Nathaniel's (Belated) Top Ten List of 2018

by Nathaniel R

Given that we're two months into a new year, the best cinema of 2018 is receding in our mind's eye, still shimmering but moving out of focus. But so much vivid color and feeling remains. Before we are fully blinded to its beauties (until, that is, they are "old films" and we can revisit) by a whole new batch of cinematic images to obsess over, here's one last post to honor the year that was. Here's your host's choices for the 25 best films of 2018.

This year's HONORABLE MENTIONS are a varied bunch taking us from horny self-discovery in Swedish woods to a trash-heap island in Japan. Strangely, grief was the year's most defining theme across genres as diverse as horror, tragicomedy, bopics, thrillers, character studies, and romantic dramas.

The films are listed in loosely ascending order, though we always reserve the right to change our minds where lists and rankings are concerned:

• Paddington 2 (Paul King, UK) If all franchises were crafted with this much heart and warmth and wit, Hollywood wouldn't feel souless at all.
• Border (Ali Abassi, Sweden) A refreshing oddity which totally commits to its own hybrid identity as its protagonist discovers hers.
• Spider-Man: Into the Spider-Verse (Ramsey, Persichetti, and Rothman, US) If all superhero movies were this fun, inclusive, and inventive, they'd deserve their now automic success in the marketplace.
• First Man (Damien Chazelle, US) A nation's epic ambitions paired with a marriage's intimate drama. So elegantly crafted.
• Burning (Lee Chang-dong) as elusive and mysterious as a cat that doesnt want to be seen, until it saunters boldy into sight to stare you down.
• First Reformed (Paul Schrader, US) The year's most disturbing drama. Hard to shake and necessary.
• Widows (Steve McQueen) Overstuffed and strangely paced, but reverberating with provocative ideas and juicy characters. 
• Capernaum (Nadine Labaki, Lebanon) For all that urgency and visceral feeling, not to mention one of the great child performances.
• Support the Girls (Andrew Bujalski, US) for its ramshackle charms and subtle character-portrait
• Hereditary (Ari Aster, US) What a calling card debut, from that dollhouse opening shot all the way through that psychotic break ending, a new horror classic. 

RUNNERS UP. Oh, if there were room in the top ten for all of these...

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Reader Polling Results

by Nathaniel R

So each year we poll you on who you'd like to see take the Oscars (among their nominees of course, which are obviously different than who you may want to see up for the prizes each year) and after a month of voting here's how you responded. You can look up the individual charts on each Oscar page if you so desire to see a fuller breakdown but your collective vote went like so if you're curious, and we hope you are. The eventual Oscar winners were usually either your winner or your runner up but I was personally surprised by a few of the polls...

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Beauty vs Beast: Our Favourite Fellas

Jason from MNPP here, wishing everyone a Happy Oscar Hangover Monday -- the mood swings last night were particularly violent, but then we live in a rollercoaster world in 2019 so the evening felt par for the course. Personally I had some villains I was rooting against last night but today in the light of day I don't feel like being particularly cruel so I'm going to go another direction with this week's "Beauty vs Beast" competition and celebrate one last time before we move on to new things my favourite red-carpet duo this season -- the fellas of The Favourite, Nicholas Hoult and Joe Alwyn, who trotted out their sharpest looks of the year on the red carpet, Nicky in Dior and Joe in Tom Ford. Nothing diabolical here, let's keep it light -- just choose!

survey tool

PREVIOUSLY Two weeks back it was the ladies of ROMA facing off for us, and leading lady Yalitza Aparicio took home your prize with 58% of the vote. Here's a selection of what Jones had to say (I recommend you click back and read the whole comment though because it's boss):

"To understand Cleo's character is necessary to not only understand existing at the margins of society but to be familiar with what it is like to exist at the margins of a household: being intimate without having a voice or autonomy. To people unfamiliar with these class structures and Mexican indigenous people this could read as blank but reflect again..."

Final Oscar Predictions

by Nathaniel R

Sharing a predictions article I wrote for Towleroad yesterday just after having posted our final predictions in that penultimate podcast discussion of the season. It's highly likely that I've contradicted myself a few times. And I'm already regretting some of those "final" predictions. A confusing year it's been. CHAOS REIGNS! So here are the final predictions, posted in order of how the prizes were handed out last year. If I'm already second guessing myself there are notes in red font. Category titles will take you to the corresponding chart where you have one last day to vote on your favourites. Ready?  Here we go...

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Podcast: Final Oscar Predictions

with Nathaniel R and Murtada Elfadl and special reccuring guest Nick Davis

 

With the Oscar on Sunday night, you'd better hurry and listen to this 65 minute podcast as it will self destruct in less than 72 hours. We kid, we kid. You'll still be able to make fun of our faulty crystal balls since we spend one hour making bold and not-so bold predictions as to who will win in 21 Oscar categories (minus the shorts). Hear us panic about how many Oscars Bohemian Rhapsody might win, and whether First Man might surprise with multiple wins, and will Roma really take the most statues?

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Oscar win predictions