Girl Gone Wild

Madonna's "Girl Gone Wild"... I can't stop watching it! 

But why do I think all male models are Colin Firth's rejected hustler from A Single Man? I swear I see him everywhere. Or is that actually Jon Katajarena? Madonna and Tom Ford do like to share collaborators.

It's great when stars can play on past triumphs without exactly repeating them. This song/video has flashes of previous Madonna classics like "Bad Girl" (the smoking, the hair) and "Express Yourself" (Madonna in silhouette and chains) a verbal reference to "Like a Prayer", but it also recalls the Sex book / "Justify My Love" era as well which I was not at all expecting given the complicated fall out from that particular Madonna era.  

Best of all is the confident but not lazy sparseness that suggests "Human Nature" and yet it's all still very "Girl Gone Wild". Wouldn't it be crazy if movies were as sexual as music videos? The MPAA would die.  A-

Distant Relatives: The Bicycle Thief and The Road

Robert here w/ Distant Relatives, exploring the connections between one classic and one contemporary film. This week the last in a three part series on how one classic film can have many children.

Cormac McCarthy's novel The Road will most likely always be remembered as a great novel first and a somewhat well received film second. But whatever your opinion ofthe film, and the consensus seems to be that it could have benefited from a little more Bicycle Thief-esque neo-realisism (indeed it's the only of the three "children" of The Bicycle Thief that we've looked at, that isn't heavily influenced by that style), it's hard to ignore the relationship between the two films as two tales of a father and a son wandering through the remnants of humanity.

 

But before we get into the father/son dynamic, it's worth noting that the heightened reality of post-apocalyptic cinema and the unavoidable realism of wartime pictures (and by that I mean films shot in a country during wartime or immediate post-wartime, not romantically shot prestige pictures) are fascinatingly similar. More after the jump...

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Hit Me With Your Best Shot: "Ladyhawke"

Time for Season 3 of Hit Me With Your Best Shot. Wednesday evenings.

from left to right: Goliath, Navarre (Rutger Hauer) and Isabeau (Michelle Pfeiffer's stunt double)

I thought we'd kick off this season with a personal favorite from the 80s. I use the word favorite emphatically because in many ways, Ladyhawke (1985) is a movie with a confusing relationship to objective quality. It's both great and bad, the score arguing that it's a feature that absolutely should not exist outside of 1985 while the mythic story fights for timelessness. The sound (Oscar-nominated) has wonderful details, maximizing the earthly details of fluttering wings, wolf howls and horse hooves while also embracing the transcendently romantic voices (Rutger Hauer and Michelle Pfeiffer) but it's marred by jarring score cues that take you out of the action and weird post-production "comedy" vocal work from extras. It feels, at least for its first half, like it's a movie with several authors and endless studio interference from people who didn't believe in a romantic fantasy epic in a time long before fairy tales were hot commodities and sword and sorcery epics were the furthest thing from bankable. So, would you laugh at me if I claimed I thought it was thisclose to being a classic? People are always reediting the Star Wars prequels to try to make them into the movies they should have been but the fantasy with the easiest fix to nudge it from punchline to greatness is Ladyhawke.

The one area where Ladyhawke can lay legitimate claim to greatness without lengthy conditional explanations is in the cinematography of three-time Oscar winner Vittorio Storaro (most famous for Apocalypse Now and various Warren Beatty epics). Many films throughout history have used sunsets and sunrises for their sheer beauty but Ladyhawke's reliance on light is more than vanity; it's storytelling.

Pfeiffer's beauty and Hauer's pain after the jump

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Open Thread

What's on your cinematic mind?

p.s. "hit me with your best shot" returns tonight with 80s fantasy Ladyhawke. Are you participating?

"Who am I... Who am I"

24601 !!!!!!! ♫ "

That's Hugh Jackman in character as Jean Valjean on the set of Les Misérables. The most epic musical made in some time hits the screen in just 268 days. Good luck to Tom Hooper and cast. Please let this be great. The stage show deserves it.