Halfway Pt. 4: Top Ten Movies of 2014 (Thus Far)

For today's Tuesday Top Ten it's your last peek at Nathaniel's top ten list for 2014 until the official one at year's end. Only films that have already played theaters in regular release are eligible hence endearing indies like Happy Christmas (currently On Demand) or instant classics like Love is Strange or next weekend's highly raved openers (Dawn of the Planet of the Apes and Boyhood) cannot yet apply. Herewith my ten favorite pictures of 2014 thus far since we've already looked at favorite sights and favorite sounds. 

You should see all of these movies. How many will stick around for the official top ten of 2014? I haven't a clue. That's half the excitement of drawing these invisible lines in the sand and waiting with hot anticipation for the rest of the year's wonders

TOP TEN FILMS OF 2014'S FIRST HALF
(ALPHA ORDER)

BEGIN AGAIN (John Carney) 104 minutes
Weinstein Co | June 27th| Box Office Rank of 2014 (At This Moment) #85 with $1.7 million

Like a new favorite song you can't stop playing, it's hard to even suss out why it's so damn loveable. My hunch is that its ephemeral endearments are powered by the combo of writer/director John Carney's sincere musicality (he captured lightning in a bottle with Once) and Keira Knightley's wonderfully relaxed but emotionally astute work as an abandoned musician who genuinely doesn't care about fame and fortune but has lots of love for music and people... whether or not they deserve it.

CAPTAIN AMERICA 2 (Anthony & Joe Russo) 136 minutes
Marvel/Disney | April 4th | Box Office Rank of 2014 (At This Moment) #1 $257 million

The best superhero film since the genre's peak in 2004 with that Spider-Man 2 and The Incredibles double-whammy and the best yet from Marvel Studios. I've probably raved enough this year but practically everything works from performance to action to theme and especially the firm sense of identity and character work at its core (here's a fine piece on that). That sense of self saves this superhero film from the generic problems that plague its genre. [Review]

CHILD'S POSE (Calin Peter Netzer) 112 minutes 
Zeitgeist | February 19th |  Box Office Rank of 2014 (At This Moment) #170 with $97 thousand 

Romania's 2013 Oscar submission continues the super annoying but enormously familiar trend of gambling its entire US release strategy around an Oscar nomination that doesn't materialize. Which is a pity since gold statues aren't everything (Ida proves that memorable foreign films don't need any awards buzz at all to find their natural fanbases but more on that in a minute) and this arguably overripe melodrama about a rich bitch trying to cover-up her son's crime is gripping. [Review]

alien invasions, travelling nuns, and mouthy toys after the jump...

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Podcast: Stranger by the Lake

On this week's brief podcast, Nathaniel, Nick, and Joe meet to discuss the erotic French thriller Stranger by the Lake currently in release after a successful multiple-festival run these past several months. But that's not all!

00:00 WGA & Jennifer Tilly
05:00 Frozen wins Annies, musical tangent
09:00 TCM's Oscar Doc
11:00 Actress '74: Burstyn & Rowlands 
14:00 Best acting shorlist this year?
16:00 Coming Soon: Liam Neeson in Non-Stop 
18:00 Stranger by the Lake 

You can listen to the podcast right here at the bottom of the post or download the conversation on iTunes and continue it in the comments! 

Stranger by the Guild Lake

Cesar Academy Nominates French President's Mistress! (Who cares about movies anyway?)

Julien, your french correspondent, here to discuss the César nominations.

OUTRAGE ! Twitter was in uproar this morning when the nominees for the Best Actress César were announced, and the name Adèle Exarchopoulos was nowhere to be seen. While Léa Seydoux made the cut for her arguably supporting role, Adèle’s astounding lead performance in Blue is the Warmest Color was relegated to the Most Promising Actress category.

Before you raise your pitchforks, consider this perfectly logical explanation: since Tahar Rahim won both the Best Actor and Most Promising Actor gongs for A Prophet in 2010, the rules were altered so that a single performance can only be nominated in a single category -the one which collects the most votes. Fair enough César, but when a category which is supposed to promote new talent prevents the year’s most celebrated performance to be nominated in its rightful place, you’re clearly doing something wrong.

All the nominees and a lot of gay drama and political mischief after the jump...

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Links (AKA Ways To Kill Even More Time on the Internet)

Vulture Battle of the Long Island Blondes in Wolf of Wall Street, Don Jon and American Hustle. My favorite among them is definitely ScarJo
The Playlist shares the new Electro teaser from The Amazing Spider-Man 2 (aka Spider-Man 5) and is it just me or does Electro wielding his powers with a pointy all fingers twitch seem like a really bad cheap imitation of the Emperor in Return of the Jedi ?

Les InRocks [for French speaking readers] interviews director Alain Guiraudie on his critical breakthrough Stranger by the Lake. Please let us know the most interesting lines because I love the portrait of Guiraudie in the bushes
Awards Daily Martin Scorsese and Leonardo DiCaprio to be honored at Santa Barbara Film Festival. (But in what order are the 48 or so honorees being feted? No one speaks of this!)
Thompson on Hollywood icymi here's a long piece on the very complicated voting process for Oscar's Best Picture. I feel like you have to a higher education math degree or just have a very finely tuned stay-patient stay-focused button, to understand this. Since I have neither, I'm (partially) lost. I have too many questions once you hit step #7... But the theory presented is that we will have a smaller pool of nominees due to the large number of films with broad support, rather than the more common sense 'more beloved films means more nominated pictures' feeling.
Variety SPC picks up the Hungarian future Oscar nominee The Notebook
Cinema Blend a new Ralph Fiennes clip from Grand Budapest Hotel 

Top Ten Mania
Towleroad my piece on the best queer characters of cinema this year from Kill Your Darlings through Blue is the Warmest Color
Towleroad best LGBT moments in television this year
Yahoo top grossing Broadway shows of 2013, The Lion King back on top despite Wicked continuing to rack in literally millions every week despite being several years old (Producers just burning money dawdilng about getting that movie mounted  as we've bitched about a lot). I read so many articles about this and NONE list all ten even though they're referring to a mythical top ten... so you gotta check...
Broadway World ...for that
Pajiba the "brotastic" list of most pirated movies of 2013 from The Hangover Part 3 to Gangster Squad
Frontiers LA has an amazing top ten from the always hilarious and hip "Chloe Sevigny" (aka Drew Droege). Here are the actressy entries though the whole thing is worth a read...

6. The bowel-shaking rhythms of Jodie Foster’s Elysium timbre.
3. Actresses without teeth. Or anyone but Anne Hathaway. 

LOL

NYFF: A Queer Revelation

TFE's coverage of the 51st New York Film Festival (Sep 27-Oct 14) continues with Jose discussing What Now? Remind Me and Stranger by the Lake.

At one point during Joaquim Pinto’s What Now? Remind Me his confessional style got so raw and introspective that all I wanted to do was look the other way. His story is one that I felt I should’ve been more receptive to since he is a gay filmmaker with a deep passion for the arts and culture. Listening to him talk about an ancient book he saw in Spain, how badly he wanted to inspect it, reminded me of the way I feel about certain artworks. Watching him farm with his husband Nuno (who I felt was so my type) and their dogs, inspired in me a sense of domestic bliss I sometimes crave. What made me want to look away then? The way in which Pinto tells us about his harrowing battle with HIV.

Even if we live in a world of information, where everything we might want to know is a click away, the movies - and media in general - have done so little to discuss HIV that I’m ashamed to admit sometimes I react to it the same way conservative audiences react with onscreen sex: it makes me uncomfortable. I had this very thought during the screening and was instantly reminded of the movie I’d seen the day before, Alain Guiraudie’s Stranger by the Lake.

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