The Nineties.

Good evening America. It has recently come to my attention that I enjoy the nein•a•dees. I came upon this realization on Saturday whilst watching Titanic (1997) starring Billy Zane, The Unsinkable Annie Wilkes... and Suzy Amis. After removing my misty used 3D glasses sponsored by The Lion King, I gazed wistfully at photos of blk dnm's "leather jacket 8" modelled by Juliette Lewis and Chloe Sevigny. In two dimensions. 

Later indulging in buttery spaetzle, courtesy of Hallo Berlin and nein-a-dees university mates, we considered trapeze lessons and discussed the puzzling career of Mira Sorvino before spotting Primal Fear's Edward Norton in the 10th row at "The Lady From Dubuque" starring four time Oscar nominee Jane Alexander. She twirled her angelic shawl with all the grace befitting an Albee abstraction. Or Stevie Nicks at a Fleetwood Mac reunion tour.

The Titanic Centennial weekend festivities were sponsored by Three Olives vodka, Junior Mints, and memories of Celine Dion's chest-thumping Oscar ballad. I'll never let go, Jack.

This post is dedicated to Drew Droege, Leonardo DiCaprio's Elfin Youth, And Jenette Goldstein as "Irish Mommy"

All This, and Linking Too

Matt Patches gives us the best news of the day for New Yorkers. The Alamo Drafthouse is coming.
Lists of Note Preston Sturges "11 rules of box office appeal" Tee hee.
Cinema Blend new details on Matt Damon's Promised Land. It involves fracking.
Scanners a wonderful interview with Bette Davis circa 1988. She would have turned 104 this weekend.

Pajiba the highest grossing female led action films (not adjusted for inflation)
akslkgkdsl 
The Awl unanswered questions about teen movies. Here's a sample:

Say Anything…: How many times did Lloyd use the boombox trick in future relationships, and was his song selection always “In Your Eyes,” or did it change to reflect the current hits?

Tom Shone on the Titanic 3D conversion. I love Tom Shone.

Finally Boy Culture reminded me of this  year old interview with one of my favorite character actresses (and incidentally one of my favorite lesbians) Miriam Margolyes. I love her in everything -- remember how fun she was lusting after The Bening in Being Julia?. She is hilarious and she was totally dissing the Oscars for their big stars in supporting categories problem.

It was a very good film called The Age of Innocence and I was marvelous in it. I was! The reason I wasn't nominated was because of WINONA RYDER AND I DON'T LIKE HER! What happened was she was nominated as a supporting actress instead being nominated as a leading actress. If she'd jolly well kept herself to herself and been a leading actress, they would have nominated me as supporting. I was livid."

12 Days Till Oscar. What Happened to the Juvenile Oscars?

Remember when... Okay, scratch the "remember when?" question this time. Unless there are some really really ancient AMPAS members reading. The Oscars weren't televised yet so nobody could remember this one unless they were there.

What was Judy Garland so happy about at the 1939 Oscars? (circa February 1940)

I mean besides sitting with 'The First Lady of MGM' Norma Shearer which would obviously make anyone euphoric.

Judy G was having a good night because The Wizard of Oz was up for six Oscars including Best Picture. It won two music prizes (Best Score and Best Original Song to the very nearly cut "Over the Rainbow"). Judy also won a special juvenile Oscar, presented to her by her frequent co-star Mickey Rooney who had won the year before.

One wonders why they don't still award those. They weren't annual so it took a special performances for the Academy to go there. They only did so 11 times in their first 33 years ending with Hayley Mills for Polyanna (1960)

I can think of several people through the years who would have been relieved if they passed those out instead of letting the kids compete with the grownups. Every time a child is nominated an adult gets bumped out of the shortlist. I mean would Winona Ryder be an Oscar winner today if Anna Paquin had been given a miniature Oscar instead? Would Madeline Kahn have been an Oscar winner for Paper Moon (1973) if Tatum O'Neal hadn't committed category fraud and won doing so for the same film?

Do you think child acting should be judged separately?

If they were still handing them out do you think Thomas Horn would've been the recipient this year since they obviously liked Extremely Loud and Incredibly Close more than critics did?

Perhaps I should have a child acting category at the Film Bitch Awards. I never know who to nominate at the BFCA "Critics Choice" award in their "young actor" category because I always forget to think about child performances.

RIP Whitney Houston (1963-2012)

Jordin Sparks and Whitney in the forthcoming "Sparkle"Breaking news as CNN is currently investigating the discrepancies within the details but Whitney Houston has died at the age of 48, the day before the Grammys no less. She won six of the music industry's top prizes over the span of her career, the last in 2000 for "It's Not Right, But It's OK".

She'll always be remembered as one of the great voices of the 80s and 90s but her career had been quiet for a decade, plagued as it was with substance abuse. I'll personally never forget that chilling "crack is whack" Diane Sawyers interview but there were occasional intermittent signs that Whitney was on the mend. She had recently returned to acting filming a remake of Sparkle with "American Idol" alum Jordin Sparks. 

That musical is currently in postproduction aiming for an August 2012 release date. Whitney's movie career previously was sparse and short but started with a supernova: The Bodyguard (1992) was a smash hit at the box office and the music was an even bigger deal launching a series of hits and becoming the bestselling soundtrack of all time.

Houston jumped from A list co-star to A list co-star: Kevin Costner to Angela Bassett to Denzel Washington. (I remember being miffed at the time that Angela Bassett had to take second billing but I was a possessed Bassett fan in college and hoping to see her snag a second nod for her literally fiery work in Waiting To Exhale.).

The song everyone remembers from The Bodyguard is of course Dolly Parton's immortal "I Will Always Love You". My fondest memory of the song is actually Dolly Parton related. My friends and I would always be like 'ka-ching. You get that money, Dolly!' whenever Whitney held that crazy note which was, appropriately, ALWAYS ♫ since she didn't seem to need to breathe and the song was always on. Mostly out of loyalty to Dolly and The Best Little Whorehouse in Texas where 'I Will Always' was first movie-fied but maybe also because I go weak at the knees for a sparkly headdress or wrap, I was more partial to "I Have Nothing."

Rest in Peace, Whitney Houston.  Your voice had plenty and you gave quite a lot of it to the world.

Readers' Ranking: Streep's Oscar Noms, #5-1

We started this blogging experiment by asking readers to rank all the Streep Oscar Nominated performances they'd seen. Then we shared reader stories of how you first discovered Streep. I tabulated all the results, weighting the ballots so the readers who had seen the most films counted for more. Now we've reached the tippity top of Streep performances!  For what it's worth, the top six (including Kramer Vs. Kramer) were the clear winners of your collective hierarchy and numbers two through four were closely bunched together in your estimation, each threatening to take spot #2 with each new ballot that arrived, though eventually they settled into their current positions. 

STREEP'S OSCAR-NOMINATED PERFORMANCES RANKED 
According to Film Experience Readers  (We didn't include The Iron Lady since it's brand new)

16-11
Music of Heart, Ironweed, One True Thing, French Lt's Woman, Deer Hunter, Doubt
10-6
Julie & Julia, Out of Africa, Postcards, Cry in the Dark, Kramer vs Kramer

05. Adaptation (2002)
Role & Balloting: Streep's terrifically clever performance as a heightened version of Susan Orlean, the real life writer who wrote the non-fiction book The Orchid Thief that Nicolas Cage's fictional screenwriter (and Charlie Kaufman stand-in) tries to adapt into a movie in this twisty comedy [whew], is the one many fans point to as "this is what she needs to do more of!" This role was in first place on only 3% of ballots, less than any of the other films in the top six, but it was on nearly every ballot (widely seen) and usually in the upper half.

Who Won the Oscar: Catherine Zeta-Jones, Chicago
Other Nominees in Guesstimate Order of AMPAS Love: Meryl (Adaptation), Julianne Moore (The Hours), Kathy Bates (About Schmidt) and Queen Latifah (Chicago)
The Dread Sixth Place Finish?:  It was Michelle Pfeiffer, SAG nominee, on the outside looking in for White Oleander. I still blame the Golden Globes for that one as they stalled her momentum by fawning over a miscast and dull Cameron Diaz for Gangs of New York. 

Reader Notes and Four More Greats after the jump...

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