Friday, May 18, 2018 at 8:07AM by Nathaniel R
Kristen, Laura, Jane, Thandie
We've already gawked at Cannes beauty thrice (Jury Arrival, Red Carpet Collection 1, Red Carpet Lineup 2) and now the final group of 16 delicious gowns before closing night. (And yes we'll eventually get to Cate Blanchett!). Let's start with these four: Kristen Stewart, Laura Harrier, Jane Fonda, and Thandie Newton...
Thursday, May 17, 2018 at 10:30PM by Chris Feil
2018 summer superhero movie season has peaked, now with the arrival of its definitive chapter: Book Club, where Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen read Fifty Shades of Grey and reclaim the romance in their lives. Think they can’t handle not one but a slew of Thanoses? Well, consider that they are also teaming up with four Oscars, six Emmys, twelve Golden Globes, and several cases of pinot grigio.
Steenburgen is the entrepreneurial straight shooter Carol, the one most in tuned to her own needs but perhaps not to others’. As Sharon, Candice Bergen battles her timid seriousness against the need for a new beginning. Fonda’s Vivian is the group individualist, drinking rosé when the rest prefer white, hating everyone else’s favorite book selections. And Diane Keaton as... Diane (it’s really something to see Diane Keaton do Diane Keaton drag) is the guarded one, initially seeming to be the least distinct character but ultimately reveals a woman burying much of what she thinks and feels.
Thursday, May 17, 2018 at 7:20PM John and Matthew are watching every single live-action film starring Meryl Streep.
#20 —Clara del Valle Trueba, paranormal matriarch of a prosperous South American family.
JOHN: Yes, paranormal. But please, take your expectations about Meryl Streep as psychic (and Glenn Close as her scorned, sexually repressed sister-in-law) that may be levitating midair and place them firmly on the ground. Actually, go ahead and place them below the Earth’s surface, and then you might be ready to endure one of the absolute worst films Streep has ever been caught in. The House of the Spirits, an adaptation of Isabel Allende’s titular novel, chronicles the tumultuous history of the Trueba family, a prosperous South American dynasty headed by Esteban Trueba (Jeremy Irons), a peasant turned plantation owner turned conservative senator, who marries Clara del Valle (Streep), the youngest daughter of a wealthy, liberal family, and did I mention that she can move things with her mind and predict the future?
Thursday, May 17, 2018 at 5:00PM Last month we dove into one of the most iconic shower scenes in cinema for April Showers. For May Flowers, Jorge takes a look into one of the most famous thematic uses of a flower in film.
American Beauty was at one point supposed to be titled American Rose. This is neither a coincidence nor an appropriate alternative. The film, a satire about American suburbia and the layers of darkness that society hides underneath their pretty but rotting exteriors, heavily uses the recurring image of rose throughout. Not just in the now iconic nude sequence with Mena Suvari.
Roses appear through the script in many key parts, usually in places where a character is putting up a façade for the world, or when they are completely submitting to their darkest impulses. Or when those two collide. Let’s take a look at where the flowers ominously represent both the attachment and the repulsion against society’s “pretty” standards...
Thursday, May 17, 2018 at 2:00PM By Spencer Coile
;)
While it was not on the list of 2018 films I was dying to see, I found myself in an empty theater to see I Feel Pretty Tuesday. It wasn't perfect, but charming and breezy. Through it all, there was one clear standout: Michelle Williams as Avery LeClaire, the squeaky voiced, quirky, neurotic CEO of LeClaire Cosmetics.
With limited screentime, Williams manages to craft a complete, sympathetic, and hilarious character. It could have been so easy to turn Avery into a caricature, but while I was cackling at every single line reading and mannerism in Williams' performance, I was still as drawn to her here as in her darker, more dramatic roles.
So let's take a moment to talk about 2018 scene-stealing performances. Williams aside, who are some of your favorites from this year so far?
