FYC: "Flee" in Best Sound

by Chris James

Sound can be more visceral than sight when recalling painful moments from the past.Flee is a unicorn of a film, a hybrid of so many styles of storytelling. In the most basic of terms, it’s a first person documentary feature as Amin recounts his journey from Afghanistan to Denmark. The use of animation in telling Amin’s story serves a few different purposes. On a social responsibility level, animating the entire film helps protect the subject and their family. From a stylistic perspective, the animation draws us into Amin’s crisp memories, only to have the traumatic flight from Afghanistan be painted with broader, more dramatic strokes. It’s as if Amin’s memory is protecting him from the details. Come the time of Oscar nominations, it could be the first film nominated for International Feature, Documentary Feature and Animated Feature. Matt St. Clair has already done a great job lobbying for it in Best Picture, which would be richly deserved. 

There is one other category that the Academy should make sure to consider Flee in - Best Sound. 

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"Crouching Tiger" and the Foreign Language Films of 2000

In preparation for the next Smackdown Team Experience is traveling back to 2000. 

Juliette Binoche and Jack Valenti announcing Best Foreign Language Film.

by Juan Carlos Ojano

Coming into the 73rd Academy Awards, the results of the Foreign Language Film category must have felt like the biggest lock of the night (this writer can only assume based on hindsight since he was only a five-year old bébé at the time). Crouching Tiger, Hidden Dragon was the perfect storm when it hit American audiences. The film came from an established filmmaker, Ang Lee, who had made several critical and commercial hits in English and otherwise, the storytelling was tailored to better suit Western sensibilities, it featured international stars known to the English-speaking film market, it received rave reviews and enormous box office returns, and it was both partially funded and widely distributed by a major American studio...

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Does Having a Co-Star Nominated in the Same Category Help or Hurt a Frontrunner?

by Christopher James

"Judas and the Black Messiah" became the 19th film to earn two nominations in Best Supporting Actor. Both Lakeith Stanfield (left) and Daniel Kaluuya (right) were nominated.Daniel Kaluuya has won all the major televised awards of the season so far for his tour-de-force performance as Fred Hampton in Judas and the Black Messiah. This should clear an easy path for him in Best Supporting Actor at the Oscars. The one difference: he faces off against co-star Lakeith Stanfield in the same category for the first time this season at the Oscars. Is this a show of confidence in the film, further solidifying his imminent win? Or does this open up the possibility for vote-splitting?

Theoretically, having multiple nominees from a film in a single category should double a film’s chances at winning...

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93rd Academy Awards: Best Film Editing

by Juan Carlos Ojano

Best Film Editing is noteworthy as an Oscar categoryfor its strong connection with the Best Picture race. With the exception of 2014’s Birdman (which prided itself for being a one-take film even if it actually isn’t), we have to go back to 1980 to find a Best Picture winner without a corresponding Film Editing nomination. However, the expanded ballot changed the Editing race. Since 2009, only four non-Best Picture nominees have gone on to be nominated in this category, with only one winning. This lends a preordained quality to the contenders.

This year is no exception, with all five nominees coming from Best Picture contenders. However, the predictability of the crop does not equate to the predictability of the race; this is one of those categories where one can see any of the five nominees realistically taking the award based on presumed strength in the awards season...

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Best Picture Nominees - Who's Up? Who's Down?

by Christopher James

Is Nomadland still looking like the clear winner for Best Picture?

Oscar nomination morning changes everything. What it takes to be nominated for an Oscar and win an Oscar are very different. As we enter this new phase for the Oscars, who is best set up for success on April 25th? The eight Best Picture nominees were all the most nominated movies of the year. Mank led with ten nominations. The rest of the nominees all had relatively good days, each earning six nominations except for Promising Young Woman, which received five nominations. Among non-Best Picture nominees, Ma Rainey’s Black Bottom led with five nominations and News of the World with four nominations.

With the Oscar mainly coalescing around the eight Best Picture movies, which of them benefitted? Were any movies disappointments, despite a Best Picture nomination? Can anything beat current frontrunner Nomadland?

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