Eight Hateful Links

• New Now Next Jesus. I can't believe we haven't mentioned this but the First Wives Club actresses are finally reuniting - Goldie, Bette, & Diane will star in a Netflix film called Divanation, as a former pop trio reuniting. I was going to shout "when can we buy tickets?" but it's Netflix so...
• Salt Lake Tribune the Utah Film Critics took Fury Road to Best Picture but how's this for fun: They gave Rose Byrne in Spy their Best Supporting Actress prize.
• Cinematic Corner Sati doesn't like Carol (wha!?!?!) but she still makes great lists so we'll pretend we hadn't just learned this about her. Anyway... this one is on her favorite things about Mad Max Fury Road

• Forbes suggests that Chris Evans, Scarlett Johansson, Chris Hemsworth etc... give you the most ROI at the box office given their salaries per film. The list is kind of interesting but bankability is so intangible since many of today's stars don't have colossal box office because they are selling tickets but because they are playing characters who sell tickets -- notice how many Marvel superheroes make this list.
• MNPP Colton Haynes and Luke Evans have something in common
• /Film Star Wars may be the only franchise getting ink this month but James Cameron won't want to see his records destroyed. He is still promising Avatar 2 for 2017
• The Wrap has been experimenting with Oscar math for years trying to see if we'd ever get a 10 wide year under the new system. This year their experiment ended with 10 pictures. And this plays like sound reasoning on what type of year we'd need to get ten nominees:

A larger-than-usual number of films got votes, but a smaller-than-usual number of them had strong support.

So the question is: do you think it's that kind of year? Here's our current Best Picture Chart

• and finally... 
I don't plan to review Quentin Tarantino's The Hateful Eight since I've been slagging it off on Twitter and gave it the #2 spot in my Worst of 2015 list and who needs to be so toxic during the holidays? In short my review goes like this: "the best part was intermission". So to make amends to the Tarantino devotees among you, please enjoy Joe Reid's 50 Best Performance in Tarantino Movies list. I would naturally quibble with the order. Bridget Fonda's awesome "Melanie" in Jackie Brown and Amanda Plummer's hysterical "Honeybunny" from Pulp Fiction are among my favorites and neither even make the top 35! Both are lower than Jamie Foxx in Django Unchained which is puzzling as he gives the weakest of leading performance in the Tarantino filmography (think about it). The top three are all marvelous Oscar worthy choices and I'm pleased that most of the Kill Bill players rank highly. Over the years Kill Bill has sliced such a distinctive but clean and familiar path through the center of Tarantino's filmography that I now consider it his best work, hands down. Or limbs off as the case may be for so many of its unfortunate extras.

If you must know I'd rank the principle performances in The Hateful Eight like so: Samuel L Jackson ≥ Walton Goggins >>> Kurt Russell > Demian Bichir >> Jennifer Jason Leigh (sorry, she's never done much for me as an actor. I'm aware that this is an unpopular opinion amongst film critics) > Bruce Dern > Tim Roth >> Michael Madsen (who sadly is given very little to do). If you plan to see the sadist western over the Christmas break, we would be interested in hearing your opinion despite feeling hateful ourselves. 

Cinematic Lumps of Coal: 15 Worst of '15

They've been naughty. So we shan't be nice. Rather than choosing the 15 worst movies (we skip a lot of stuff that looks atrocious), here are 15 matters of annoyance within the movies of 2015, whether the movies were decent or terrible. Vague/light spoilers ahead.

15 Lumps of Coal From '15
Links go to past articles about the film or reviews if they exist

15 Grab Bag of Undelights
Afew I couldn't fit in below: Chris Hemsworth's wandering accent in In The Heart of The Sea often within the same scene. Is this First Mate Australian, British, or from the Bronx?; The way Mother Malkin's (Julianne Moore) red hair stays that way when she shifts into dragon form in The Seventh Son. That was cute with Madame Mim in The Sword in the Stone but in "realistic" cgi not so much; and, the perpetual agony of trailers that take you from the beginning to the end of a movie (Room and The Revenant are the latest victims) spoiling every story beat.

14 Longwindedness
In nearly great movies (Clouds of Sils Maria 124 min), good movies (Saint Laurent 150 min.), divisive movies (I'm still making up my mind about The Revenant okay? 156 min), and arthouse curiousities (Arabian Nights, Vol II 131 min., Love 135 min.) alike the tendency in contemporary cinema is to let the camera linger here and there and everywhere and also to include entire sections that add nothing particularly new to the plot or our understanding of character or theme if narrative isn't the movie's main thrust. Don't misunderstand: a good lingering camera can be among the greatest of things but if you're running over 90 minutes please justify it with new information. Shave 10 minutes (or a lot more in some cases) off any of these movies and they're instantly improved. 

13 more after the jump...

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NBR takes Fury Road... but to where?

The National Board of Review used to be the unofficial kick off to awards season / best of year honors but though it's still early, the race for "first" got so ridiculous that we've crept into November of late. They lost that distinction but they're still doing their thing super early in December. The first day of it. Welcome to month twelve!

THEY LOOKED AT ME. THEY LOOKED AT ME.

This year they named George Miller's feminist action epic Mad Max Fury Road as the year's best and we salute them since we love it so and it's peak spectacle filmmaking. But Furiosa will be pissed to hear that they mostly ignored the other big female driven films this year.

Let's investigate after the jump...

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Oscar Scuttlebutt: Hateful Eight, Best Actress, and More

Nathaniel, popping in from a busy AFI schedule to gossip with you!  

One of the best things about this annual trip to Los Angeles, besides meeting West Coast fans and spending time with rarely seen LA friends, is hearing the gossip around the Oscar campaigns and individual opinions on the movie. As I suspected Youth resonates with a lot of people in the industry. I've always thought the Oscar conversations on the internet are sleeping on this one because it's a) not in theaters yet and b) skews older than active rooting interests of typical online communities. Also extremely happy to report that people in town seem more confident in Charlotte Rampling's prospects for a 45 Years nomination than I have previously been. She's getting a tribute at the AFI and Kirsten Dunst is even hosting a party in her honor this weekend.

Now, one must always take every anecdote and opinion with a whole block of salt since one man's treasure is another's junk, some assumptions will always be proven wrong, and depending on who is talking there may be an agenda floating around, visible or well hidden. Here are some tidbits you may be interested in though keep in mind that it's all just hearsay after the jump...

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6 Questions. Best Actor / Supporting Actor Races

The Oscar prediction charts are revised for ACTOR and SUPPORTING ACTOR and boy is the competition ever on. Here are 5 questions for you to discuss in the comments and as you consider your own predictions at home. 

1. Is Best Supporting Actor actually stronger than Best Actor this year?
With the decision of Spotlight to run its two arguable leads as supporting (it is an ensemble film so this makes a kind of justified sense... even if a "convenient" kind) and excitement for Johnny Depp's Black Mass star turn already dying down (or is this just our imagination?) the Best Actor race suddenly looks a little thinner than expected and the Supporting Actor race a lot fuller. The category confusions that crop up every year now as well as Hollywood's deep love of all star male ensembles have made things a lot harder for true supporting players of the male persuasion. Years ago, for example, I'd guess that Stanley Tucci had a slam dunk case for his scene stealing in Spotlight and Chiwetel Ejiofor had a real dark horse opportunity as the sympathetic home base of The Martian (think Ed Harris's nominated role in Apollo 13) but I couldn't fit either of them into even the top 15. 

2. Will young actors be in the mix for a change?
While Oscar's love of young women and resistance to young men is well documented on this site (and in any perusal of Oscar stats) two of the most well regarded performance from the recent festival circuit were Abraham Attah, who is only 14, and Jacob Tremblay, who is only 8, who lead Beasts of No Nation and Room respectively. In almost all cases male leads who are very young go supporting with Oscar voters (think Timothy Hutton in Ordinary People, River Phoenix in Running on Empty, and Haley Joel Osment in The Sixth Sense) though their female counterparts are harder to predict in terms of which category they might find traction in. Still I wonder if anyone will believe Attah as "supporting?" In the recent IndieWire TIFF poll we discussed -- which provides a good example of how few critics care about "category" distinctions -- Tremblay was very high up in the supporting votes (despite being the only male star of his two-hander movie) whereas Attah was high up in the leading charts despite playing opposite a pretty big star of the same gender in Idris Elba, who himself had extremely few leading votes (they were mostly supporting) which suggests to me that people won't ever think of Attah as supporting Elba but the other way around. 

3. Both male acting categories won't clear up until...?
Quentin Tarantino's Hateful Eight starts screening. Or perhaps you think the key film is another film entirely.

4. Which actor do you think has a better shot at winning (if nominated) than he does at actually being nominated?
My guess is Harvey Keitel in Youth. His film director/best friend feels like a supporting character, at least until he takes over the movie for about 20 minutes or so. You could make an easy case that he's more overdue for Oscar gold than the Spotlight boys for example. But maybe you feel this odd distinction goes to someone else in either lead or supporting - Dicaprio perhaps.

5. Do you think Oscar statistics will get a shake up this year?
The last time two men from the same film were nominated in the same category is quite a long time ago now though it didn't use to be all that rare. Two supporting actors happened in Bugsy (1991) 24 years ago. Two lead actors happened in Amadeus (1984) 31 years ago. Three supporting (male) actors nominated for the same film happened thrice, first with On the Waterfront (1954) and then twice over with The Godfather parts 1 and 2 (1972/1974)... could Hateful 8 or Spotlight actually make it a fourth? (Since 1991 the only category that has seen any double nominations in acting -- and it's happened a lot -- is Supporting Actress.)

6. If you had to vote for your own supporting actor ballot RIGHT NOW (preferences not predictions) who would you include?
It's a tough call but I'd be looking at these 11 names (Brolin, Del Toro, Elliott, Ejiofor, Tucci, Schreiber... and the guys from the best of summer in review) and these 2 if I decided to allow for the supporting distinction (Keaton & Keitel), category distinctions I'm still having internal debates about.