Man of Steel Post-Script

Release dates are no Kryptonite for me. I can't be bound or weakened by them! I rejoined Panel Culture, a weekly comic book podcast, as their special guest for a discussion of Zach Snyder's Man of Steel five weeks into its successful run. Why did they wait this long to discuss it? They'll tell you.

Listen in and join the conversation about...

• Whether this Superman is successful as icon, hero and performance
• If this Lois Lane dynamic (or lack thereof) works
• How Michael Shannon's General Zod measures up to Terence Stamp's
• That surprising first half hour on Planet Krypton with Russell Crowe
• Tornados, mass destruction, and whether or not to save a life or keep on fighting
• What the sequel should fix or keep or jettison

  iTunes | Podbean | ...or Listen Right Here

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Link-o-mania

This week has been so relentless that I haven't had a chance to publish any of the links I've been storing up. It's a tidal wave of links for vous. You've lots to read this afternoon and over the weekend. Ready Set... Go...

news bits
David Poland on the binge-viewing model people are talking about post House of Cards. Incidentally I'm not at all for this. If I'm going to spend multiple hours watching something, I can catch up on movies I missed. My favorite thing about TV might be its serialized brevity. Don't ruin that TV gods.
Playlist another new pic from Behind the Candelabra the Liberace biopic - although i almost didn't link because I hate when images are trotted out as "first official" when we've all seen myriad photos already. Splitting hairs for traffic. But since it's a Liberace biopic I shall let it slide this one time. 
Cinema Blend Ryan Gosling uses the casting couch! Girlfriend Eva Mendes joins the cast of How To Catch a Monster, Gosling's directorial debut 
LA Times Wong Kar Wai's The Grand Master opens Berlinale and gets bought up by Weinstein Co. 
Guardian both Ellen Page and Melissa McCarthy are going to direct comedy features soon!
In Contention Good news. ParaNorman did solid enough business that Laika and Focus will reteam for The Boxtrolls (2014) 

star-gazing
Hammer and Thump Nicholas Hoult draws pictures for film bloggers. Ugh. So sad I didn't do Warm Bodies interviews now.
Coming Soon Hoult has also just joined the cast of Young Ones, a sci-fi thriller costarring Elle Fanning
Laughing Squid animated Superman gif throws dozens of iconic characters into the mix 

individualistic takes
A Blog Next Door looks at Django Unchained. Loved the very last observation and not just because I'm tired of people not realizing that this movie is infinitely inferior to Inglourious Basterds
Two Dollar Cinema enjoys Pitch Perfect's organized nerd singing despite his very manly nature
Cinematic Corner 'best of' whoa, someone really likes The Dark Knight Rises.

how very random
L Magazine Ryan Lochte recreates the iconic Nirvana "Nevermind" cover, although the swimsuit kinda kills the effort.
i09 wonders why Batman doesn't return to TV where it could totally thrive again
i09 10 movies that should become TV series right now. #1 is a great punchline
Hark a Vagrant makes an insanely long scrawl joke out of a pop culture moment from 1987 

retro
Film Doctor looks back at Alfred Hitchcock's Notorious -- one of my favorites from his oeuvre. 
Stale Popcorn issues a warning Terence Stamp's crotch will drive you loco in Teorema.

gold-digging
New York Magazine Frank Rich on Oscars in the Obama age. He'd vote Django Unchained and here's why.
LA Times finally finds a way to make those Oscar Luncheon group portraits interesting. Make them interactive. I totally loved clicking around here. You should too.
The Carpetbagger Tony Kushner responds to critiques of Lincoln and the notion of "accuracy" in historical recreations
Awards Daily thinks Supporting Actor is anyone's game 

LFF: Sightseeing British talent

David here reporting on three homegrown participants in the 56th BFI London Film Festival.

Steve Oram & Alice Lowe in 'Sightseers'A distinctly British melding of comedy and horror grew from the roots of Edgar Wright’s Shaun of the Dead, and it’s telling that Wright has an executive producer credit on Sightseers, director Ben Wheatley’s follow-up to his terrifying, schizoid Kill List, which made it to US theatres earlier this year. Sightseers proves similarly unclassifiable, but the black magic horror of Kill List is replaced by a crunching absurdity. Co-writers Steve Oram and Alice Lowe star as Chris and Tina, a young couple who leave behind Tina’s demanding, cruel but dependent mother and set out on a sightseeing tour around England that quickly becomes a killing spree after Chris reverses over a tourist he witnessed littering. Justifications for the killings range from a rambler’s “smug complacency” to Tina’s sexual jealousy, removing any kind of social agenda from Oram and Lowe’s anarchic, cruelly witty script. Instead they parody usual clichés – Tina is still affected by the loss of her dog, who meets an unfortunate end by knitting needle in flashback – and affectionately mock bullshit social rhetoric. There’s a guilty pleasure in our enjoyment of the escalating brutality of the situation and how the pair’s romantic entanglement evolves through this. Despite their obvious issues, Chris and Tina are genuinely entertaining people to spend time with, and the surreal, morbid flourishes of humour combine with dark flares of blood to make for a generic hybrid that has been deftly melded together. Sightseers is worth making tracks to see. (A-)

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Someday My Link Will Come...

The Playlist P.T. Anderson's The Master is coming on October 12th. Five long years for a new PT.
Gawker Rich Juzwiak on the reign of PG-13 "safe, sanitized, and worth shitloads of money"
Cinema Blend "the envy of lady bookworms everywhere"... Mia Wasikowska moves from Jane Eyre to Madame Bovary.
Empire has an hour long interview w/  General Zod himself Terence Stamp.
La Daily Musto "Newsies is the new Annie" love that headline for this review of the film turned stage musical.

Movie|Line apparently Leonardo DiCaprio was just too busy to attend the Titanic 3D premiere. James, Kate and Billy made the time.
WOW Dakota Fanning in Wonderland magazine. She's looking a bit Carol Kane, yes?
Thought Killer an imagined conversation between four girl icons: Buffy, Bella, Hermione and Katniss from Hunger Games
The Capitol Interesting piece on Jennifer Lawrence and the career she might have if she plays her hand well.

Her presence is palpably earthy and unfussy, reminiscent of Ingrid Bergman, another natural beauty who seemed uninterested in playing up her looks.

Flavorwire on the music used in Hunger Games (strangely much of the score is not on the soundtrack album 
Zephyr A must for horror fans: what horror icons from the past might look like today. 
Old Hollywood awesome storyboards from Martin Scorsese's Taxi Driver.

Finally...
NPR Snow White is having a moment. Why now?

... and I suppose this as as good a time as any to announced that I'm taking Jorge's suggestion. We'll do Snow White and the Seven Dwarves for the April 11th Hit Me With Your Best Shot.  If you join in your prince will come. Someday. Promise.

DVDs. The greatest film I...

...almost never saw, or is it? Paolo here again. I'd normally be the first person to watch a movie that features attractive men wearing fedoras and Emily Blunt doing contemporary dance, but fate had other plans. But between The Adjustment Bureau's theatrical release and now, it was a movie that had a minor 'bucket list effect' on me. 

In one of its DVD extras 'Leaping through New York,' writer/director George Nolfi praises the city as an all around "magical place". But the film's visual version of New York is underwhelming and dour, since we mostly see colours like blue and grey and it seemingly takes place in perpetual dawn or autumn. That's how I felt the first time, although repeated viewings made me appreciate how the sunlight would hit on the upper half of the city's Metropolis-like art deco skyscrapers.

New York, as this film depicts is, makes its citizens feel anomic. We get this feeling specifically through the way the titular adjusters are depicted within the shots, as when four mid-level adjusters look out from a rooftop to countless windows in front of them. That image is essentially repeated when two adjusters Harry (Anthony Mackie) and Richardson (John Slattery) look out a window inside the bureau. A high angle long shot of the bureau's library before we see Harry thinking about one of his cases, David (Matt Damon) offers a similar feeling. The city is an overwhelmingly large frame for an internal and masculine struggle, as Harry becomes wary of how his job affects others. But maybe the film dwarfs the adjusters to highlight a part of their function, to have the least ripple effects, as invisible, microscopic, unnoticed.

David and his star crossed lover Elise (Blunt) are also lonely people without family...

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