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Entries in Selma (42)

Sunday
Dec142014

SAG & Globe Reader Questions. Podcast Answers! 

Last week's tidal wave of precursor buzz - most notably the Screen Actors Guild and Golden Globe nominations have everyone talking possible Oscar nominations. Those nominations are still one month away if you can believe it which gives us plenty of time to keep theorizing.

You asked a lot of questions. So Nathaniel, Nick and Katey answered them in this week's podcast!

How this one goes...
00:01 BFCA Ballot Buyer's Remorse. How many times did Katey vote for The Hundred-Foot Journey?
03:00 Is Jennifer Aniston going to happen?
05:15 Robert Duvall and/or Selma's Supporting Bids 
10:00 Humble Brag Jake Gyllenhaal Party
15:15 "What were they thinking?" & potential surprises
22:00 Julianne Moore's frontrunner status  
27:45 Boyhood's performances & Budapest's momentum
32:25 Rewatchability. Does it matter? Should it?
37:00 Miscellaneous Last thoughts
40:10 Julianne Moore Stinger 

You can listen at the bottom of the post or download from iTunes tomorrow. Continue the conversation in the comments. Hopefully though we answered your initial questions we raised even more talking points... 

Precursor Questions. Podcast Answer

Friday
Dec122014

Best Picture Predictions: Selma & Budapest on the Rise...

At this juncture in each film year, each week (hell, each day) brings another level of absurdity to the notion that anything is sure when it comes to Oscar. The awards table is constantly being shaken up and as soon as the pieces settle they're jostled again. All that and we're still almost three weeks away from actual Academy balloting for nominations.

you wish to have the curse reversed? get your screeners out first!

The tidal wave of awardage in early December reminds us once again that late December releases IF they are also late to screen can struggle. Still Alice and Cake, counter-examples, may be hiding from the public [ahem -grrr] but they premiered / screened regularly and early for the industry starting in September so their late arrivals haven't been a problem. Interstellar and Selma (both from Paramount) and A Most Violent Year (from A24) performed inconsistently without the benefit of awards screeners. Other late-to-screen releases (none of which have opened yet) including American Sniper, Into the Woods, Unbroken, and Big Eyes got screeners out but not in time for the SAG Nominating committee (from my understanding). Only Streep scored with a SAG nomination from those films.

And, let's face it, Into the Woods didn't even have to screen. Many many people in the world are willing to buy Meryl Streep on principal as Best even if they haven't yet seen whatever new character she's selling. (I wasn't joking when discussing her awards prospects on twitter when I said that only about once every 20 years do awards bodies en masse just decide to ignore her entirely in a given film year and we're not due for another one of those Brigadoon-like mystical occurences until 2024/2025. (If you're curious the last two times were Falling in Love in the 80s and Prime in the 00s)

Despite all the heat a Globe or SAG nomination or an LA / New York critics win can bring a film it's infinitely worth noting that Oscar balloting doesn't even begin until after Christmas so there are still important weeks ahead for all of these movies. In the end buzz only increases your likelihood that Academy members will watch your film. It doesn't necessarily mean that they'll like your film and vote for it. If you trust the precursors Whiplash isn't a threat for anything outside of Supporting Actor gold but I'm still willing to bet big on it in my predictions. At every industry event I've attended I've heard people speak of it with the kind of excitement that you can't buy with expensive PR pushes because the excitement is organic and personal taste driven. I'm not a huge fan of the film (though it has its moments and Damien Chazelle obviously has a big career ahead) but I hear actual love and not just respectful admiration when people talk about it and that is at least as good as, say, a Globe Best Picture Comedy or Musical nomination for Oscar heat, you know?

Best Picture is still something of a mystery, since we don't know how many nominees we will get or which of the 15 or so movies still in the running will be selected. We've had four completely consistent performers in the precursors that have already faced and won over both audiences and critics so you can lock them up: Birdman, Boyhood, The Imitation Game, The Theory of Everything. But beyond that? Anyone's guess. 

The Globe love-in for Selma and that totally deserved but still a wee bit surprising SAG Cast nomination for Grand Budapest Hotel are arguably the 2 biggest deal awards occurrences this week. If AMPAS voters haven't yet decided to screen either of those films, you can be sure they're going to.

More questions: Can Foxcatcher, Gone Girl, or Interstellar reheat cooling buzz? Can Unbroken, Into the Woods, American Sniper, and A Most Violent Year rally their fan bases in the next two to three weeks? (Successful opening weekends definitely won't hurt if they can muster them.) 

What other questions are you asking about the best picture race? 

SEE UPDATED OSCAR CHARTS:
PICTURE | DIRECTOR | SCREENPLAYS

Wednesday
Dec102014

SAG Noms: Surprises, Snubs, Sexism, Stunts

The nominations were announced live here (by Eva Longoria and Ansel Elgort) and on TBS & TNT. My wrong predictions were back here.

Though I have many pet peeves about the way the actors guild decides and divvies up its honor, here's one that's wildly underdiscussed online and I don't think it's at all insignificant or petty. Each year they refuse to alphabetize correctly, always listing Male Actor categories BEFORE Female Actor categories. That might make sense at the Oscars since "Actor" does comes before "Actress" in the alphabet if not in our hearts, but "Female" does not  come AFTER "Male" when you alphabetize and yet SAG always lists the men first. Highly sexist if you ask me though they are obviously super self-righteous about not calling women "Actresses". Go figure. 

If you don't think this is sexist consider this subliminal perhaps subconscious related value judgement: Drama is always listed before Comedy in their press releases though that's also not alphabetically justified. 

So The Film Experience always course-corrects for SAG by listing female actors first. Of course we do that with the Oscars too which is alphabetically incorrect since we use "Actress" but in our case it isn't a subliminal but a purposeful value judgement. Duh! Women are better than men. 

NOMINATIONS & COMMENTARY (ALL CATEGORIES) ARE AFTER THE JUMP

MOVIES

Click to read more ...

Wednesday
Dec102014

‘Selma’ Wins Big at the AAFCA Awards & NAACP Image Award Nominations

Margaret here with a look at the nominees for the 2014 NAACP Image Awards, as well as the winners of the African American Film Critics Association year-end prizes.

It continues to be a good season for Selma, which racked up eight Image Award nominations-- especially impressive when you consider that there are only seven categories. (Six of its nominations are for acting.) Period drama Belle and James Brown biopic Get On Up both received five nominations each, and the music industry romantic drama Beyond the Lights earned three.

The AAFCA announced their awards, naming Selma best picture alongside nine other outstanding films. The AAFCA Top Ten Films of 2014 are as follows in order of distinction: 

  • SELMA
  • THE IMITATION GAME
  • THE THEORY OF EVERYTHING
  • BIRDMAN
  • BELLE
  • TOP FIVE
  • UNBROKEN
  • DEAR WHITE PEOPLE
  • GET ON UP
  • BLACK OR WHITE

A complete list of AAFCA winners, and Image nominees (some interesting stuff - now with double the Viola Davis!)  after the jump...

Click to read more ...

Thursday
Dec042014

Linkless

Whoa we're getting behind on the linkages... here ya go

The Babadook order the pop-up book so that I have someone to commiserate with when it keeps us awake at nights in 2015
NYT looks at Ava DuVernay's direction of Selma
MNPP Continually undersung TFE favorite Alessandro Nivola celebrates the shortness of his shorts and how it helped A Most Violent Year win NBR's Best Picture. Hee
The Credits on the makeup work on Wild. How to keep Reese dirty?!

Hey U Guys interviews the always welcome Judy Greer on Men Women and Children and Ant-Man
Dissolve Sundance announces its titles for 2015. I should probably go again but haven't committed yet
Carpetbagger interviews costume designer Albert Wolsky on Birdman's briefs and super suit
In Contention Kris interviews TFE's communal husband, cinematographer Bradford Young (Selma / A Most Violent Year) 
Awards Daily mad scramble of wide open Oscar year
Heat Vision Suicide Squad, which I guess is a Batman movie without Batman (isn't TV's Gotham already covering that beat), gets an all star cast: Smith, Hardy, Robbie, Jai Courtney and Jared Leto as the Joker risking Heath comparisons less than a decade later. Yikes.
Boy Culture on Madonna's much talked about new Interview photoshoot 
The Atlantic Joe Reid thanks the NYFCC for expanding rather than narrowing the Oscar conversation this year (may other orgs and associations and circles do likewise)
/Film everyone is talking about the Fantastic Four synopsis which I find incredibly strange since its the vaguest thing ever and everyone already knows it (four young people are cosmically transformed in super odd ways and have to face an enemy that was once a friend - duh!)
Variety a bunch of major screenplays are ineligible for the WGA awards this year including The Theory of Everything and Selma
Daily Mail Kathleen Turner profiled for Dumb and Dumber To

I don't look like I did 30 years ago, get over it.

Sorry Kathleen, I'll never get over you! Then or now. (Though I'll skip this type of cameo and wait for the next great stage performance)

Absolute Must Read of the Day
Garden & Gun 98 year-old two-time Oscar winner Olivia de Havilland gets sassy remembering her career and Gone With the Wind (1939). On working with some of the greatest directors of all time from George Cukor to William Wyler...

They didn’t get the performances out of me. I gave the performances to them.

Videos o' the Day
Louis Virtel details all the reasons why Madonna is the greatest celebrity of all time. And David Ehrlich countsdown his 25 favorites of the year with a neato montage with wonderful music choices

 

THE 25 BEST FILMS OF 2014: A VIDEO COUNTDOWN from david Ehrlich on Vimeo.

 

Top Ten / List Manic Season Begins
John Waters the inimitable director does his annual duty for Artforum. It's always refreshingly eclectic and this year he loves Maps to the Stars and Nymphomaniac
Washington Post from Boyhood to Under the Skin 
AV Club kicks off it's best & worst of the year with comedy albums, least essential albums (heh) and worst tv. ouch.
The Film Stage looks at the best of 2014 according to Cahiers du Cinema from Under the Skin to Love is Strange
Sight & Sound from Boyhood to Mr Turner

THE FILM EXPERIENCE's YEAR IN REVIEW begins Dec 11th
[Lee Pace doesn't believe us! ------->]
I've seen nearly all the films one has to see (but I have about 10 more I'd like to screen or rescreen before the list-making proper). We'll have a couple of days of "Cinematic Shame" beginning on the 11th to cleanse the palette and from December 14th through January 14th is when "everything is awesome" and we celebrate the Best Ofs. But, as you know it's tough to keep up 'in the season' so some lists/categories from Year In Review will obviously trickle out after the Oscar nominations on January 15th. Stay tuned!