Happy Halloween with Hercule Poirot

by Cláudio Alves

I don't know about you, but after the double whammy of Belfast and Death on the Nile, I was ready to give up on Kenneth Branagh as a director. Yet, like Michael Corleone famously said: "Just when I thought I was out, they pull me back in!"

Turns out that what Branagh and, more specifically, his Agatha Christie adaptations needed was a healthy shot of nonsense plus the spooky seasonings of horror. A Haunting in Venice, now streaming on Hulu, succeeds by untethering itself from literary fidelity, twisting Christie's Hallowe'en Party out of shape in pursuit of maximum entertainment. Though a sense of melancholy pervades, self-serious prestige is abandoned, or mayhap sacrificed at a witches' altar. And from its deadened carcass, Hercule Poirot emerges as the center of a ghostly storm, the skeptic anchor keeping this Hammer Horror resurgence from floating away on the Lido tide…

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Chris Diary 2 - AFI Film Festival - Four Daughters, The End We Start From, The Summer With Carmen

by Chris James

The rest of the AFI Film Festival had plenty more highs and lows in store. Movies from many different countries and genres were well represented in the remainder of the slate. Of the potential Oscar contenders, I was able to catch Tunisia’s Oscar submission this year - Four Daughters. The documentary film is helmed by Kaouther Ben Hania, who previously earned an Oscar nomination in 2020 for The Man Who Sold His Skin. The other jaunt abroad I took could not have been more different. The queer Greek comedy The Summer With Carmen served a fun comedy set in large part on a nude beach. This provoked a good bit of emotional whiplash as I saw it right after the climate change disaster drama, The End We Start From.

What did we think of this trio of films? Find out after the jump.

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AFI Fest: “Perfect Days” and “La Chimera”

By Eurocheese

Two very different leading men take their audiences in polar opposite directions in these two Cannes entries, though both are unknowingly on their quests to discover empathy. In the case of both Perfect Days and La Chimera, their unpredictable structures left Saturday's AFI audiences fully engaged through over-two hour running times. If you have the opportunity to catch either of these films in a theater, I highly recommend the experience...

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Chris AFI Film Festival Diary #1 - Quiz Lady, Terrestrial Verses, The Bikeriders

By Chris James

Jodie Comer and Austin Butler star in Jeff Nichols' "The Bikeriders," which screened at the AFI Film Festival.

The Film Experience is back at the Hollywood and Highland complex for another film festival. The AFI Film Festival is back for another year. Throughout the weekend, the team is going to be sharing their reviews of some of the latest films to hit the festival circuit. The AFI Film Festival is often times the first time many Oscar hopefuls touch down on Los Angeles, in the same building that the Oscars are held no less. The festival also boasts an impressive number of international features, including 18 submissions for Best International Feature.

For this first dispatch, I've reviewed Jeff Nichols' The Bikeriders, the LA premiere of Quiz Lady and the Iranian film Terrestrial Verses. Read after the jump to find which films triumphed and which fumbled...

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You got to love that "Master Gardener" wallpaper

by Cláudio Alves

If you've read my thoughts on Decision to Leave, you might have realized I'm obsessed with wallpaper as set design. Indeed, one of these days, I might do a Top Ten best wall coverings in Park Chan-wook's filmography, for he remains the king of wallpaper cinema. Not that the Korean master is the only cineaste to dip their toes into these pools of scenographic goodness. Recently, one can think of the nauseating renovations in Zone of Interest, the autumnal florals in Killers of the Flower Moon, Priscilla's pretty pastels, and Cobweb's domestic nightmare.

Still, in 2023, one film utilized wallpaper like no other – Paul Schrader's Master Gardener, with sets designed by Ashley Fenton…

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