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Entries in P.T. Anderson (43)

Saturday
Dec132014

Meet the Contenders: Katherine Waterston "Inherent Vice"

Each weekend abstew profiles a just-opened Oscar contender whether they're sure things or longshots to keep us in the know. 


Katherine Waterston as Shasta Fay Hepworth in Inherent Vice
Best Supporting Actress

Born: Katherine Boyer Waterston was born March 3, 1980 in London, England. Her American parents were working in the country at the time.

The Role: Adapted from Thomas Pynchon's 2009 novel (and the first film version of the celebrated author's work), Oscar nominated writer/director Paul Thomas Anderson wrangles this twisty, drug-fueled haze of a story involving a weed-smoking, hippie, private detective named Doc Sportello (Joaquin Phoenix). The film's plot begins to unfold when Doc's ex-old lady, Shasta, shows up one night concerned about the safety of her wealthy, married boyfriend. Both Shasta and her paramour go missing and it's up to Doc to make sense of it all. [more...]

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Tuesday
Nov182014

P.T. Pinups

 


I'm not a fan of Inherent Vice much but it will inspire lots of fun fan art and/or official stuff... like this banner poster starring Katherine Waterston as "Shasta Fay". (Her hair is filled with secrets characters.)

I wish P.T. still wrote memorable female characters (sigh) even the kind of vacant bimbos like Rollergirl used to be awesome. With There Will Be Blood he basically left them behind altogether. Inherent Vice has a dozen or so female roles and only two of them are halfway interesting (Yay, Jena Malone and Jeannie Berlin cameos).

Uh-oh... I feel a list attack coming on. It can't be stopped 

Female Characters in P.T. Anderson films from Most Fascinating to Least
(not comprehensive but the major ones) 

 

  1. Amber Waves (Boogie Nights)
  2. Linda Partridge (Magnolia)
  3. Rollergirl (Boogie Nights)
  4. Gwenovier (Magnolia)
  5. Lena Leonard (Punch-Drunk Love)
  6. Peggy Dodd (The Master)
  7. Clementine (Hard Eight)
  8. Jessie St Vincent (Boogie Nights)
  9. Becky Barnett (Boogie Nights)
  10. Elizabeth Egan (Punch-Drunk Love)
  11. Claudia Wilson Gator (Magnolia)
  12. Hope Harlingen (Inherent Vice -cameo)
  13. Aunt Reet (Inherent Vice - cameo)
  14. Rose Gator (Magnolia)
  15. Xandra (Inherent Vice)
  16. Helen Sullivan (The Master)
  17. Petunia Leeway (Inherent Vice)
  18. Penny (Inherent Vice)
  19. Japonica Fenway (Inherent Vice)
  20. Sortilege (Inherent Vice - great voice that Joanna Newsom has, though)
  21. Shasta Fay Hepworth (Inherent Vice)

 

Tuesday
Oct142014

Top 10 Things We Learned from the 52nd New York Film Festival

To close out our New York Film Festival coverage for the year, a quartet of takeaways from this annual highly curated celebration of international cinema. NYFF doesn't have a broad selection like a lot of festivals but there were goodies. I've asked each member of our team to send me a top ten list of things they learned (we did not consult each other on our lists).

I'll start

NATHANIEL'S TOP TEN NYFF TAKEAWAYS

1. 17 years after Boogie Nights, Julianne Moore is still 'the foxiest bitch in the world'

2. Birdman has a smorgasbord of quotable lines. My favorite on first viewing:

Popularity is just the slutty cousin of prestige."

3. Marion Cotillard is getting so mesmerizingly authentic onscreen pretty soon she's going to walk right off of it in character like she's reenacting The Purple Rose of Cairo. (I apologize for the image: no one wants to think of the Dardenne Brothers going 3-D.)

4. You should never ever sit in the middle of a row of a long-ass Mike Leigh movie if you are feeling sick. My half-apologies to my row mates who you have no right to take up aisle seats if you're uncomfortable moving for the people in the middle.

More including Whiplash, Birdman, Inherent Vice, and Channing Tatum's boots after the jump...

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Monday
Oct132014

NYFF: A Conversation About "Inherent Vice"

Hello dear readers. Your host Nathaniel here for our penultimate article on this year's New York Film Festival. I hope you've enjoyed the reviews from Glenn, Michael, Jason and me. Several people have asked why none of us reviewed Inherent Vice or if any of us had seen it. Strangely we all were there. But then no one claimed it so we've opted to have a conversation about it at least in part to figure out what held us back. Let's begin...

NATHANIEL R: It just goes to show you you never know. Alejandro G. Innaritu is one of my least favorite wildly acclaimed auteurs and Paul Thomas Anderson is one of my all time favorite wildly acclaimed auteurs. And yet here I am at the end of New York Film Festival after screenings of Birdman and Inherent Vice and guess who provided cinematic ecstacy and guess who gave a bad trip? It's Opposite World!

I reach out to you Glenn, Jason, and Michael to help me parse my feelings since you've also been devouring the NYFF. The Inherent Vice screening was a full week ago and I am no closer to writing anything about it. I keep hearing that it's a perfect stoner movie.  Do I not like it because I am not into weed (so perfectly capturing that feeling would be lost on me) or because it's simply not good: shapeless, meandering, super-indulgent, and purposefully incoherent?

[more]

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Monday
Sep222014

Beauty vs Beast: There Will Be Beasts

JA from MNPP here welcoming you to another week's "Beauty vs Beast" showdown - this time around we're going good and bad and ugly and everything in between, heading out West to the oil fields of California at the turn of the previous century.

Over the weekend Paul Thomas Anderson's 2007 film There Will Be Blood screened at the immense and ornate United Palace Theater here in New York with Jonny Greenwood's masterful (and criminally Oscar-ignored) score performed live by an orchestra, including Mr. Greenwood himself. I was there and it was, to put it mildly, as if somebody liquified all of Heaven itself into drug-form and shot it full-blast into my veins. That is to say -- I enjoyed it. So to keep my happy buzz thrumming just a little longer, let's head back to The Church of the Third Revelation and see where our loyalties lie - with Daniel Day-Lewis' boy-abandoning oil-man or with Paul Dano's oily-man of god who keeps crawling under his skin.

 

We should try to keep ourselves character-minded as we cast our votes (keeping in mind that Eli might be a squirmy little fraud but Daniel Plainview does some, um, very bad stuff), but on the actor side of the equation I do want to say that while Oscar was very clearly definitive about where its hosannas fell (and I'm not about to knock DDL's for-the-ages work) I do think Dano's performance has been under-valued. The film wouldn't work nearly as well as it does if he wasn't purposefully driving us into Daniel Plainview's long, cold, scary arms. But really they're all a bunch of bastards (in baskets).

PREVIOUSLY Last week we revisited the raining rose petals of the insular suburban world in Sam Mendes' American Beauty on the ocassion of its 15th anniversary, and faced the angry patriarch and angrier matriarch of the Burnham clan off - coming out ahead by one fashionable gardening clog, Carolyn (Annette Bening) marched off with just over 60% of the vote. Said Mike In Canada:

"I feel like a major turning point in the road to true grownup-hood is realizing that Carolyn is the true hero of American Beauty and that Lester is a thoughtless prick and the movie's attitudes toward them are a major flaw."

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