AFI Fest: 5 Reasons to See 'The Lobster'

Margaret here, reporting from AFI Fest in Los Angeles..

The Lobster is the first English-language film from director Yorgos Lanthimos, Academy Award nominee for unsettling black comedy Dogtooth. The buzz since it debuted at Cannes (where it won the Jury Prize) has largely focused on its eyebrow-raising premise: in a society where being part of a couple is mandatory, the perpetually or recently single are rounded up and sent to The Hotel where they must either pair off or be turned into an animal. It's offbeat and biting and not for everyone, but it's also captivating and dryly hilarious. Here are five reasons you should check it out:

1) A bonkers premise improbably well-executed. The setup is so very odd that its ambition alone would make it worth seeing; the fact that the movie sells it without ever straining under the weight of exposition is masterful. In Lanthimos' bizarro world, where existing social rituals around courtship are both flattened and taken the extreme, lonely people scrutinize and reject each other with laughably trivial reasons and deadly serious consequences. Interactions are stilted, and many scenes sound for all the world like they've been dubbed over with a foreign-language translation, except what we're hearing are the actual words coming out of the actors' mouths. But the universe feels fully realized: odd as the relationship dynamics are, they're both internally consistent and recognizably human.

four more reasons after the jump...

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DVD/Bluray: Little Voices & Lion Roars

It's time to talk about this week's big DVD/BluRay releases and a few from last week since we neglected to mention them. The big one is of course Pixar's hit Inside Out which you were surely reminded of this Halloween weekend -- popular group costume! It's likely to end 2015, once Star Wars 7 & Hunger Games 4 arrive, as the fifth most ginormous hit. It's also looking like a good bet for a Best Picture nomination with the box office being so rough for more traditional Oscar types.

Tim and I both highlighted Inside Out in our halfway year in reviews (Tim's / Mine) because it's delightful, and moving, and a true return to form. Are you eager to revisit it?

It's all about the little voices in your head. But only five of them? I've got at least nine. Which begs the question... 

INSIDE OUT says we have five little voices in our heads: Joy, Sadness, Anger, Fear, and Disgust. How many you got?

Sounds about right.

I've got way more than that. But the other ones aren't appropriate for a family movie

I don't understand the breakdown. My voices reject labels!

I don't hear voices. Am sane!

Poll Maker

Other New Releases

• Best of Enemies - documentary (Amir's Review)
• Digging For Fire -from the prolific Joe Swanberg
• End of the Tour - Won very strong reviews but little public interest
• Max - did you know heroic military dogs can get PTSD?
• Pixels - Adam Sandler vs video games (Tim's Review)
• Seymour an Introduction - documentary (Glenn's Review)
• She's Funny That Way - a comedy via Peter Bogdanovich
• Southpaw - Jake Gyllenhaal vs his demons + abs/guns
• Vacation - the sequel meant to reignite the franchise

Curio Pick: The most compelling of the non Pixar new releases is surely the big cat epic Roar (1981), the infamous cult movie starring mom & daughter Tippi Hedren & Melanie Griffith, both of whom were injured (along with many other cast & crew) on set. What is it with Tippi Hedren and violent animals? See also: The Birds. 

This one is for movie buffs who love animals and also know how to read subtitles

Pt 3 Everything you wanted to know about the foreign language film Oscar race.... * but were afraid to ask

Do you love animals? Who doesn't love animals? If you don't love them, we can't be friends!

A True Story From Nathaniel's Sick Bed/Office... 
I've been sick all week. Yesterday, feeling vaguely human again, I risked a movie at NYFF which happened to be Taiwan's Oscar submission The Assassin. It is sure pretty but after falling for a red herring involving a blue bird I gave up trying to follow the plot. When I returned home I collapsed. I dreamt of being forced to pack up all my earthly possessions and load them on a barge that was heading to outerspace. In order to survive the interstellar journey by water we needed to wear very tight scuba space suits. I realized I couldn't bring my beloved Monty unless I could squeeze him into his own catsuit (literal catsuit, not sexy-diva figurative). He wouldn't comply and I was holding him tight and we were just sweating in those damn suits. I woke up abruptly buried in blankets and sweat with my cat sound asleep on top of me. He LOVES when I am sick. The feeling is not mutual in reverse and he has been.I can't even talk about it. I can't.

I got back to work when Oscar news dropped. I spent the day/evening frantically updating the foreign Oscar Charts and compiling that director trivia and collating all those subtitled trailers for you. I took one wee break to take an online quiz for The Lobster -- which is about people who become animals if they can't find mates -  and somehow I came out as a bear? I am relatively hairless but I do love honey and fish. Type-type-type. Blog-blog-blog. Through my sniffles and remaining sickly delirium I thought 'No one appreciates all this work I do. Gah. I should just sail to outerspace!' and then I remembered the dream and that I was crazy and should go to bed again and I love my cat. The End.

My point is this: Animals and Oscars and Movies are all on my brain simultaneously. And though that's not uncommon, here is an incomplete list of this year's Foreign Film Oscar Contenders which definitely feature our furry / feathered / scaly friends.

Xenia (Greece)
Bunny Rabbits, apparently. This one is on the poster albeit in normal bunny rabbit size.

Arabian Nights: Volume 2 - The Desolate Ones (Portugal) 
Mangy Poodles. Silent Parrots. Talking Litigous Cows! This is a must see for fans of animal-related cinema. [my confused review]

Sivas (Turkey)
The plot centers on a young boy who saves a sheep dog 

The Wanted 18 (Palestine)
This documentary is actually about cows! 

Baba Joon (Israel)
It takes place on a turkey farm 

Stranger (Kazakshtan)
A young man with a tight relationship to nearby wolves

Rams (Iceland) and Lamb (Ethiopia)
What the titles say

Embrace of the Serpent (Colombia)
The animals only really get cool chapter marking cameos but see this movie! [my besotted review]

Brand New Testament (Belgium)
I know this satire is about God living in Brussells but somehow Catherine Deneuve and a Gorilla are involved??? I'm in. When can I see it?

Which of the foreign submissions are you most curious about?

ICYMI
All the trailers | submissions from women and newbies | prediction & charts

TIFF: Embrace of the Serpent (and Oscar Foreign Film Updates)

TIFF tends to be the best opportunity all year to see several Foreign Film Oscar submissions in quick succession. The trick is you don't often know which ones they well be and sometimes,  due to release dates in their home countries, they end up as submissions the following year. Last September, at this same festival for example I saw Labyrinth of Lies and Sand Dollars which are now the Oscar submissions for this year's race from Germany and The Dominican Republic.

Two days before Embrace of the Serpent was proclaimed Colombia's official submission, I attended the screening. Good luck for me and good choice for them: it's mesmerizing.

Ciro Guerra's third film wraps itself all around you with otherworldly danger. And this is not just a word choice via subliminal suggestion from the slimy encircling imagery of an enormous snake giving birth that occurs before the title. This journey film's stunning black and white photography by David Gallego (a relative newcomer!) only adds to the dreamlike visuals of the Colombian Amazon, totally transporting you into a rickety boat on the water, on two different journeys 40 years apart. The film was inspired by real life journals of explorers and both trips involve a white scientist searching for a mystical plant called Yakruna, which is said to have great healing power. Each of them take as their guide the same Amazonian shaman Karamakate who is played by as a younger man by Niblio Torres and and older man by Antonio Bolivar, neither have acted for cameras before but Karamakate in both forms has real screen presence.

The dangerous stops along the river's way angrily condemn the decimation of indigenous cultures by colonized rubber plantations and missionaries. We also get a taste of religious insanity on par with The Devils, and the jungle madness of Apocalypse Now and Aguirre the Wrath of God. And the films it recalls don't stop there. The snake birth is just one of three spectacularly trippy off-narrative sequences, the final one daring to invoke 2001: A Space Odyssey, with its psychedelic mysteries. If Embrace of the Serpent never feels wholly original as a result and only Karamakate registers as a three dimensional character, it's still an intense journey and very rewarding visual feast. This Colombian wonder won the top award at Directors’ Fortnight at Cannes earlier this summer, and could well impress Oscar voters who love a visual epic. Oscilloscope will distribute it in the States. Cross your fingers that it'll play on the biggest possible arthouse screen near you. B+/A- 

Related: There have been several foreign film submissions announced while I've been festivaling it up in Toronto. So make sure to check out the updated foreign film charts.

• Current Predictions plus all time stats/trivia
• Afghanistan through Estonia  11 official
• Ethiopia through The Netherlands 20 official
• New Zealand through Vietnam 16 official 

We now have 47 official titles, with probably 20-25 more yet to be named with the biggest missing links (i.e. countries that Oscar is fond of) being Denmark, France, Israel, Poland and Spain.

Tim's Toons: Three Animated Oddities of 1954

Tim returning to duty.

August has been 1954 Month here at the Film Experience, and it now falls upon me to share with you the animation of that year. And man, it was a weird 'un. The important place to start is noting that in '54, Walt Disney - the man, not the multinational entertainment corporation - was massively obsessed with the creation of his brand-new theme park out in California, and the brand-new television show on ABC that shared its name and served as the new funnel for all his creative and commercial instincts.

With Disney - the multinational entertainment corporation, not the man - thus a bit rudderless, there was a void in American animation like there hadn't been since Mickey Mouse's 1928 debut, basically. Disney itself was beginning to experiment with form in ways that Walt did not approve of, since Walt wasn't paying attention anymore, and the result was things like the Oscar-nominated short Pigs Is Pigs, one of the very weirdest shorts in the studio's history.

More...

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