Soundtracking: "The Royal Tenenbaums"

by Chris Feil

Among the many stylistic things Wes Anderson is known for, his music choices are among his most distinct. Each of his films blend an inventive original score with folk-tinged rock and roll (not to mention occasionally too-hip-for-school posturing) to create a fairy tale all his own. Perhaps the most beloved of all of his musical assemblages is The Royal Tenenbaums, a dorm room staple ranging from The Clash to Van Morrison.

And the film begins with one of his most beloved sequences, musical or not: a prologue detailing the Tenenbaum family history set to an instrumental take on “Hey Jude.” Sequence and song are alike: undercut with pain yet too sweet for this world and ultimately quite moving....

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Merch Madness: Actress Edition

Seán here with a little bit of fun. Cynthia Nixon was blessed to be a called an "unqualified lesbian" last week, and is now dropping some of this dank dope cool merch to raise money for her campaign for Governer of New York.

And while Miranda was swapping brunch for nutritious lunches in our public schools - I couldn't help but wonder: what is some of the best and truly worst actress-centred merchandise out there in the swamp we lovingly know as Etsy? From the brilliant Girls on Tops to something a little bit more, um... interesting.

I never had to google "Meryl Streep merchandise" before, but I'm glad I did. Share your finds in the comments.

They Found Someone: Stephanie J. Block to Play Cher

By Spencer Coile 

Renowned (and Tony nominated) for The Mystery of Edwin Drood and for "breaking down" in Falsettos,  and for playing Liza Minnelli in the Hugh Jackman musical The Boy From Oz, theater star Stephanie J. Block is about to add another iconic character to her repertoire: Cher. The Cher Show, which will be penned by Jersey Boys writer Rick Elice, will tell the story of pop singer and Academy Award winning actress throughout her career...

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Doc Corner: 'Leaning Into the Wind'

By Glenn Dunks

As a medium, film is a record forever. An actor can give a stunning performance on a stage, but without a camera to capture it, it remains somewhat in the ether – a happening, an instance, a moment in time that can only truly live on in the mind of those who witnessed it. Of course, that doesn’t make it any less valid or worthy, but it’s something worth considering as we watch movies that they, even fictional ones, are ultimately a document of the emotions and the energy and the craft that was put into it, captured forever for anybody to experience.

I thought of this as I watched Thomas Riedelsheimer’s Leaning into the Wind: Andy Goldsworthy because it is a film that will live on as the only document of some of Goldsworthy’s work. The artist is known predominantly for his works that incorporate nature and are often finite in their existence.

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Captain Marvel Begins. Infinity War Promises. Black Widow Waits.

by Nathaniel R

Brie Larson training with a real pilot

As you've undoubtedly heard given that half the internet (at least) is a conveyor belt for Marvel Studios propaganda news, Captain Marvel began shooting yesterday. Brie Larson headlines Marvel's first female driven superhero film. Despite the company's cultural prominence they didn't get to female heroes first. That honor actually belongs to the all but forgotten Supergirl (1984). If you only want to count the modern superhero film era (i.e. post X-Men, 2000) the honor belongs to the much-reviled Catwoman (2004), which was followed by the also-reviled Elektra (2005), and the also-also reviled My Super Ex Girlfriend (2006). If you want to only count the post-Marvel Studios world (i.e. 2008's Iron Man,was ground zero) they still didn't manage "first!" dibs but we shouldn't dwell on their priority problems. Thankfully Warner Bros / DC's Wonder Woman (2017) was beloved and hopefully signalled a turning point in the fate of the female hero subgenre...

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