It's '300' days until Oscar

by Nathaniel R

Fassy on the set of 300

A bit of very random silliness since we now know when the next Oscars will be held. With 300 days to go, the film 300 popped into my mind. It was a big hit fifteen years ago grossing almost half a billion globally and becoming the 10th highest grossing film of 2007 in the US. Thrillist once argued it was the most influential movie of the Aughts. It received plentiful MTV Movie and Saturn Awards nominations but zero love from Oscar which is... appropriate. But every once in a while we think about the fact that it was Michael Fassbender's debut film (!) and that director Zach Snyder has continued to have a surprisingly fanatic cult following... so much so that his work factored into Oscar's embarrassing "fan favourites" contest this past season. So it prompted a question: Have any 300 alums outside of Michael Fassbender gone on to Oscar love?

The very Aughts very Digital action flick boosted several careers (as box office hits do) but the answer to that specific question is  'yes but but not my much'... 

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Oscar Race: Best Costume Design

We aren't going to find out what the Costume Designer's Guild thinks of this past year in film until March 4th, literally the day before Oscar nomination ballots go out. That gives us two weeks still to believe that all things are possible still in this category, though obviously the season to date will have an effect on the outcome. Here are what we think are the top ten contenders in descending order of probability (though this ranking should not be seen as a meritocracy but merely punditry).

PREDICTIONS

the only lock?

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April Foolish Predictions #6: Costume Design

Our annual April Foolish Oscar Predictions continue

Can "Aladdin" repeat "Beauty & The Beast"'s success in Costume Design? And can we ever forgive Michael Wilkinson for making Aladdin wear a shirt for the whole movie?

The last few years of the Costume Design category have been very Powell/Atwood heavy as Oscar's two design queens have either won again (Atwood in 2016) or been double-nominated twice-over (Powell in 2015 and 2018) but it looks like we'll be taking a wee break from those much honored artists this year. Will there be any room room for first-time nominees (Paul Tazewell, Mayes C Rubeo, Julian Day, Daniel Orlandi?) or will we get mostly costuming regulars who could continue to march to Atwood and Powell-like status (Jacqueline Durran, Albert Wolsky, Consolata Boyle, Alexandra Byrne?)

Here's the chart (and the prediction index if you haven't been playing along). But after the jump some images to whet your appetite for the year in costuming to come...

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Halfway Mark: Achievements in Costume Design

We've celebrated the male performances, the heroes and villains, cinematography & production design. So let's hit Nathaniel's (c'est moi) favorite craft category costume design, as we wrap up our halfway mark festivities this week (actresses still to come). Who would I choose and who might Oscar choose if the year had ended June 30th? 

HALFWAY MARK BEAUTY BREAK ~ BEST COSTUME DESIGN
(January to June theatrical releases only) 

Achievements in Overall Costume Design
If I were drawing up my year end ballot right now (January to June releases) I'd pick these five films though there will inevitably be strong competition to come -- will any of them be nominated at year's end?

The Neon Demon, Erin Benach
While Benach doesn't manage anything as iconic as her scorpion jacket for Drive, few films do so you can't hold that against this film. Between the dichotomous looks of the innocent ingenue (half sexual / half innocuous flowing girlie dresses) to the rigid couture of her rivals, there's lots of texture and color and editorial looks to consider.

Sing Street, Tiziana Corvisieri
Corvisieri pulls from a surprisingly wide range of styles in this film to trace the DIY looks of "Sing Street," the band within the film, and how their music video style translates into their schoolboy uniforms. Great fun on a costume level but always believably low-budget and "thrown together" (though they were surely well planned by Corviseri)

9 more honored costume designers after the jump...

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Interview: Michael Wilkinson. Before 'Batman vs Superman', Came 'Noah'

With Oscar voting in progress, let's talk costume design. With Best Picture contenders hogging all the conversation, we remain ever hopeful that the guilds remember to look beyond the films as a whole to the specifics of their particular craft when they scribble down their nominations. One of the most influential costume designers working today is Michael Wilkinson who regularly pushes the envelope in terms of costume technology (see Tron Legacy) and I'm not talking about the miraculous cleavage feats of American Hustle which won Wilkinson a well-deserved Oscar nomination last year. This year you can even see the influence of his 300 costumes in those Maze Runner harnesses (Fun fact: Christine Bieselin Clark, one of the costume designers on that film, was once Wilkinson's assistant!)

Prior to American Hustle he was best known for the films of Zach Snyder (Watchmen, Man of Steel) and the costume designer and I spoke  between fittings on day 104 of the Batman v Superman: Dawn of Justice shoot (he'd just finished the final fitting of our new Amazon Princess Gal Gadot). This superhero epic has occupied him for well over a year but he says "happily so" but Noah was no easy task either. He built an entire film's worth of costumes for Noah ...from scratch. 

No matter what genre or film he's working on, be it prestige dramas like Babel, indies like Friends with Money or huge superhero fantasies like Watchmen he's always look for ways to illuminate character. In his own words

Costume design is a subtle art but immensely satisfying.

We couldn't agree more. Excerpts from our conversation follow

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