Beauty Break: The Fiennes Profile

this photoshoot adorned many a wallRalph Fiennes's original heyday in the mid 90s pre-dated 99.9% of the online movie world we know today (including the existence of The Film Experience in any of its forms) so I've probably never revealed to you how hard I crushed in the 90s. We used to cut his pictures out of magazines to hang them on the wall. My best friend had an even bigger thing for him and thus a veritable shrine. We felt mutual guilt given that this started with, you know, Ammon Goeth. (Don't judge!)

I felt a tinge of that old eroticism again watching the Grand Budapest Hotel trailer last week ("I sleep with all my friends"... friends? what about your fans, Fiennes, your fans!?!). Now, Wes Anderson movies are not usually with the sexytime so I'm guessing Gustav's bedhopping exploits are strictly diegetic.

Those old tingly feelings returned the second he went into profile in the trailer. Oh god, that profile. 

Even when I crudely photoshop it, it's beautiful and timeless... or at least retro timeless like a daguerrotype boyfriend. I've always thought it was beyond perfect, the Most Handsomest and Profiliest Profile in The Movies. 

The English Patient understood that and constantly offered it up in both moving pictures and promotional stills.

And in some perverse way I think the Harry Potter franchise did too, desecrating and perverting its holy planes (sculpted by God himself) by removing the nose entirely.

What are some of your favorite movie profiles? 

Yes, No, Maybe So: Grand Budapest Hotel

Hospitality is all about speed, charm and mind-reading. Get them checked in, ingratiate yourself, anticipate their every need. Movies have to do that in reverse so the new poster (discussed) and the trailer have arrived to charm and anticipate our needs. Will you check into his GRAND BUDAPEST HOTEL in Spring 2014? Let's check off our yes no maybe so boxes...

YES

• ohmygod the colorology! I'm in ♥ with all the reds and purples and whites on view here. Wes Anderson movies may all look exactly like Wes Anderson movies but they do change up the color palette, so points for that.
• And speaking of which... I really think costumers and production designers on his movies do not get enough credit. It's insane to me that Karen Patch, for example, wasn't Oscar nominated for her instantly iconic work on The Royal Tenenbaums. This time it's the legendary Milena Canonero (on her 3rd Anderson picture) and Adam Stockhausen (who graduated to Production Designer on Moonrise Kingdom), respectively.
• If Wes Anderson were a hotelier, I imagine he'd have to run a very small exclusive boutique, building the perfect meticulously designed dollhouse rooms for his devout fanbase and repertory actors to squeeze into. I would glady pay rack. 
• Ralph Fiennes as a ladykiller concierge named "Gustav H"
• Tilda as an unrecognizably old rich lady horny for him? 

NO

• Oh noooos. Tilda dies to kick off the plot? That's too little Tilda.
• ...Especially since the cast list is otherwise a total sausage party. 

MAYBE SO

• Why is this trailer square? Is Wes challenging himself with an old school aspect ratio? [update after writing: yep, apparently there are three aspect ratios here] I know people complain about his center framed horizontals but I LIKE horizontal, and love his unique aesthetic.
• Do you think this one will skew too forced whacky? (the roundelay of face-punching, the skiing) or too precious (the secret code, the name of the painting, the "lobby boy" cap)
• ...can a Wes Anderson movie even be too precious? Or, if so, should they all be animated like Fantastic Mr Fox?
• Moonrise Kingdom will be hard to top but he doesn't need to. Even his least satisfying movie (The Life Aquatic With Steve Zissou) still has all sorts of corners and hallways and portholes to look into and at.

THE TRAILER

Are you a yes, no, or maybe so... and in what ways? Do tell.

Thoughts I Had... About Our First Look At "Grand Budapest Hotel"

In the interest of speed and efficiency, and before all this good icing melts, my uncensored thoughts as they come to me...

• This poster looks good enough to eat. Literally. All I see is a tiered heavily frosted chocolate cake and I want it in me right now. Put it in me!

• Remember when people made such a big deal of Natalie Portman's nudity in "Hotel Chevalier" even though it was only like side butt? Will their be profile nudity in this hotel? And if so whose? My guess is Léa Seydoux though its unlikely to occur at all.

• The title signage is like delicate decorative pastel frosting (I have not eaten dinner yet, can you tell?)

• So pleased that Ralph Fiennes' career seems to be on an upswing again -- I believe he's the protagonist and butler here -- though I read the weirdest headline the other day (I didn't click on the link) about The Invisible Woman, his second directorial effort, being a misfire of a vanity project. I have seen the movie and I can't for the life of me think why it would be considered a vanity project (though "misfire", maybe) when Fiennes is SO much more handsome in real life than he allows himself to look as Charles Dickens. And Dickens doesn't even come across all that well in terms of character, either. He's no outstanding citizen in the movie. 

• Can Ralph Fiennes please do playful homages to Tim Curry and Forrest Whitaker and other famous butlers when he hits the talk show circuit. Please?

• Did Oscar winner F Murray Abraham get a new agent or something? Totally back! Homeland (sinister!), Inside Llewyn Davis (wonderfully judged cameo), and now this.

• This poster reminds me of the architectural minimalism of Chris Ware or maybe it could have been done by illustrator Max Dalton who did great stuff for Matt Zoller Seitz' new book on Wes Anderson. I want to read that book. Did any of you get it yet? 

Max Dalton print of Wes Anderson characters

• My favorite Wes Anderson movies are The Royal Tenenbaums (#1 by a margin of 375 imaginary city blocks), and Moonrise Kingdom. Hotel Chevalier and Fantastic Mr Fox tie for third. No, really.

• My best friend used to live super close to the exterior of The Royal Tenenbaums on Convent Avenue here in  NYC and I used to stare at that building in melancholic wonder every time it entered my field of view. 

• Wes Anderson is the ideal person to make a movie about a hotel because structures are like actual characters in his movie: the train in Darjeeling Unlimited, the submarine in The Life Aquatic, the tree in Mr Fox, the vertical home in Tenenbaums, and so on...

• When will Oscar voters ever warm to Anderson? Beyond the writers branch who (wisely) gets him.

• I just noticed that Anjelica Huston's name is not on this poster and it suddenly doesn't look as tasty.

Reader Spotlight: Grace Miao

In Reader Spotlight we get to know The Film Experience community one by one. It's taking forever for which you know I'm grateful. Today we're talking to Grace in Toronto.

NATHANIEL: Hi Grace. Why do you read The Film Experience?

GRACE: I originally read it for your Oscar predictions, but I got hooked on the thoughts and insights in your movie reviews - and actressexuality! It's a little Ebert-esque, but love or hate a movie, you have an undercurrent of overall admiration and appreciation for the medium that keeps me coming back.

What's your first movie memory or obsession?

GRACE: E.T.  I'm so blood/gore-averse that I distinctly remember hiding my face behind my hands when Elliot cut his finger on the circular saw. And wanting a flying bicycle.

I know we have a mutual love of Tilda Swinton and Tony Leung since you've told me so. Name three other actors you always love to watch.

Nicole Kidman! I know she's on everyone's list, but her Monster Year in 2000/2001 kind of sealed the deal for me - I loved her in "Moulin Rouge", "The Others", then later in "Dogville" and "Birth". She's always good, but with an auteur director, it's absolute magic to watch her.

Maggie Cheung. I really miss seeing her onscreen, especially since Tony's still working (such amazing chemistry!). I was SO excited to hear that she was going to be in Inglorious Basterds and disappointed that they cut her scenes. She's one actor who, like Tilda, I can buy in anything and any role. Plus very few people can make Cantonese Chinese sound as elegant as she does.

I saw Ralph Fiennes in Quiz Show in a high school English class and it sent me digging through his filmography and my Dad's video library. For years, I just couldn't get enough of him (though I skipped "Maid in Manhattan") - I could be repulsed by him ("Schindler's List"), swoon over him ("The English Patient") and every time he speaks, I just want to curl up and fall asleep in his voice. I could see someone like Tom Hiddleston following in his footsteps.

If I could pick runners-up, I'd choose Peter O'Toole, Kirsten Dunst and Russell Crowe. 

If you were in charge of Hollywood for a year, what kind of movies would you greenlight?

At this point, I think I'd greenlight virtually anything that isn't a prequel or sequel. I'd give the go-ahead to works that put story and character development at the forefront; if Lars Von Trier/Kar Wai Wong/Alfonso Cuaron/Hayao Miyazaki/David Lean's ghost are in any way involved with the project, I'd give it an automatic pass to production. And I'd have Christopher Doyle be the DP for everything.

What's the last movie you watched before answering these questions [note: we had this conversation a couple of weeks ago]

I'm embarrassed to say G.I. Joe: Retaliation, but that wasn't a voluntary choice. Can I redeem myself with No starring Gael Garcia Bernal, which I saw the week before with my BFF?

Yes you may. Good choice. Which movie would you love to live inside of?

The Fall. Specifically in Roy and Alexandria's imaginary world, in Eiko Ishioka's costumes.

Name your three favorite movies from each decade: 80s, 90s, and 00s 

80s: My Neighbour Totoro (I grew up on Hayao Miyazaki - I could have easily filled up this section with everything he produced that decade), The Last Emperor, and Ran

90s: LA Confidential, Porco Rosso, Apollo 13

00s: The Barbarian Invasions (my Dad had cancer years ago and passed away in 2010, so I can't tell you how much this movie resonated with me. I was weeping in my seat), Children of Men and Dogville (Trying to narrow down what I loved from this decade drove me nuts. I want to cram Spirited Away, In the Mood for Love and Amelie in here as well)

Thanks Grace! P.S. This picture you sent is amazing! So I GIF'ed it. I cannot  believe you were an extra in Mean Girls. That is so fetch.

GRACE: I was.  Right after the Mathletes victory is announced. Two Lindsay Lohan movies, one with Hillary Duff, a TV movie with Anna Sophia Robb and a handful of TV series, including "Monk"!

NATHANIEL: Well done!

Previous Reader Spotlights
And our imaginary Honorary Reader Oscars go to...
lovely ladies: Mysjkin, Lynn Lee, Ester, Leehee, Jamie and Dominique 
(and yes we need to hear from more of the girls) 
dashing gents: Peter C, Daniel M, Troy H, Morgan, Patrick, Christian, Lucio, Joey Moser, Zé V, Tony T, Andy H, Ferdi, K.M. Soehnlein, Sergio, Borja, John, Chris, Peter, Ziyad, Andrew, Yonatan, Keir, Kyle, Vinci, Victor, Bill, Hayden, Murtada, Cory, Walter, Paolo, and BBats

April Showers: “The English Patient”

 Andrew here with an April Shower to pass the evening.

I’ve always gravitated towards film scenes incorporating water. Often it does not transcend the aesthetic (water on screen just looks pretty), but even as downpours – natural or man-made –are often utilised as read-made ways of attuning the audience to moments of sadness, it’s great when filmmakers utilise it other ways. I say utilise with slight hesitation because in a film where Minghella seems to be telegraphing nodes and nodes of information, the rain scene in The English Patient comes off as especially slight.

The titular patient (formerly known as Count Laszlo de Almásy) has been severely burned across the body and confined to a bed, remembering ghosts of his past. He is dying, and convivial Nurse Hana – running from ghosts of her own – is keeping him comfortable in his last days in an abandoned Italian monastery as World War II draws to a close. They are joined by mysterious thief Caravaggio and sapper Kip and his Sergeant Hardy. A few moments before the rain is released, an agitated Hana bicycles out to find Kip, her new lover. He is busy defusing a bomb which has his name written on it. Literally.

 

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