Posterized: A Star is Born

by Nathaniel R

How many versions of the oft-remade A Star is Born have you seen? There have been four now, five if you count What Price Hollywood, often forgotten because it has a different title but so alike in story beats that the first official A Star is Born was clearly lifting from it wholesale. Since the Judy Garland version they've all been musicals and as of the Barbra Streisand version, the Grammys replaced the Oscars as the key awards show moment when the new superstar wins big while her husband hits rock bottom. But more on all this later maybe..

WHAT PRICE HOLLYWOOD? (1932) Director George Cukor 
Starring Constance Bennett & Lowell Sherman (1 Oscar nomination for writing)

A STAR IS BORN (1937) Director William Wellman (Cukor declined)
Starring Janet Gaynor & Fredric March (7 nominations including Director, Actor and Actress, 1 win for "original" writing even though the plot was lifted from the 1932 film!, 1 Honorary for its color photography in a then mostly black-and-white world. This is the only version that was nominated for Best Picture at the Oscars)

A STAR IS BORN (1954) Director George Cukor again but this time it's a musical
Starring Judy Garland & James Mason (6 nominations: Actor, Actress, Costume Design, Art Direction, Score, Original Song "The Man That Got Away")

A STAR IS BORN (1976) Director Frank Pierson
Starring Barbra Streisand & Kris Kristofferson (4 nominations including Cinematography, Sound, and Score, 1 win for Original Song "Evergreen")

A STAR IS BORN (2018) Director Bradley Cooper
Starring Lady Gaga & Bradley Cooper (Oscar fate to be determined)

Since the space inbetween each A Star is Born movies is growing each time, the sixth version should arrive around 2070. Mark your calendars! ;) 

1972: The Emigrants

Editor's Note: We will now resume our intermittent investigation into 1972 films for the impending smackdown -- though it will not be this weekend due to unfortunate delays. Here's Eric Blume on the Oscar favored foreign epic The Emigrants, available to rent on Amazon or iTunes.

It’s fun (and by fun, I mean zero actual fun) to watch Jan Troell’s 3 hour and 20 minute epic film The Emigrants and try to figure out how this slow-burn, where nothing good happens to any of the characters for the entire running time, made it into the Oscar race, not in one year but in two!  Due to different rules than we have currently, The Emigrants was nominated for Best Foreign Language Film in 1971, and then for the 1972 Oscars was nominated for a whopping four of the big eight categories:  Best Picture, Best Director, Best Actress (Liv Ullman), and Best Adapted Screenplay.

The Emigrants mostly follows a peasant family in rural Sweden in the mid-19th century. Despite back-breaking work, the father (Max von Sydow) and mother (Liv Ullman), realize that they cannot survive on their farm.  A series of horrible events befall them before they decide to leave for a 10-week boat journey to America in hope of a better life. Another family, who leave for the promise of religious freedom, joins them for the grueling ordeal...

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Barbara Harris (1935-2018)

by Nathaniel R

Barbara Harris in The Seduction of Joe Tynan (1979)

Sad news yesterday. One of the nation's best and most underappreciated actresses Barbara Harris passed away at 83 from lung cancer. The Chicago native got her start as a teenager on local stages and was an original member of Chicago's famed Second City troupe. Her intermittent screen career sprang initially from her stage successes. Though her filmography is mostly in the 1970s, she made a few 80s movies before retiring including Peggy Sue Got Married, Grosse Point Blank, and Dirty Rotten Scoundrels.

Curiously for such a talented thespian of both stage and screen, she seemed somewhat ambivalent about her career, stating that she didn't miss acting after her retirement...

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Vintage '72

1972 is our year of the month so let's give it some overall context before we visit specific films. 

Great Big Box Office Hits: The Godfather, which would go on to win Best Picture and spawn two sequels was the year's box office champ. But The Poseidon Adventure, and What's Up Doc? were also gigantic hits continuing the threads of all-star disaster movies and Barbra Streisand movies as sure things with audiences of the 1970s. Other box office draws that year: Deliverance, Cabaret, Steve McQueen and Ali McGraw in The Getaway, and Robert Redford as Jeremiah Johnson.  This was also the year that Deep Throat and Behind the Green Door launched the 'porno chic' boom of the 1970s and both were substantial hits along with the X rated animated feature Fritz the Cat.

Oscar's Best Picture Nominees: The Godfather  (11 noms / 3 wins) and Cabaret (10 noms / 8 wins) dominated the Academy Awards leaving no wins for the rest of the Best Picture field: The Emigrants (5 nominations), Sounder (4 nominations), and Deliverance (3 nominations). Our theory as to what was just outside the Best Picture shortlist plus more '72 goodies follow...

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Cabaret Pt 3: 'From cradle to tomb...'

Occasionally Team Experience will take a classic movie and pass it around for a deep dive. This week Cabaret (1972) which is currently streaming on Filmstruck. But if you're in NYC don't miss your chance to see it in an actual movie theater at the newly renovated gorgeous Quad Cinema.

In Part One, Nathaniel investigated the way the musical's major players are introduced at the cliff end of the Weimar Era in Germany.

In Part Two, Dancin' Dan watched as two couples (Brian & Sally, Fritz & Natalia) fell in love and lust and into "money!". It makes the world go round. When we left off, Brian and Sally's new lover, a rich baron, has taken Brian out to lunch when a song interrupts their not-so-innocent idyll. - Editor

Part 3 by Chris Feil

1:18:16 - Out of nowhere, we hear a tenor breaking into the nationalist anthem “Tomorrow Belongs to Me”. We pan from his angelic face to see his Nazi uniform, realizing we've fallen into a musical number that is about to be a harsh reality in more ways than one.

It matters that “Tomorrow Belongs to Me” is a very different kind of song than what we have been given thus far, and the only number outside of the cabaret. Entirely without nuance, a straight-shooting melody that purposefully tries to pull you into its grip as we watch in horror while its grim subtext shows itself...

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