Review: "Sicario: Day of the Soldado"

by Chris Feil

That crowdsourced “fan” remake of The Last Jedi that made the rounds in the past week? The one rooted in thinly veiled misogyny, white supremacy, and general ill-advised sentiment to tool with material that’s perfectly fine on its own? Put yourself in front of Sicario: Day of the Soldado, the new prequel to Denis Villeneuve’s layered 2015 film musing on the pervasive institutional evils of the War on Drugs, and you might be convinced that those fans got their hands on this narrative as well.

The warning signs make themselves known immediately, this time focusing on the more enigmatic men in the thick of the corruption: Josh Brolin’s task force leader Matt Graver and Benicio Del Toro’s patiently vengeful hitman Alejandro. Kicking the film off with a demonstratively labored Islamophobic sequence, the audience is served a video game brand of warfare as Graver and Alejandro initiate a kidnapping plot across the Mexican-American border. The kidnappee is Isabel Reyes (played by Isabela Moner, the film’s brightest spot), the daughter of a major cartel leader that may be linked to Alejandro’s past. As expected, the men's hubris is turned in on itself...

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Link like the world isn't on fire

Variety - helpfully lists 10 standout moments from the MTV Movie Awards so we dont have to worry abotu missing it. Black Panther took the bulk of the prizes with Tiffany Haddish hosting
Towleroad - Interview with the director of McKellen: Playing the Part
IndieWire - 64 established and emerging film critics reflect on their favorite piece they've written -- our very own Chris Feil is in the mix! 
MNPP -Tyler Hoechlin seven times

Variety - Jennifer Lee (Frozen) and Pete Docter (Inside Out) are replacing John Lassetter at Disney and Pixar respectively
Guardian - Fun interview with Christopher Plummer on acting, replacing persona non gratas, and making peace with The Sound of Music.  
Coming Soon - this week in news absolutely no one needs: Robert Zemeckis to remake Roald Dahl's The Witches. There is literally no way to top Anjelica Huston's Grand High Witch so why?
/Film -AMC's A-List is going to compete directly with Movie Pass for those frequent moviegoer subscription dollars 
Variety - LGBTQ actors haven't had much luck securing Emmy nominations outside of the comedy fields. Will this change soon? 
New Yorker - funny piece on confessing that you met your partner in real life and not online! 

You guys. It's getting harder and harder to concentrate on movies and you know that's a nightmare for us when movies are our great love. But every day that goes by as America slides towards concentration camps, complete inhumanity, and fascism, Amy Poehler's questionnaire from last week at THR becomes ever more needed and brilliant. Here's the Q&A since the article is long and not about this:

Smackdown '70 Companion Podcast Pt 2: "Five Easy Pieces" and "The Landlord"

Smackdown in 3 Parts
• The Write-Ups
• Podcast Companion Part 1
And now the conclusion!...

Pt 2 (39 minutes)
On the second half of the Supporting Actress Smackdown podcast we discuss Hal Ashby's debut film The Landlord (1970) starring Beau Bridges and Lee Grant. We theorize about why it's not more famous and what would have happened with the great African-American actress Diana Sands if she hadn't died so soon after the movie. We also make some time for the Best Picture nominee Five Easy Pieces and its abundance of actressing, not just Karen Black! 

You can listen to the podcast here at the bottom of the post or download from iTunes. Thanks again to the panelists: Mark Blankenship, Dan Callahan, Denise Grayson, Lena Houst, and Bobby Rivers . Continue the conversations in the comments, won't you? 

Pt Two: The Landlord and Five Easy Pieces (1970)

Doc Corner: The Notorious 'RBG'

By Glenn Dunks

There is little denying that Ruth Bader Ginsburg is a great woman. Sadly, however, she has not been granted a documentary of equal merit. The new documentary RBGrushes through many of her life’s accomplishments without any of the attentive analysis deserving of somebody who has been so instrumental to the shaping of society. Directed by Julie Cohen and Betsy West (producer of The Lavender Scare which you may have seen on the queer festival circuit), RBG is never less than full of effusive praise, but sloppy directorial choices make the film less than totally involving. It's light on the force and scope that one ought to expect.

RBG covers most of what you're expecting: her early life studying law and meeting her future husband, her efforts to fight for equality in the courts, her confirmation to the Supreme Court in 1993 by President Bill Clinton, her discenting vote in Bush v Gore and so on. The film, eager one supposes to present her as somebody of mere blood and bones, also covers her extra-curricular fun: the opera predominantly, but also her efforts to stay fit in her 80s, her late-in-life ascension as an internet meme, and her unlikely friendship with Antonin Scalia...

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The Men in the High Castles

Jason Adams reviews Chappaquidick, new in theaters this Friday

"I am a collage of unaccounted for brushstrokes - I am all random." Those are among the last words spoken by Stockard Channing's character in Six Degrees of Separation as she flees another ritzy party, her sense of self in tatters. Who are we, just an assemblage of stories we tell ourselves, and others? Is there something in between the molecules, if you drill down deep enough, or does infinite digging render everything dug? When we get up and look at ourselves in the mirror in the morning, are our eyes showing us Fake News? The post-modern self is an existential crisis in overdrive, but at a certain point don't you have to just stop drilling and take stock of what you actually see? Where does the scrutinizing of facts end and the perversion of them begin? Who writes our histories?

On July 18th, 1969 in Chappaquiddick, Massachusetts, Ted Kennedy drove off a bridge and a 29-year-old woman named Mary Jo Kopechne died. What happened in the hours following that accident has been the subject of numerous books, not to mention many a feverish speculative daydream of right-leaning politicians and pundits. But it hasn't gotten the movie treatment until now with John Curran's Chappaquiddick, starring Jason Clarke as Kennedy and Kate Mara as Kopechne, out in theaters this Friday. Curran seeks to write that history...

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