Halfway Mark: Best Actressing of 2016 (Thus Far)

Previously at the Halfway Mark: 
• 5 Favorite Pictures and imaginary Oscar scenario
• 11 Costume Design Honors from couture to the puritanical with swimwear on the side
• Cinematography & Production Design Sunset Song, etc...
• Heroes & Villains from Deadpool to Shere Khan
• 23 Male Actor Honorees in 5 categories

Cue fireworks. It's the grand finale. Our brief Halfway Mark Review honoring the best of the 50+ movies we've seen that have been released between January 1st and June 30th, is now at its end. But don't worry. The listing impulse fully never goes away and there's more excitement soon as we'll start updating the Oscar charts tomorrow. Naturally we're ending with BEST ACTRESS if five categories -- the same categories we previously did for the men.

If I had a ballot (hey, I do... albeit not an AMPAS ballot) here's what I'd honor from the year thus far -- January through June releases only though I've seen some July & August titles. [Disclaimer: The most noticeably actress-led film I haven't yet seen this year is The Meddler so please dont read anything into the absence of Susan Sarandon.]

Best Actress in a Leading Role

• Sally Field as "Doris" in Hello My Name is Doris
  Doris is a CHARACTER but Sally never fails to humanize her written eccentricities making sure that she's the endearing source of the laughter rather than its target.  
• Tilda Swinton as "Marianne Lane" in A Bigger Splash
  The "vocal rest" was her idea -- imagine an actor purposefully losing all their lines! -- and the result is you see Tilda's face and body alone capturing and reflecting the drama and auteurist impulses
• Anya Taylor-Joy as "Thomasin" in The VVitch
  That angelic face is sensually attentive and her behavior innocent but mischievious. So many possible Masters (God, Lucifer, Herself, General Teen Hormones, and Restlessness)
• Rachel Weisz as "Short Sighted Woman" The Lobster
  What a tricky tone to master, but she's in control. Her voiceover is beautifully at odds with her meekly submissive than overtly romantic screen self
• Mary Elizabeth Winstead as "Michelle" in 10 Cloverfield Lane
  Sells shifting (dis)belief in this strange new reality while doing right by primal horror. Nails the only real in-script details about this character -- whip-smart instincts and a "Flight or Flight" response

Choices in 4 more categories after the jump...

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Review: Captain Fantastic

Here's Murtada with thoughts on an essential hero for these particular times, Viggo Mortensen as Captain Fantasic  (opening this weekend).

Captain Fantastic opens by immediately throwing the viewer into its physical world. Forests, mountains, people hunting and gathering. If I didn’t know the synopsis beforehand I’d have thought I was watching a update of Lord of the Flies. Instead the film is about a fiercely independent patriarch (Viggo Mortensen) raising his six children in forests of the Pacific Northwest, teaching them how to thrive while turning his back on a conventional contemporary life and what it means and may offer.

This particular fantasy felt extremely appealing in a post-Brexit, Trump world...

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Comment Party: Halfway Mark - Best Pictures?

You have a pretty good idea of the films I've loved this year thanks to reviews, frequency of posting, and other "honors" - consider it a warm up before the year end party... so that we don't forget the early films. So let's dispense with all the froufrou and just get right to the questions:

If Oscar voting happened now, would LOVE & FRIENDSHIP lead?

1. If you had a 5-wide Best Picture Ballot right now (January to June releases only) who would you vote for?
2. What would Oscar nominate if the Academy voted right now? 

Here's my guesswork about the Academy. If they voted right now (only January through June releases eligible) my guess is that we'd see the following films up for Best Picture... 

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Halfway Mark: Achievements in Costume Design

We've celebrated the male performances, the heroes and villains, cinematography & production design. So let's hit Nathaniel's (c'est moi) favorite craft category costume design, as we wrap up our halfway mark festivities this week (actresses still to come). Who would I choose and who might Oscar choose if the year had ended June 30th? 

HALFWAY MARK BEAUTY BREAK ~ BEST COSTUME DESIGN
(January to June theatrical releases only) 

Achievements in Overall Costume Design
If I were drawing up my year end ballot right now (January to June releases) I'd pick these five films though there will inevitably be strong competition to come -- will any of them be nominated at year's end?

The Neon Demon, Erin Benach
While Benach doesn't manage anything as iconic as her scorpion jacket for Drive, few films do so you can't hold that against this film. Between the dichotomous looks of the innocent ingenue (half sexual / half innocuous flowing girlie dresses) to the rigid couture of her rivals, there's lots of texture and color and editorial looks to consider.

Sing Street, Tiziana Corvisieri
Corvisieri pulls from a surprisingly wide range of styles in this film to trace the DIY looks of "Sing Street," the band within the film, and how their music video style translates into their schoolboy uniforms. Great fun on a costume level but always believably low-budget and "thrown together" (though they were surely well planned by Corviseri)

9 more honored costume designers after the jump...

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Moonlight Gets a Release Date

Yesterday Mahershala Ali got invited to be an Academy member and now he has a movie that might get him nominated next year. Barry Jenkins’ Moonlight, based on the play In Moonlight Black Boys Look Blue (what a great title, why change it?)  by Tarrell Alvin McCraney, is scheduled to open limited on Oct. 21. The movie tells the story of a young man who comes of age in 1980s Miami, focusing on on his quarter-life crisis, challenging environment and awakening sexuality. 

The ensemble cast includes many fantastic actors we’ve all loved and wished they’d get the movie showcase that their talents calls for. In addition to Ali we get Naomie Harris and Andre Holland. Playing the lead character, at different times of his life, are newcomers Trevante Rhodes and Ashton Sanders. The movie not only has good buzz (word is that Harris in particular is a revelation) but also excellent pedigree. One of the producers is Brad Pitt. The director Barry Jenkins was named by NYTimes as one of 20 Directors to Watch, a couple of years ago. His first film was the little seen but hugely admired Medicine for Melancholy (2008), a grittier less romantic but no less absorbing Before Sunset.

Not a lot is known about the film - there are even no pictures released. We have to make do with those three very attractive faces at different awards ceremonies in lieu of that. But it’s definitely one to keep an eye on and get excited about in these slow summer days of great weather and bad blockbusters. 

Are you ready for fall movies? (20th Century Women was also announced for 4th quarter).