The Little Mermaid... She's Gotta Have It.

With this week's Disney announcement that The Little Mermaid will get 3D rerelease treatment (along with other pictures) that put The Lion King back on everyone's lips, I thought it was time to republish this piece on the classic film...

The Little Mermaid (1989)  | Directed by Ron Clements and John Musker Screenplay by Roger Allers, Ron Clements, and John Musker (very loosely based on the Hans Christian Andersen fairy tale) | Music by Alan Menken Lyrics by Howard Ashman | Starring the Voices of: Jodie Benson, Pat Carroll, Kenneth Mars and Samuel E Wright | Production Company Walt Disney | Released 11/17/1989

American members of Generation Y or Z and beyond may have a good deal of trouble imagining this but it's true: once upon a time, animated movies were considered highly uncool. They were strictly for babies. Teenagers disdained them. Adults took their children under duress. They barely caused a ripple at the box office. The Academy of Motion Pictures Arts and Sciences ignored them. CGI was not part of the national vernacular. Strange but true.

In a very short window of time, from November 1989 through February 1992, three major events changed modern perceptions of the animated film in a gargantuan way. Let's take them in reverse order: The third big-bang was the moment when Beauty & the Beast (1991) was nominated for six Oscars including Best Picture, the first time that a cartoon had received that pinnacle mainstream honor. The middle part of the three-part revolution was when hipster American audiences began to discover that there was more to the form than Walt Disney. Katsuhiro Ôtomo's Japanese sci-fi spellbinder Akira was the key that opened the door for anime, now very big and influential business in America. But the first key event in animation's rebirth (stateside at least) was the release of Disney's "28th animated classic" The Little Mermaid; an orgasmic reawakening of the most flexible and fantastical of film mediums...

"She's Gotta Have It!"

The heroine of Disney's modern breakthrough film is Ariel, a teenage mermaid. Since this is a fairy tale (and a Disney one at that) she's also a beautiful princess: the youngest daughter of King Triton who rules the ocean. Only trouble is, despite her quick smile and high spirits, she's restless and unhappy... dissatisfied with her life of privilege under the sea. She wants to trade up. Literally. Since this is a late 1980s film (and a Disney one at that) she's also the headstrong entitled type. This princess isn't going to whisper her need. She's no Oliver with his meager allotment of gruel, politely asking for more.

music, sexuality and animated evolution after the jump... 

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Top 100 "Characters" From 50 Years of Best Actressing

This past summer we polled you once or twice a month about the Best Actress characters that you think of the most often from the past 50 years of the cinema taking us all the way from 1961 through to this past spring's Oscars for the films of 2010! With the new fall season of The Film Experience kicking off and the Oscar films arriving, I thought we'd take one last look back at that polling.

It was quite fun for little OCD actressexual me to peruse and "sort" and all of that in excel. If you're OCD like me and want to know how I compiled the chart, which is listed in alphabetical order below and pictured in slide show format in chronological order, there's more information after the list. I'd love to say that we'd do 100 articles to celebrate (one for each of your fav' fictionalized ladies) but that would be an insane thing to promise. But we'll use the chart for inspirational somethings! Give these characters a big round of applause for all their years of entertaining service.

By all means if you haven't seen any of the 98 films represented, make it a viewing priority. 

Your 100 Most Memorable Best Actress "Characters"
50 Years | 100 Greats (1961-2010)  

List presented visually (chronologically) and in text form (alphabetically) after the jump. Plus: Statistics!

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On Oscar's Honorary Statues: Who Gets Them, Who Still Waits?

... mogul OPRAH WINFREY (The Jean Hersholt Humanitarian Award), actor JAMES EARL JONES (Honorary Oscar) and makeup artist DICK SMITH (Honorary Oscar).

I heard this in the wee hours of the AM this morning but didn't have time to ponder it whilst collapsing from a day spent swooning over Judy Garland (♥♥♥♥) and then Sufjan Stevens at "Celebrate Brooklyn". 

Several hours later after a good night's sleep the news makes much more sense to me because last night I thought they'd given Oprah a regular honorary Oscar -- most of the headlines are saying just that -- and I was pissed. For the record, though a Jean Hersholt Humanitarian Award looks just like an Oscar, it's actually a statue commemorating your humanitarian endeavors rather than your screen work. And few would argue that Oprah isn't deserving once you make that distinction. I think the Jean Hersholt statue shouldn't look the same as a regular Oscar so it gets confusing.

The Color OprahAnd really a regular Honorary Oscar wouldn't have surprised me. The Academy, much like the rest of the world, tends to think that celebrity = deserve. But really fame should have much less to do with who gets Honorary Oscars than that person's contribution to the cinema. And really what has Oprah ever done to warrant a regular Oscar? If you say The Color Purple I'd have to smack you upside the head with a Margaret Avery (The Color Purple) or an Anjelica Huston (Prizzi's Honor) and then if you're still trying to say "The Color Purple" a mandatory viewing of The Kiss of Spider Woman is in order. Brazil's non-nominated Sonia Braga was AMAZING thrice over (multi-part performance) in that film. Can I get an amen?

The makeup artist Dick Smith already has an Oscar for Amadeus (1984) but maybe they felt he needed an honorary since just maybe he was the one on the makeup team that put cotton balls in Marlon Brando's mouth for The Godfather and he also did fine comic work on Death Becomes Her which we love and which Oscar mostly ignored.

Though really, should a previous winner ever get an honorary? 

Here's why the repeats are problems. In the past 30 years only 4 actresses have won honoraries and one of them, Sophia Loren, already had a competitive statue. The Academy has screwed over a lot of female screen icons over the years so why double reward someone when so many greats are still denied? Oscar's contempt for women -- remember they rarely let them present Best Picture either -- seems to be getting worse. Since the glorious early 90s when Sophia Loren, Deborah Kerr and Myrna Loy won them in quick succession, only Lauren Bacall has been so honored. ONLY ONE ACTRESS SINCE 1994. In that same time span, 1994 to now, 5 actors have been so honored and one of them (Sidney Poitier) already had an Oscar. We complain about this every year but there's a long list of actressy screen icons who never won an Oscar and whose screen contributions and legacies are undeniable. Chief among them I'd argue are Catherine Deneuve and Mia Farrow. They'll both turn 70 soon -tick-tock, tick-tock.

One of the greatest filmographies in the business. Still challenging herself well into her 60s. Deneuve for the Honorary Gold.

But there are also other past nominees with rich Hollywood histories -- names in bold are still alive -- including (Angela Lansbury, Doris Day, Natalie Wood, Ava Gardner, Irene Dunne, Gena Rowlands, Eleanor Parker) and some with rich filmographies who were never so much as nominated (Maureen O'Hara, Marilyn Monroe) and there's the current working aging crop who they're obviously going to pass on competitively (Annette Bening, Julianne Moore, Michelle Pfeiffer ...maybe Glenn Close if it doesn't happen this year) and who are more than deserving of these "thank you for your career" prizes.

Come to think of it, if AMPAS was smart about honoraries they could stop voting for competitive prizes as cumulative honors and just reserve those 'you were never THE best of any particular year' people for the honorary statues. You know Meryl Streep is more likely to get an Honorary than any of these women and she already has two!

Congratulations to this year's recipients! Honestly, I'm not throwing shade on them. Don't misunderstand. It's just the Academy has so many blind spots with their honorary prizes we'd like them to see the eye doctor before they lose their sight entirely.

WHO WOULD YOU GIVE AN HONORARY TO?

Linkface

Scouting New York Fun/creepy. Take a retro tour of American Psycho's New York City landmarks. 
Pajiba Speaking of Christian Bale. The web is abuzz with all those Dark Knight Rises on set photos now that filming has commenced. I agree with Iggy on Tom Hardy's lipless "Bane" look, however true to character it may be. Iggy wrote...

Hardy. Better with lips.

it must be a cinematic crime hiring Hardy, the most lusciuous male lips, and make him wear that thing. Could this be considered playing against type?

Geekscape Since Batman is in the air, why not a ranking of all filmed Catwomen? I find it hilarious that Anne Hathaway is included in this six-wide field since she hasn't even purred yet. Who knows how good she will or won't be? The Pfeiffer write up is insightful.
Twitch Superhero fatigue has not yet set in. Commissioned scripts for Ant Man and Doctor Strange have been turned in to Marvel Studios. 
My New Plaid Pants surveys the current wanting cinema crop 
Twitch Forbes Highest Paid Actors list: Johnny Depp and Leonardo DiCaprio are up top but the list is soooo 1990s as if nothing ever changes in Hollywood. 

La Daily Musto Hello Gorgeous. Lauren Ambrose (Six Feet Under) will star in the revival of Funny Girl. I'm stunned and happy. Here's a video making the rounds of her doing the famous closing number "My Man"

It's such an interesting choice because it clearly signifies that the producers are NOT trying to duplicate Barbra. Which is, I think most people of sound minds would admit, the only sane way to approach reviving such an iconic connected-to-one-legend piece of theater.

Austin Translation "there's a snape in my boots" 
Regretsy Zombie Golden Girls 
Broadway Blog the original Evita and Che, Patti LuPone and Mandy Patinkin are reuniting for a limited run concert on Broadway. 

Finally, mark your calendars for August 31st. Gonzo 80s 'classic' Scarface will be showing at 500 screens nationwide to celebrate an epic Blu-Ray release. I'm not wild about the movie which is so widely embraced by gangstas who love its excess unironically and ignore its cautionary tale finale. But if you've never seen it you'd be crazy to miss the chance to see Michelle Pfeiffer's first great performance on the big screen. That year's supporting actress nominees can kiss her skinny pampered ass. Imagine that arguably star-making backless dress / elevator descent entrance on the big screen! Al Pacino's ambitious criminal is hypnotized and so were movie audiences, rescuing La Pfeiffer from her then status as 'Grease 2 girl'. If her entrance isn't enough imagine those 80s dance moves, or the huge-ass sunglasses. Chase those Pfeiffer visuals with mounds and mounds of coke snorting and utter icy contempt for everyone in her field of vision... including herself. She's mesmerizing. Oh and, yeah, some people would describe the movie that way, too.

Your Fav' Eighties Ladies!

Over the past couple of months we've been holding "Best Character" polls for Oscar's Best Actress category history. We asked not who should win the Oscar but which characters own real estate in your memory. Previously you selected Miranda Priestley, Clarice Starling and other iconic bitches as your favorites from the Nineties and the Aughts. 

But what of the 1980s? Here are the results. *asterisks indicate Oscar winning performances.

Three unarguably iconic characters: Sophie, Celie and Aurora

1981-1985

1. *SOPHIE ZAWISTOWSKI (Meryl Streep) from Sophie's Choice
2. CELIE (Whoopi Goldberg) from The Color Purple 
3. *AURORA GREENWAY (Shirley Maclaine) from Terms of Endearment
4. KAREN SILKWOOD (Meryl Streep) from Silkwood
5. VICTORIA GRANT (Julie Andrews) from Victor/Victoria

Diane Keaton's wondrous performance in REDS (1981) has not been forgotten.Runners Up: To complete the top ten you'd need (in descending order) a third Streep with KAREN BLIXEN from Out of Africa, Debra Winger's EMMA GREENWAY from Terms..., Jessica Lange's rendition of troubled movie star Frances, and with nearly a tie for tenth place Katharine Hepburn's *ETHEL THAYER from On Golden Pond and Diane Keaton's LOUISE BRYANT from Reds. 

Observations: The Streepster's reascendance in the Aughts has obviously polished her earlier work to a healthy shine which would partially explain her tremendous lead as "Sophie" (well, that and the performance itself) and Karen Blixen's near top five placement, despite being hardly as memorable as Sophie or the other Streep/Karen. 

Weakest Showing: While Jessica Lange was an Oscar favorite in the 1980s, her JEWEL IVY in Country received 0 votes. But then Oscar's oft-derided "Year of the Farm Wives" fared terribly, with all three of the farm women failing to muster much enthusiasm. And to think they could have had Kathleen Turner's fiction writer Joan Wilder from Romancing the Stone in there. (She would've hit the top five most memorable characters, don'cha think?)

1986-1990

Dangerous Ladies ruled the Late Eighties

1. LT ELLEN RIPLEY (Sigourney Weaver) in Aliens
2. ALEX FORREST (Glenn Close) in Fatal Attraction
3. *ANNIE WILKES (Kathy Bates) in Misery
4. SUSIE DIAMOND (Michelle Pfeiffer) in The Fabulous Baker Boys
5. MARQUISE DE MERTEUIL (Glenn Close) in Dangerous Liaisons

Runners Up: Completing the top ten in descending order are Julia Robert's Pretty Woman VIVIAN WARD (who initially looked like a top three threat but kept fading throughout the course of voting), Cher's *LORETTA CASTORINI in Moonstruck, Streep's SUZANNE VALE (AKA CARRIE FISHER) in Postcards from the Edge, Anjelica Huston's hard as diamonds LILLY in The Grifters and in a tie for tenth place Holly Hunter's JANE CRAIG from Broadcast News and Jessica Tandy's *MISS DAISY the one who who drove right over the Pfeiffer/Oscar dream. Damn you, Oscar voters!

Observations: Looking back it looks like Meryl Streep owned the first half of the 1980s while Glenn Close threatened her dominance in the decade's second half. And to think they might go at it again this year?!? This poll was the most contentious of the six polls we've held with very small differences in rank between the winners and much in the way of surges and drops. A certain formidable alien fighting woman was always out front but Alex Forrest refused to be ignored and wouldn't allow her a huge lead. Spots 3 through 10 shifted repeatedly with my beloved Kathleen Turner's PEGGY SUE just missing the top ten. [Sniffle]

Fonda and Bridges in THE MORNING AFTER (1986)Weakest Showing: Jane Fonda's ALEX from The Morning After  (which Nick and I tried to recall on the "1986" podcast) received 0 votes from the nearly 800 cast. Of Fonda's seven nominations it's her last and (obviously) her least remembered. It's currently available on Netflix's Instant Watch. Sadly Sally Kirkland's ANNA only barely registered. Kirkland is best known to today's audiences as that crazy-dressing lady who sometimes shows up at the Oscars but that surprise nomination for 1987 was hard-earned. Don't believe me? Watch the movie on Netflix Instant Watch.

Should we do the 1970s?  
What do you make of these 80s polls? Did your fellow TFE readers choose well or would you like to stalk them with Alex Forrest's butcher knife, Ripley's flame-thrower or Annie's hobblin' hammer and right the wrongs they done?