no Best Picture frontrunner?
Empire Team Gattaca reuniting: Andrew Niccol and Ethan Hawke making another film together. Call me when Uma & Jude join and we'll talk.

 

Anatomy of a Scene Blue is the Warmest Color I'm bookmarking this one and waiting till I've seen the movie. Hopefully today
Antagony & Ecstasy on Dario Argento's Dracula 3D 
MNPP Jamie Dornan has been cast in 50 Shades of Grey but you need to know who appreciated him first. Besides Keira Knightley
Pajiba amputee Josh Sundquist wins Halloween again. Incredible costume! 
Coming Soon an unfortunate typecasting niche: John Ridley, who wrote a beautiful script for 12 Years a Slave has signed on to the remake of Ben-Hur which is, in case you've forgotten, also a slavery narrative.
The Advocate on the Oscar eligible LGBT documentary hopeful Bridegroom 

Off Cinema
New Yorker "the dream of keeping poor people from seeing the doctor must never die." I love this but it's also sad that political satire barely has to try these days to be accurate!
Vanity Fair "The Ronan Farrow Love & Politics Dreamboat Hour"

Todays' Watch
The sounds of Gravity... (I'm not sure if it's going to win Best Picture but it seems likely that it walks away with the most statues even if it doesn't.)

Horror Fest 2013
Though horror is not among my favorite movie genres I really had a great time viewing a few seminal movies and working on the Best Horror Pre-Exorcist / Post-Exorcist group lists that we did for this haunted month. I'm realizing, as I stated on the latest podcast (one of my favorite episodes actually!), that maybe I like horror films more than I thought but that it's actually just the slasher sub-genre that I hate. Since I came of movie age in the 80s, I now understand that I equate the entire genre with slashers, for whom I have no use. I just find those movies repulsive and politically suspect (so much sexism and conservativism) and I just need more artistry in my movies.

But anyway my point is this: two members of the team shared more at their personal blogs and you should read them: Michael's Top Ten Lists with commentary ; Jason's own Pre-Pazuzu / Post-Pazuzu  lists... and if you like horror Jason is one of THE voices on the web you should be obsessing on. I actually credit him with opening my heart up to the genre slowly over the past few years, like one rib at a time ...now that it's open, don't get stabby with it!

P.S. I ♥ Shelley Duvall in The Shining so much -- f*** everyone who thinks she's terrible in it! -- and that is my last word on these horror lists we did for this season.

Thursday
Oct242013

Gotham Award Nominees: Short Term Sad

The Gotham Awards, which are kind of the East Coast sibling of the Spirit Awards, have been announced. Unfortunately it wasn't great news for my beloved Short Term 12 (sigh). And though I don't feel as proprietary about Frances Ha, it's complete snub is just bizarre (SO I HAD TO TALK TO GRETA GERWIG ABOUT IT). 

Breathe Kaitlyn, breathe. Being in a great movie is its own reward.

The nominating committee preferred mostly films by already established lauded filmmakers like The Coen Bros, Steve McQueen, and Richard Linklater. Short Term 12, the year's most heartfelt indie miracle, managed only one nomination for Best Actress (Brie Larson, interviewed here), which is a new category for the Gothams who have previously only awarded "Breakthrough" acting. Perhaps the Spirit Awards will come through for Short Term 12 if they can tear themselves away from barely independent studio-funded Oscar bait?

THE GOTHAM  NOMINEES

Best Feature

12 Years a Slave (Fox Searchlight Pictures)
Ain’t Them Bodies Saints (IFC Films)
Before Midnight (Sony Pictures Classics)
Inside Llewyn Davis (CBS Films)
Upstream Color (erbp)

 

Their Best Feature rarely has much correlation with Oscars... and that's a good thing since indie film awards ought to be thinking independently. [MORE...]

Click to read more ...

Wednesday
Oct232013

Golden Globes: Got Any Comedy/Musical Predictions?

a comedy?Despite bold statements every year about who is campaigning in which Golden Globe category, the news is usually fluid so don't get too attached to anything you hear. Awards strategists are free to change their mind. As it stands now, August: Osage County and Before Midnight are planning Comedy campaigns and Blue Jasmine is aiming for drama. Curious, right? Dark laughs are flexible, don'cha know, and they can find traction in either category. We here at The Film Experience have long mourned the death of the Comedy or Musical category in the way we also mourn the death of the Supporting Oscar categories in that they too rarely serve their original purposes: which was to honor achievements that would otherwise be overlooked in the annual awards-focus on prestige drama and movie stars, respectively. It says a lot about the Comedy Acting categories for example that you can only make room for actual comedic triumphs IF a prestige drama with a few laughs or songs opts out.

BEST ACTRESS, COMEDY OR MUSICAL
The two most likely to succeed players IF they're deemed comedies though some feel they won't be are  Emma Thompson and Dame Judi Dench for Saving Mr Banks and Philomena respectively. Regardless, I think you can ink in Julia Louis Dreyfus for Enough Said, the year's most acclaimed romcom. If August's current campaign plans hold, you might see Julia Roberts and Meryl Streep taking up the entire rest of the category for their bitter duel! Why Julia? Well, supporting campaigns sometimes get promoted in this category if its a movie star who is actually a lead (see Catherine Zeta Jones nom for Chicago) and nobody thinks of megawatt Julia as a supporting player. But if you account for all five of those women (which you might not need to given rumored drama campaigns for Philomena & Saving Mr Banks -- which are the type of properties that could easily swing either way) there's no room left! Speaking of category confusion... if it's not Julia, the Globes could go with another actress they've been known to love with abandon. Remember that weirdass nomination for Scarlett Johansson for A Love Song For Bobby Long in 2004? (It's okay. nobody else does either) She could surprise here given that revelatory comic sparkle in Don Jon. And that would not be an unworthy call.

Potential Spoilers: If they're willing to lean pure comedy they've got a ready made nominee set in Sandra Bullock & Melissa McCarthy from The Heat but it's tough to say which of those two might win favor since the HFPA often ignores pure laffers when sorta-funny dramas are around and votes could easily split anyway. McCarthy has the reviews and that new stardom (with two big hits in 2013) but Bullock has the Gravity and is arguably the biggest star of all at this moment. Plus, you know how they love double dipping! Greta Gerwig's Frances Ha or Julie Delpy's Before Midnight would be a really smart worthy choices but neither seem like the type of actor that the magpie-like HFPA, always looking for super-shiney-famous, would lock right up for a nomination. Paulina Garcia in Gloria, should the film win a qualifying run, would be another brilliant choice but it seems so unlikely given all of the beloved big names in the mix.

Am I missing any possibilities?

BEST ACTOR, COMEDY OR MUSICAL
There might be no beating Bruce Dern for Nebraska unless the Golden Globes are itching for a major movie star to reward instead of someone who has paid his dues. The only other sure thing is, I'm guessing, Oscar Isaac in Inside Llewyn Davis since he covers the "musical" part and the film, if not Isaac, is really funny at times -- it was directed by the Joel and Ethan Coen after all. Will Her end be declared a comedy despite its melancholy? If so then Joaquin Phoenix for sure.

But who else? Will Will Forte join Dern for a double Nebraska nod with the dearth of possibilities or might James Gandolfini win posthumous favor for Enough Said? Will they take Ethan Hawke for Before Midnight? There's also Joseph Gordon Levitt in Don Jon, Ben Stiller in The Secret Life of Walter Mitty? Will Ferrell in Anchorman 2? Robert Downey Jr in Iron Man 3 or Johnny Depp in The Lone Ranger (hey they'll nominate mega-stars for anything)

THE FILMS?
Will they fill up the film category with only potential Oscar BPs: August: Osage County, Nebraska, or the either/or category types like Her, Before Midnight, Philomena and Saving Mr Banks. Or will they throw some thankyoufortheLOLs and songs honors to more straightforward comedies Anchorman 2, The Heat, Don Jon, This is the End, or At World's End and the two musicals Inside Llewyn Davis & Black Nativity. You never know how they'll swing in this category because they also might opt for charmers like Frances Ha (shut up I can dream), Enough Said, About Time or The Way Way Back.

Alternately they could always pull a Tourist like head-scratchers and go with something unacceptable (categorically) or critically planned like Oz the Great and Powerful, Red 2, The Family or The Lone Ranger!

What does your crystal ball tell you?

Sunday
Oct202013

LFF: Saving Mr. Banks

David brings you one of the first reviews from the London Film Festival's world premiere of this unseen Oscar tip. Will Disney add some more statues to his vast collection?

Emma Thompson is an exquisite crier. Friends, acquaintances and enemies still cite her strand of Love Actually as easily the film’s strongest aspect, and her reaction to her husband’s thoughtful but incorrect present as one of the actress’ finest moments. There’s something about the way the composed, somewhat remote attitude crumbles, drawn all over Thompson’s face, that makes it so sympathetic and wistfully beautiful to witness. And it’s due to this, partly, that Saving Mr. Banks is as successful as it is – the experienced, perceptive way both Thompson and co-star Tom Hanks have of selling their monologues and close-ups, which in less experienced hands could so easily have seemed hackneyed and manipulative.

John Lee Hancock’s tale of the negotiations between Walt Disney (Hanks) and Mary Poppins author P.L. Travers (Thompson) is pretty standard sentimental stuff, quickly establishing the hearty transatlantic binary between uptight Brit and liberal American. Travers insists on being called “Mrs. Travers”; Walt, his employees whisper to her, only works on a first name basis. Kelly Marcel and Sue Smith’s screenplay mines this for as many laughs as it can possibly produce. [More]

Click to read more ...