Link Trip

Decider this Tiffany Haddish Oscar nomination could happen. 'Let's do this!'
Guardian when should cinemas turn their house lights on? During credits? After them?
Movie City News Jodie Foster talks at length about The Silence of the Lambs 
NathanielR... you've maybe already seen my anger about this topic when it comes to Call Me By Your Name, which is absolutely not over when the credits begin no matter what the house lights or your fellow moviegoers think. Stay in your seat. Respect the art. 
IndieWire Paul Thomas Anderson explains why there will be no cinematographer credited on his new film Phantom Thread

 

EW interviews Beanie Feldstein who is so wonderful in Lady Bird
GQ Dacre Montgomery on his shirtless dancing audition tape for Stranger Things 2
Guardian a new exhibit on 100 years of Australian film in pictures from the silent pictures through The Babadook
Variety Critics Choice Awards return to the CW. January 11th. 
Boy Culture reviews the new production of Harvey Feirstein's Torch Song
Coming Soon Jessica Chastain for the It sequel. Sure sounds plausible
TFE... in case you missed it: the full awards calendar for the rest of the season
Awards Daily Kathryn Bigelow's Detroit is getting a rerelease with a new FYC trailer to try to generate awards buzz
Tracking Board in the worst idea we heard this week news, there's a discussion about making The Lord of the Rings into a TV series. make it stop make it stop. Not everything needs to go on eternally. Let some things be. 
Variety Swords and Scepters, a historical epic about an 1857 Indian rebellion led by the Queen of Jhansi, is assembling a great cast including Rupert Everett, Devika Bhise, Derek Jacobi, and Jodhi May. There's also a Bollywood picture coming about the same story

Must Watch Video
Uma Thurman on the recent Hollywood flood of sexual harassment stories.

Uma Thurman's response when asked about the flood of sexual misconduct allegations....wow. pic.twitter.com/Sw5Br1GwFg

— Yashar Ali 🐘 (@yashar) November 4, 2017

If she can channel this rage (it's so audible despite her careful reflective words) into a performance, she'll be Oscar worthy again. Have always loved her. Hoping for another classic role soon to go with Mia Wallace, The Bride, Mrs H, Cecile de Volanges, and June Miller. 

Yes No Maybe So: "Phantom Thread"

by Ben Miller

Paul Thomas Anderson's latest joint, Phantom Thread, has him collaborating for a second time Daniel Day-Lewis (who is reportedly retiring following this film). The Christmas release follows the true story of 1950s London fashion designer Reynolds Woodcock.  Tagging along are his muse Alma (Vicky Krieps) and his sister (Lesley Manville).

After a long long wait, the first poster and the trailer have arrived. See them after the jump as we nail down the Yes, No, and Maybe So of it all…

Click to read more ...

There Will Be Link

Storify okay, this woman Nancy Wake needs a biopic. Amazing WW II story
Coming Soon production has started on Can You Ever Forgive Me, which sounds like an interesting vehicle for Melissa McCarthy to show her range. She'll play a celebrity biographer who made her name in the 70s and 80s but resorts to deception when her career tanks. It's directed by Marielle Heller who was behind Diary of a Teenage Girl
Vulture Which Sundance debuts will be Oscar contenders this time next year? 
Comics Alliance Aubrey Joseph and Olivia Holt have been cast in the TV adaptation of the superhero comic Cloak & Dagger

 

Cigarettes & Red Vines photos from the set of Paul Thomas Anderson's new movie which stars Daniel Day Lewis but has no title as of yet
Variety Remember when Viola Davis played best friend to Julia Roberts in a thankless part in Eat Pray Love? They'll co-star again in Small Great Things, a racially charged drama about a nurse who is sued by a white supremacist couple.
/Film James Cameron gets the rights to Terminator back soon and the franchise will be revived. AGAIN.
EW The Schuyler Sisters from Hamilton will perform at the Superbowl! 
Slate A tribute to Mary Tyler Moore's feminist influence
Vice So as it turns out the Kevin Costner character in Hidden Figures was made into more of a 'white savior' in the narrative then he was in the real life story. 
Playbill Clive Owen will return to Broadway in a revival of M. Butterfly - no word yet on who'll play the Chinese opera singer he doesn't realize is a man despite a long affair. B.D. Wong who works frequently on television these days instead of the stage won the Tony as the opera singer in the original production with John Lithgow originating the lead role that Clive Owen will now play
Jezebel on Ryan Gosling's cooking in La La Land
Interview has a gallery of the rising stars from Sundance 2017 
Towleroad new clip from Call Me By Your Name in which Armie Hammer tries to massage the tension out of Timothee Chalamet  

Links: Julie Andrews, Paul & Daniel, franchise "tone" templates

Variety Whoa. Daniel Day Lewis is going back to work. And with Paul Thomas Anderson again no less. They're making a 50s fashion drama
/Film shares concept art from Sam Raimi's Spider-Man 4... which obviously never went before cameras

Salon Actor Jake Choi on the odds against Asian actors especially the "de-sexualized" men
LA Times 100 people who could help fix Oscar's diversity problem. I'd be surprised though if at least a few of these people weren't already in the Academy since they've been nominated or close to it. The ultra strange thing is they don't list Bradford Young, one of the very best working DPs, under cinematography and I didn't think he was a member yet. Is it just a terrible oversight or did his invitation skip my notice?
AV Club a new Melissa McCarthy produced series Nobodies will be very meta. It stars her non famous comic actor friends playing themselves with a famous movie star friend (no word on who will play the Melissa McCarthy surrogate)
Towleroad Colton Haynes is working on a photo book with Tyler Shields. He promises it will be "shocking". So... the unauthorized sequel to Madonna's "Sex" book, maybe? 
The Guardian a good piece on reshoots for upcoming movies and the danger of "dark" or "light" templates for franchises 

Off Screen
Adequate Man "Please do not lick your kitty" 

Emmy Season is Upon Us...
Awards Daily is wondering if Scandal can make an Emmy comeback
Decider comedies the Emmys need to consider 

...and for the following year's Emmys we even have a Children's Programming contender worth getting excited about: JULIE ANDREWS IS BACK IN 2017!

NYFF: Paul Thomas Anderson and "Junun"

Here's Jason reporting from the New York Film Festival on Paul Thomas Anderson's music documentary Junun which plays Sunday Oct 11th. Subscribers to MUBI can watch it streaming online. The album (of the same name) arrives on November 13th

A moment of actual honest-to-blog transcendence arrives early, surprisingly early, in Junun, Paul Thomas Anderson's documentary which drops us in the middle of a recording session involving Radiohead guitarist and film composer Jonny Greenwood and a troupe of supremely talented Indian musicians. Anderson situationally immerses us from the first frame, plunking us down at the center of a session and spinning to and fro lazy-susan-like to stare at our collaborators. But it's a wee bit further in, once we've gathered our bearings as to what we're in for (okay, nobody's gonna hold our hands, gotcha) and he lets the music practically carry us out the window and up to a quite literal bird's eye view, that I felt the first twinge of that transcendence I mentioned, and before I knew what was quite happening tears were rolling on down my face.

Listen, Jonny Greenwood's got my number. We've all got our musical deities, those folks who can twist a knob or lay their pinky finger delicately on a single string, and with it break the emotional dam damming us daily up. There aren't many folks I'd follow blindly into war, but my cult-like devotion to every member of Radiohead is unshakable, my personal firmament. I lay this admission out here because I don't know how emotionally stirring a document like Junun will be to someone who's not being moved by the music because that, alongside Anderson's shaky digital footage of men blowing horns and night-time scooter rides through the streets, is that. There are moments of individual levity sprinkled about, between numbers, but Junun's grip, while tight and skyward bound, is probably only big enough to carry off a few. I recommend being a chosen one but what do I know? I'm blind and dumb with emotion here.

Photo © Shin Katan

Previously at NYFF