First & Last 016
Can you guess the movie from its first and last image?
The answer is after the jump once you scroll down...
The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Follow TFE on Substackd
We're looking for 500... no 390 Subscribers! If you read us daily, please be one.
THANKS IN ADVANCE
Can you guess the movie from its first and last image?
The answer is after the jump once you scroll down...
Maybe it’s just been a busy year, but I feel like I’m very out of the loop with this whole slate. As is my practice I watched the first episode of just about everything, but with a few notable exceptions, like Fleishman Is In Trouble, The Patient, Ms. Marvel, and Obi-Wan Kenobi, I didn’t actually make it to the end of many of this past seasons contenders for limited series. In most cases, it wasn’t lack of interest but rather time. That’s going to make for an unusually hectic summer when I’m inevitably going to try to finish up all of the eventual nominees. Fortunately, I have been paying attention to the heavy hitters in awards buzz. That doesn't help narrow down the contenders much, though, since the field feels wide open.
The surest things across the board in the limited categories are Dahmer – Monster: The Jeffrey Dahmer Story and Black Bird, both of which performed well at the end of last year for those awards groups that aren't quite on Emmy's timetable...
Oppenheimer approaches on July 21st! Christopher Nolan's latest promises a great deal, from the historical examination of a man that changed the world to an ambitious test of how far the director's practical-over-digital effects philosophy can hold in the face of such a challenge. I'm more skeptical about it than some, though some things seem sure. Chief among them is that the picture will look great, another feather in the cap of Dutch-Swedish cinematographer genius Hoyte Van Hoytema. In his honor, let's revisit the Oscar nominees' biggest hits, from vampirical hauntings to 'Jean Jacket'…
Almost titled this 'god bless America' because America needs a lot of blessings right now. Anyway. Have a wonderful holiday if you celebrate. We're throwing a last minute backyard potluck chez moi. We'll be back to regular posting tomorrow with some Limited Series Emmy punditry and a celebration of the work of cinematographer Hoyte Van Hoytema. Later in the week and into the weekend some "halfway mark" celebrations of the best of January through June. And then the first wave of Oscar predictions (much later than usual - apologies!)
By Nathaniel R
The box office prelude to a mid-week Fourth of July (today) rested on Indiana Jones's 5th outing but he didn't truly deliver in The Dial of Destiny, a sequel that few people outside of Hollywood's money-obsessed board rooms were asking for. Hollywood is discovering that it can't live on franchises alone. Problem is that's become Hollywood's ONLY strategy and all they've been investing in for some time now. Unfortunately for those of us who love the cinematic experience audience increasingly lukewarm or chilly response to the big franchises isn't really morphinng into interest pointed at other moviegoing options. Hollywood has been training people to only care about franchises for years and now that they've "won", we're all losing!
Weekend Box Office (estimates? actuals? it's always a little fuzzy around holidays) June 30th - July 2nd 🔺 = new or expanding / ★ = Recommended |
|
WIDE (Over 800 Screens) | LIMITED / PLATFORM |
1 🔺 INDIANA JONES AND THE DIAL OF DESTINY $60.3 *NEW* 4600 screens |
1 🔺 EVERY BODY [doc] $150k *NEW* 255 screens |