Review: Jason Bourne

It’s Eric, returning to talk about the fifth chapter in the popular Jason Bourne franchise.   Judging from the discussions I heard coming from the exit of an early screening of Jason Bourne, your enjoyment of this latest installment of the venerated action spy films probably rests in your expectations.  

Because the level of artistry involved with these films has been so high, some out there are naturally hoping that the creative forces behind Jason Bourne found a way to ratchet things up even further.  The main grumble outside the theater seemed to be that the films have gotten repetitive in form and content (Bourne finds himself in a huge public space, uses the natural crowd to escape, etc.).   

I find myself in a different camp:  to me, it’s exactly these set-ups, and specifically the skillfulness with which they’re executed, that fuel the enjoyment...  

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HMWYBS: A Sensational Diane Keaton in "Looking for Mr Goodbar"

Best Shot 1977 Party. Chapter 3
Looking for Mr Goodbar (1977)
Directed by: Richard Brooks
Cinematography by: William A Fraker

Finally with chapter 3 in our look back at the Cinematography nominees of 1977 -- a little prep work for the Supporting Actress Smackdown (last day to get your ballots in) -- a real threat to Close Encounter of the Third Kind for the Best Cinematography crown. Close Encounters won the Oscar, its sole competitive Oscar, but William A Fraker was more than worthy as a nominee for his evocative experimental work on Looking for Mr Goodbar. The cinematography (along with its swinging partner, the editing) are ready and able to capture the whirlwind moods, liberated momentum, self-deprecating humor, and multiple flashes of fear within this time capsule of the sexual revolution.

My only regret in showcasing the cinematography for this series is that good images are hard to come by. More (a little bit NSFW) after the jump...

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Pete's Dragon - 1977 and Now

Our year of the month is 1977! Here's Chris looking back on Pete's Dragon...

As Disney has been increasingly revisiting their classics in live action, big budget form, the resulting films have revealed the evolution of family storytelling over the decades. Cinderella showed an increased emphasis on character, while this year's The Jungle Book was an example of the shift towards realism even in fantastical, unrealistic settings. While these rehashings are becoming old hat already, one of the most exciting films still to come this summer is the remake of 1977's Pete's Dragon.

The recent Disney revamps have extrapolated upon or directly lifted from their original source films, but the first glimpses of Pete's Dragon have already revealed a sharp turn in tone. Again, they are trading in a more modestly minded lark for larger spectacle. If nothing else, the creation of the dragon Elliott embodies the shift from traditional animation to digital imagery.

Rewatching the original is almost a shock as an adult - it's far more absurd and loose than you might remember...

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Cast This!: A Bosom Buddy for Tilda's Auntie Mame

Chris here. It's been so long since we first heard about Tilda Swinton's plans to remake Auntie Mame that we'd assumed the project had died. But, as it turns out, Annie Mumolo and Tilda Swinton are giving us a banquet because we poor suckers are starving to death.

While being interviewed by Vanity Fair, Oscar-nominated screenwriter Annie Mumolo let slip that she's working on the screenplay for Auntie Mame, with Tilda Swinton taking over Rosalind Russell's fur coat. No, it won't be a musical version, because Tilda Swinton in a musical would be too much for our tender hearts.

This would be a huge star vehicle for the actress, putting her at the forefront of a big cast rather than her usual spot on the periphery of comedic ensembles. One thing Swinton doesn't get enough credit for is her incredible chemistry with a wide range of different kinds of performers, so the possibilities to pair her with a great cast is all too exciting. From her nephew Patrick, goofy Gooch, and dreamy Beau, there are a lot of great parts to bounce of Swinton's eccentric socialite.

Vera (Coral Browne) and Mame (Rosalind Russell) in the 1958 classic

But the role we should all be most intrigued to see cast opposite Swinton's Mame is her bosom buddy Vera. More after the jump...

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Venice Film Festival Lineup Announced

What do Spotlight and Birdman have in common? Apart from being Oscar Best Picture winners starring Michael Keaton that is. They both debuted at the Venice Film Festival, that's what. The 73rd annual Venice Film Festival line-up has been announced, with the potential of another Best Picture winner in its midst.  As was previously announced, La La Land is opening the festival, and if you've  been watching the trailer on loop like us, it’s hard to get excited about anything else. But let’s take a shot...

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