Aarrrr, matey. It's Captain Link!

John August Gregory Maguire (author of the novel "Wicked") looks at the original screenplay of The Wizard of Oz (1939)
Tom Huller look at this amazing commissioned poster for Dawn of the Planet of the Apes
Erik Lundegaard the first "Best Shot" entry elsewhere is up for tomorrow's Any Batman Movie fest. I love this article. Erik is so right about Adam West
Black Maria the nuance of silence in Ida  

Stage Buddy reviews the cast album of the Tony Winning "Lady Day"... won't someone please make it into a movie so Audra McDonald can have an Oscar?
Cinema Blend Stan Lee getting greedy in his old age - wants to cameo in DC movies, too 
The Film Stage Kurt Russell who starred in Quentin Tarantino's Death Proof thinks The Hateful Eight will be going before cameras early in 2015 
The Playlist ranks all eight Planet of the Apes movies. Predictably Tim Burton's box office hit is dead last.
Previously TV 'disparate things' pits Parks and Recreation's party machine up against "that brief window when we thought Smash might be good." I trust you'll all vote for Smash. Do as your told!

Boyhood
Awards Daily thinks Boyhood leads the Best Picture race but I'd be surprised to see it even nominated myself. IFC doesn't really try for these things you know. I think there last nomination was in 2009 or something.
Guardian quibbling with Boyhood  

The Struggle
Film School Rejects has a think piece on the toxic culture of movie rumors as movie news. I've talked about this a lot myself as a way of describing what I don't want The Film Experience to be (just another site that cares more about movies that don't yet exist than movies that do) versus what it is (a movie site that cares about real movies from all eras and long after their opening weekend). As a generul rule we restrict ourselves when it comes to rumors (beyond quite often in these link roundups) much to the detriment of traffic since "future movies" is big business. I don't mean to pat myself on the back but I think it's a real problem for healthy film culture (which needs to be about actual films) and I'm always to curious to read articles like this from bigger sites which are news-focused on their feelings. It's a tough line to walk. I don't think we cover news enough at TFE but you have to be so careful that you're not just feeding into the meaningless of what's-next-what's-next at the expense of appreciating what there already is. Imagine if everyone in the US stopped reading every article about upcoming movies for an entire year. They'd have enough time left over to see a big group of classics and contemporary cinema and discuss them, too.

Christopher Walken in Pennies From Heaven (1981)

FINALLY...
You'd probably heard that Christopher Walken will be playing Captain Hook in the "Peter Pan Live!" event we should see sometime next year. "The Sound of Music Live!" set off a bunch of new plans for networks since live events are one of the only ways to get people to watch a program as its broadcast and thereby force them to sit through commercials. Walken is so amazing in musical roles which he almost never gets to do (see "Weapon of Choice" and "Pennies From Heaven" for starters). I don't remember this musical at all though I think my parents took us to a touring company when I was itty bitty to see it. Hopefully Hook gets to do some elaborate pirate jigs.  

Unfortunately it looks like they're looking for a female actress to play Peter Pan (Kristen Bell was an original choice) which is disappointing. Yes, that's the stage and film tradition but wasn't it originally the tradition only because of wirework technical issues and women being smaller and lighter. It's decades later now, time to get a real boy who won't grow up for the role. 

Best Shot: Batman Returns & The Dark Knight

...Or, as I call them: Catwoman (1992) --what? the names not taken since there is no other movie none nuh-uh called this -- and The Joker (2008).

Yes, it's true I intended to watch all 8 Bat Movies before the big event tomorrow night (pick a Bat-Film, any Bat-Film) and select a best shot from each. The idea that I was going to be able to watch eight films, most of them over 2 hours long and write about each of them individually in the space of a week is so ridiculously delusional that maybe I need to be locked up in Arkham Asylum? 

But I knew which shots I would choose from both Batman Returns and The Dark Knight without a rewatch (and that's not common for me). Even while watching the movies the very first time in 1992 and 2008 respectively my amygdalae be all "We likey. This moves us. Never forget!" 

Catwoman (Michelle Pfeiffer shot by Stefan Czapsky)The Joker (Heath Ledger shot by Wally Pfister)

The reasons to love these two shots and pair them are legion. They're twins in every way I can think of and "Holy Split-Zygote!" does the Batman franchise ever love twins.

We're the same, split right down the center.

Two silent images in madhouse conversation.

Both images are solo shots, weird little character-beat reveries within much fussier action punctuated sequences. In fact, in lesser director's and editor's hands it's easy to imagine them left on the cutting room floor altogether as they're more visual grace notes than story beats. Both images are animalistic, the cat doubled playfully and the dog hanging out the car window to feel the breeze, the only thing missing being his tongue. Both images have no dialogue, they're just hypnotic snapshots of two actors at the peak of their gifts lost in their own inspired headspace fully inhabiting fantastical people. Perhaps most impresively, both images happen to reflect their movies and auteurs, too. Tim Burton's Batman films are a mix of pitch-black night, elaborate production design, playful flourishes and cartoonish verve... all accounted for in this image. They don't take place in the real world - notice everything swallowed by darkness behind Catwoman. There is no real world; Gotham is a soundstage. Chris Nolan's Batman films, in contrast, are a mix of late night restlessness, gritty realism, and told with a straight face and dark majesty... all acounted for in this image. The Joker may be otherworldly but he's intruding in ours; Gotham is Chicago, filmed on location.

Finally, and this is no small matter, what Michelle Pfeiffer and Heath Ledger were doing in both of these movies in roles that haven't always inspired actors or even been taken seriously by them is art, pure and simple. These star turns are film-elevating stylized tragicomedy, so highly peculiar that they could have only come from inspired character actors, so mesmerizing that they could have only come from movie stars. This Catwoman and this Joker are filled with such vivid specificity that though these roles which will surely be played by dozens more actors in the next 100 years, they will always belong to Heath and Michelle. 

And now... the main event see all the images chosen in the Best Shot party.

What did you see this weekend? (Besides gun-toting apes)

Given that Handsome Joe Canada (aka Amir) is too busy with World Cup mania to grace us with his presence today, I Nathaniel am here for your weekly look at the profit margin side of things. But mostly to ask you the sturdy comment question:

What did you see this weekend?

We're always curious. Your answer should be... well, there's so many good things in theaters right now it just better not be Trans4rmers. Your answer should also soon include Masters of Sex which returns tonight, my choice for Best Drama Series last season (sadly Emmy-snubbed in that category). Should we talk that up every week? Raise your hand if you're watching.

WEEKEND BOX OFFICE
01 DAWN OF PLANET OF APES $73 *NEW* Review
02 TRANSF4RMERS $16.5 (cum. $209)
03 TAMMY $12.9 (cum. $57.3) Review
04 22 JUMP STREET $6.7 (cum. $171.9) Podcast
05 HOW TO TRAIN YOUR DRAGON 2 $5.8 (cum. $152) best movie dragons
06 EARTH TO ECHO $5.5 (cum. $24.5) 
07 DELIVER US FROM EVIL $4.7 (cum. $25)
08 MALEFICENT $4.1 (cum. $221.9) Podcast
09 BEGIN AGAIN $2.9 (cum. $5.2) top ten thus far
10 JERSEY BOYS $2.5 (cum. $57.1) Review

You'll notice that Snowpiercer didn't make it despite its quality. This was probably at least somewhat informed by its decision to go VOD before the movie had run out of steam at the box office. There've been quite a few articles about this (like this one) and I can't help but read them with pesky asides. I don't trust anything anyone says. I understand that VOD gives you a wider audience. But I also think not being willing to support your movie in theaters rarely bodes well for long term health on VOD. So basically I am displeased with how they've treated this action film with a big star and special effects which has now groused $2.6 or roughly half a million less than a black and white indie about Polish nuns. Yes I'm going to keep mentioning Ida whenever I see fit. Deal with it!

Because there is always so much interesting stuff hiding in way too few theaters -- Boyhood and Land Ho! -- here is that chart

WEEKEND BOX OFFICE (UNDER 100 SCREENS)
01 BOYHOOD $.3 *NEW* 5 screens Review
02 IDA $.1 (cum. $3.1) 85 screens best of year's 1st half
03 A HARD DAY'S NIGHT (1964) 50th anniversary $.07 (cum. $.4) 56 screens
04 LAND HO! $.03 *NEW* 4 screens  Review
05 YVES ST. LAURENT $.03 (cum. $.1) 14 screens

Boyhood had a fantastic per screen average but IFC went a bit timid at only 5 locations. We'll see how wide they dare go with this one-of-a-kind feature, twelve years in the making, but I hope they make a big push. More on that one this week which I told you I loved at Sundance.

Tweet of the Capsule of the Dawn of The Planet of the Apes

Of the. of the. of the. Help, stuck in a prepositional loop! I regret to inform that there is no full review of Dawn of the Planet of the Apes (2014) -- you may have noticed unusually sparse off my game posting -- but I press on with this exhaustively multi-tasking post. It's a list. It's a tweet roundup. It's a review.

I can't go on. I'll go on."
-Samuel Beckett 

Were I to write a traditional review of the surprisingly strong sequel to the surprisingly good Rise of the Planet of the Apes (2011) it would essentially be some sort of fussy expansion and tangent filled detours of these 10 points:

Click to read more ...

Lee Pace Plays Hard To Get For a Day

Remember when Lee Pace and Amy Adams played the romantic leads in Miss Pettigrew Lives for a Day (2008) ? Every once in a blue moon I flash back to that movie because Lee Pace is so dreamy and Amy sings so sweetly.

But things are rocky between them at first.

Amy: Kiss Me?

Click to read more ...