Judy by the Numbers: "The Trolley Song"

Anne Marie is tracking Judy Garland's career through musical numbers...

It's difficult to overstate the importance of Meet Me in St. Louis to the myth that is Judy Garland. The Wizard of Oz guaranteed Judy immortality at age 17, but the 1944 Freed musical would be the first Garland product to assemble the pieces of her myth beyond her larger-than-life talent. Though Meet Me in St. Louis is usually known as arguably the best "adult" performance by Judy Garland in an MGM musical, this time the alternately exciting and exhausting events offscreen would be as important to her image as her sparkling turn in Technicolor as Esther Smith.
 
The Movie: Meet Me In St. Louis (1944)
The Songwriters: Hugh Martin (lyrics), Ralph Blane (music)
The Players: Judy Garland, Mary Astor, Margaret O'Brien, Lucille Bremer, Leon Ames, directed by Vincente Minnelli

The Story: Long after the completion of Meet Me In St. Louis, Judy Garland would state that she never felt more beautiful than when she was on that film. Look closely during the number and you'll see why. Look past her inner glow and you'll notice some small cosmetic changes: her teeth are crooked and her nose isn't. Though MGM had capped Judy's teeth during The Wizard of Oz and put her through dozens of makeup and wardrobe changes in order to make Garland a more typical MGM girl, director Vincente Minnelli and makeup designer Dorothy Ponedel hit on the truth: Judy Garland wasn't a typical MGM girl. Ponedel and Minnelli's secrets were well-placed blush, an appreciation for color design, and the knowledge that Judy's imperfections were as winning as her talents.

Of course, Judy's inner glow could have been from the other big news in her life: she was in love with Vincente Minnelli. The 21-year-old was working on her first divorce (from musician David Rose), and found Minnelli's mind, and the way he made her feel she looked, absolutely glamorous. For many reasons - his sexuality, her increasing problems, their incredible daughter - this is Garland's most famous marriage. However, the relationship is also famous for the problems it created.

One problem Minnelli couldn't create but did witness onset was the beginning of Judy's difficulties. Though it was originally scheduled for 58 days, Meet Me In St. Louis didn't wrap for 70 days. This was blamed, in part, on Judy's tardiness. Exhausted from a mandatory war bonds tour and initially dissatisfied with playing another teenager, Judy snuck out of rehearsals, began showing up late, and outright skipped 13 days of shooting. At the time, it may have seemed like petulant childishness or diva-like drama. Unfortunately, it would become a pattern that would eventually kill her career. In some ways, Meet Me In St. Louis was Judy Garland's peak at MGM. From 1945 onward, she would never make the studio as much money - or be as carefree - as she had while singing on that trolley.

The Furniture: Black Narcissus's Maddening Matte Paintings

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

In movies, if perhaps not in life, people can be driven mad by mountains. In films by Michael Powell and Emeric Pressburger, they can be driven mad by paintings of mountains.

Black Narcissus is the story of a group of Anglican nuns who trek up to an abandoned cliffside palace in the Himalayas to establish a new convent. Deborah Kerr, cinema’s most consistent nun, is Sister Clodagh, the young mother superior. Her mission is doomed from the beginning, of course, though not necessarily because the locals reject their presence. Rather, it is the landscape that overwhelms their emotions and breaks their faith and their vows.

Powell and Pressburger did not shoot on location in India, however. The set was built at Pinewood Studios. [More...] 

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Bye Instant Watch: Sinatra, Flashdancers, and Spielberg's Worst

It's your last chance to watch the following multiple Oscar nominated titles for free on Netflix or Amazon Prime. There are more films leaving than these but you know The Film Experience isn't good copying and pasting press releases and calling it a day. It would make our lives SO much easier but it's just not how we do. This is for you Oscar completists -- you know who you are. As is our habit, we've freeze framed the titles at random and just shared whichever image came up.

Got any feelings about these pictures? Or will you by midnight on March 31st? Do you think they deserved their wins and/or nominations?

10 OSCAR TITLES LEAVING NETFLIX AT THE END OF THE MONTH
* indicates Oscar win in the category 

African violet. I can't tell you how difficult that was to come by.

Amistad (1997)
Oscar Nods: Supporting (Anthony Hopkins), Cinematography, Costumes, Score.
Shameful Confession: I've never seen this. I think it's my most significant gap in 1990s Oscar viewing. 

9 more after the jump...

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Mercedes McCambridge: All the King's Men (1949)

Manuel here kicking off our centennial celebration of under appreciated (and under discussed!) Oscar winning actress Mercedes McCambridge.

We begin with her film debut which also happens to be her Oscar-winning vehicle, All The King's Men. She'd been doing radio work consistently for over a decade but this was as big a break as they got. The film is a political parable about that most rare of characters, the honest politician (Broderick Crawford as Willie Stark), who succumbs to corruption on his way to the top only to be punished by his deeds. It's Shakespearean in essence and all the more powerful for being based on a real-life politician, Louisiana governor, Huey Long (the inspiration behind Robert Penn Warren novel of the same name).

It's a testosterone-fueled film with only two gals...

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Jennifer Lawrence & The Race to Break Oscar Records

Nine year-old Jacob Tremblay (Room), fourteen year-old Abraham Attah (Beasts of No Nation), and 21 year-old Saoirse Ronan (Brooklyn) are the youngest actors who appear to be in the mix for possible Oscar nominations this year. But none of them will be breaking any records if they are as younger actors have been nominated in their categories. It's actually Jennifer Lawrence, an old lady at 25 (Kidding, but she sure does like playing older women) who is the one to watch for trivia's sake. She is likely to break a record that is currently held by another Jennifer. 

Jennifer in Duel in the Sun (1946) / Jennifer in Joy (2015)

Do you think Jennifer Lawrence will take Jennifer Jones Oscar record?

Duh! JLaw will be gunning for Bette/Katharine/Meryl records

Yes. JLaw will get another Oscar and a few more nods.

We'll see. Enjoy it while it lasts Jennifer.

No. This JLaw obsession must stop!

Poll Maker

Should Lawrence be nominated for Joy (talk about the new trailer here), she will have amassed an incredible four acting nominations by the age of 25. I assumed that record was held by Elizabeth Taylor but the record is actually held by one of the more forgotten superstars of the 1940s, Jennifer Jones.

A HUGE TRIVIA LIST AFTER THE JUMP...

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