Oscar charts: The more interesting than we were expecting it to be "Best Director" race

by Nathaniel R

The annual competition for Best Director at the Oscars is in a very interesting era. The Academy has become increasingly international so, in theory, we can expect more international figures to pop up in this category rather than just the superstar auteurs. Though it's long had the same racial problems as the acting categories it's always had those in a much less visible way... until recently. And it wasn't all that long ago that people (or, more specifically, the media) didn't grouse about no women being up for the prize. The movement for equity behind the camera only went truly mainstream in the past decade. Female directors have always been around, of course, if not in the same numbers they are today it's a topic Juan Carlos is currently investigating as he moves backwards in time through the Oscar years in his series "Through Her Lens" (new episode drops tomorrow).

For the first time in history we could be looking at a second consecutive win by a female auteur since Jane Campion is currently the favourite for The Power of the Dog. But who else will join her in the lineup? 

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Chart Updates: Film Editing, Production Design, Cinematography!

by Nathaniel R

All of the Visual categories in the Oscar charts have now been updated save Costume Design which we tend to give its own articles -- playing favourites, sorry! But looking over the charts and the possibilities, it does beg the question: are Dune and West Side Story just going to be nominated in every category? And will any other films core as many nominations?  The year isn't short on films that are visually remarkable of course. There's Power of the Dog, Nightmare Alley, Tragedy of Macbeth, The French Dispatch, The Green Knight, Passing, and more.

But the question is always what are voters actually watching and what are they liking? Being remarkable only gets you so far...

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Oscar Chart: Who gets the fifth slot in Best Supporting Actress?

by Nathaniel R

Will there be room for both Anitas in the Best Supporting Actress race?

Nothing much has changed in the Best Supporting Actress competition over the past month except the arrival of West Side Story but, provided you left a slot open for the new "Anita" (Ariana DeBose) sight unseen -- since that role is always an awards magnet --  chances are your predictions haven't changed much since seeing the film. Even all the critics prizes and the arrival of the bigger precursors like NBR, Globe, Spirits, Gothams, and Critics Choice nods did a grand total of not much to solve the question of the "fifth slot"... only to cement that we have four near-sure things: Ariana DeBose (West Side Story), Kirsten Dunst (Power of the Dog), Aunjanue Ellis (King Richard), and Caitriona Balfe (Belfast) who keep showing up in every list.

So who gets that fifth slot? That is the loaded multi-actress question...

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Visual Effects Shortlist - Scene Breakdown

By Ben Miller

The 10 finalists for the Best Visual Effects Oscar were announced last week.  Though once reserved for films that pushed the boundaries of what films could visualize, the Oscars have since gravitated towards spectacle and bombast.  Of the 10 films, none came from an independent studio or had a budget less than $100 million.  That isn't to say their effects should be discounted, but don't expect to see something like Ex Machina or shortlisted documentary Welcome to Chechnya from last year.  This category is usually reserved for outright spectacle, and these shortlisted films reflect that.

Let's focus on one specific setpiece per film that highlights the visual effects artists...

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Oscar Chart: Best Supporting Actor's potential spoilers

by Nathaniel R

We live in fear of a Jared Leto nomination. Do you?

When we last dove deep into Best Supporting Actor just over a month ago it felt like there were 10-20 contenders still in the conversation. Sadly once the critics began to throw their weight entirely behind just two contender (Kodi Smit-McPhee in The Power of the Dog and Troy Kotsur in CODA) and the Globes and the Critics Choice came up with almost identical lists  (Kodi + Troy + Ciaran Hinds and Jamie Dornan from Belfast) the race began to look unlike a race at all but more of a slow waiting game until the Oscar nominations which are still five weeks away.

Is there reason to hope for the race to widen again? We'd like to think so...

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