Review: Aquaman

by Chris Feil

There’s an element to Aquaman’s chutzpah that feels lost to contemporary cynicism, as if its as much an artifact as the trident our titular hero chases. Here is a superhero epic that skews closer to something like Stephen Sommers Mummy trilogy, enveloped in sincerity and willingness to dazzle without winks or too-cool posturing.

But cut that with an over-caffeinated, sugar rush aesthetic packed to (forgive me) the gills with technicolor extremity, and you get a superhero film that’s delightfully batshit. It’s both beyond absurd and the guiltiest of pleasures, like Lisa Frank for dudes or gay underwater Indiana Jones. For some it might be an acquired taste, but it succeeds by pairing simplistic narrative ambitions with an authentically wild visual experience.

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Queen

Blueprints: FYC, Adapted Screenplays

In this week's Blueprints, Jorge Molina looks into five adapted scripts that should be featured n the awards conversation. If you missed the Original Screenplay FYCs, they're here. 

While Original Screenplays tends to be where usually the Academy rewards more unconventional stories, the adapted screenplay category carries with it an air of respectability and prestige. Maybe it’s because it usually involves translation from a literary medium, respected novels or award winning plays. Maybe it’s because adaptations carry a built-in audience, something Hollywood values. Adapted screenplays have the advantage of arriving with an already fully formed and sometimes familiar story. But translating that into a cinematic medium is one of the hardest tasks for a writer: making the verbal into visual, compressing dozens of chapters into a two-hour story, learning what to leave in, what to take out, what to add or change.

Here are five screenplays that each took a previously published piece and turned it into an engaging, engrossing and cinematic experience....

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The Gay Heart of "The Family Stone"

Members of Team Experience have been asked to share their favorite holiday film. Here's Spencer Coile with his...

I vividly remember the trailer for The Family Stone when it first came out in 2005. I was thirteen, a recent film and Oscar snob, and still incredibly naïve. I was swept into the two-and-a-half-minute long saga of uptight Meredith (Sarah Jessica Parker) visiting her boyfriend Everett’s (Dermot Mulroney) family for their first Christmas together and the family’s cliquey antics. Add on a stellar cast and the Maxine Nightingale classic, “Right Back Where We Started From,” and I was hooked. I couldn’t possibly wait until December to see it. 

And I didn’t. I waited even longer, months after it was released...

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Coal in our stocking. 'Worst' of the Year

Each day a different year in review list. Here's Nathaniel R...

2018 was unpleasant in so many real life ways that grousing about unpleasant things within our favorite escape hatch from reality seems ungrateful. By and large, we love the movies here at TFE and I think I speak for most of the team in saying that we can all pretty much find something to love even in the worst ones. Nevertheless, allow me a quick exorcism of the things I disliked the most this year to get them out of my system. A very important caveat though: As my own boss I can skip whichever films I have no interest in or which receive intense critical drubbings. Therefore my "worsts" are rarely the worsts and sometimes not even terrible just unsatisfying, if you catch the drift. But these films and performances just didn't work for me or actively discouraged benefit of the doubt.

Much kvetching after the jump...

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