Thursday, June 5, 2014 at 7:27PM The Film Experience time travels so consistently between the now, the future, the distant past and the recent past that Throwback Thursday, that grand internet tradition, hasn't meant much. But then a lightbulb - "Throwback Thursday... Oscar Campaigns"
Remember Henry & June (1990)? Oscar and Uma anecdotes after the jump...
Tuesday, May 13, 2014 at 8:18AM Andrew with a Cannes edition of our monologue series...
The 2014 Cannes Film Festival begins tomorrow and The Film Experience is doing its part to keep things Cannes focused with our list of favourite Palme D’Or winners, Diana’s upcoming coverage on the ground, and more. To continue the party let's turn to the Palme D'Or winner that topped my own team ballot, Mike Leigh's Secrets and Lies (1996).
Brenda Blethyn plays Cynthia Purley, a woman who spends much of her time jabbering away (often incoherently). Like Anne Baxter, featured last week, it’s Brenda’s domination of her scenes that fool you into considering her scenes are more monologue-driven than they actually are.
[18 year-old spoilers follow...]
Secrets and Lies has a fine ensemble but it's impossible to look away from Brenda Blethyn's fantastic turn even when you want to - Cynthia can be draining, even overwhelming and exhausting to watch. Cynthia's arc is composed from a string of breakdown scenes wherein she's reacting to family secrets and issues and they are all pitched perfectly. The one which is most significant comes midway through the film when she meets the daughter she gave up for adoption some decades ago when she was a teenager.
Tuesday, March 25, 2014 at 6:35PM When L.A. Confidential premiered in 1997 I was one of the few cinephiles that wasn't overcome with passion for it. I thought it too warm, actually. The happy(ish) ending threw me since most of the noir I was familiar with (not a wide sample I'm afraid) was much more nihilistic, rarely leaving the compromised heroes alive or free. It was the clear critical favorite in its year, though, so I've long wanted to reassess it and spend more time with it. I'm happy to report that I underestimated it the first time around. The screenplay with its hardboiled broad strokes dialogue and characterizations made more sense now that I'm more familiar with its tropes. But above all else it's a "wow" in execution from every department (but yes we're here to talk cinematography).
My clearest memories of the film were three: the smarmy gossip opening "on the QT and very hush hush", that I was enamored of both Russell Crowe and Kevin Spacey's performances, and the (literal) head-turning introduction of Lynn Bracken (Kim Basinger in her Oscar winning role) though it should surprise virtually no one who reads the Film Experience that the subplot of the Fleur de Lis girls "whores cut to look like movie stars" was the storyline I was initially most drawn to.
Whatever you desire.
Saturday, March 1, 2014 at 5:00PM Flashback March 25th, 1991
Which one of these guys do you think Kathy Bates wanted to lock up in her house and possibly hobble? If neither Tom nor Dustin are the correct answer who do you think Kathy was eyeing on Oscar night that year? Tell us in the comments.
Question #2: If you had to nurse one of this year's Oscar nominees back to health in your remote house in the woods, who would it be?
Friday, February 28, 2014 at 12:04PM Baz Bamigboye talks to an acting coach about the lead acting nominations
Washington Post Nick Davis dispels five Oscar myths
Buzzfeed Jennifer Lawrence and the types of Cool Girls
In Contention on the first Oscars concert. Sounds like it needs to become a tradition!
New York Theater on that West Side Story screening with Rita Moreno last week (I so wish all these things weren't happening DURING Oscar season. I have no time. Sad face.)
BDCWire You know the McConaissance has gone over big when Matthew McConaughey starts winning comparisons to Brando and de Niro
VF live blogs the 1993 Oscars - twenty years ago looked suspiciously like now with Leonardo, an AIDS drama and more...
MNPP a review of Enemy which has been intermittently flashing into my brain since Toronto
Carpetbagger on the pundit confusion and predictions for the big night
Salon a reminder: Jennifer Lawrence doesn't want a second Oscar right now
We Recycle Movies charts some Oscar stats involving Best Picture and the original vs adapted situation
Fun Interactives
Slate is really killing it this year and I'm not saying that because they did such a great job with my acceptance speech piece. This "name that screenplay" quiz is super weird/hard/gripping... I didn't do as well as I was expecting (I did get Braveheart, Crash, Schindler's List and Chicago on their first word clues but the rest were much harder for me) but it was exciting to play. They've also got a tool where you can adjust percentages of what will win Best Picture based solely on math of which "lower" categories mean the most to a Best Picture win. It's worth noting that before you even begin they have Gravity as the projected winner with 37.5% to 12 Years' 35.1% and American Hustle's 27.4% so that's their baseline. The percentages adjust as you click on winners. But usually Gravity comes out on top. (sigh)
Today's Must See
People magazine did a little photoshop wonder pairing the nominees (and Tom Hanks?) with their younger selves with conversations. It's super cute/cheesy but somehow kind of wistful at the same time - neat trick.
Are you afraid of me? That's all right – I'm afraid of me, too."
