16th Annual Cinema Eye Honors nominations

by Nathaniel R

"The Territory" led the Cinema Eye Honors nominations

EDITOR'S NOTE: This article now contains ★ to represent the winners, announced on January 12th. The rest of the text is from the original article.

The Oscar race for Best Documentary Feature didn't use to have so many 'precursors' to consider but interest in and awards for documentaries have grown considerably in the 21st century. The Cinema Eye Honors, which began in 2007, were the first awards organization to recognize documentaries above and beyond "Best Documentary" by honoring them for several craft achievements too in multiple categories. They've just announced their nominees for their 16th annual NonFiction Film Awards. The nomination leaders are the box office hit Fire of Love and critical darling The Territory...

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Dragula: Titans S1. E3 "Science Fiction (Horror) Double Feature"

by Nick Taylor

Alaska, Dracmorda, Swanthula, and David Dastmalchian on the judge's panel
Dragula: Titans gives us the first of the series’ traditional floorshows, allowing its creatures to strut their stuff on the main stage with smoke and strobe lights dancing in their ears as the horror-techno score plays on. Asking the queens for their interpretation of science fiction horror results is a wildly broad prompt, and the results range from cosmic horror to space aliens to robot monstrosities. There’s no lip syncing, no acting, no other requirement but owning that stage the way only they can. And boy, did they deliver...

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The Crown: A great cast saves a middling season 5

by Cláudio Alves

The Crown | © Netflix

I've long believed that The Crown is primarily valuable as an acting showcase. In previous years, the third and fourth seasons were examined by this prism here on The Film Experience, so it seems fitting to perpetuate the tradition. It's only appropriate for, if nothing else, the Netflix show is a staunch defender of doing the same over and over again, with as little change as possible - tradition upheld for eternity. And yet, to focus solely on the acting would be a false reading of what is a disappointing fifth chapter. As much as the cast succeeds, the series' foray into the 90s brings about a striking imbalance. Melodrama takes such precedence over History that the results cannot help but lack the grandeur of seasons past…

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Dorothy Dandridge @ 100: "Carmen Jones"

Team Experience is revisiting a few Dorothy Dandridge movies for her centennial

by Baby Clyde

Groucho Marks famously described Grace Kelly’s Best Actress win at the 1954 Oscars as ‘The greatest robbery since Brinks’. I think we can all agree that a terrible crime was committed, but Judy Garland wasn’t the only victim on the night of March 30th, 1955. Dorothy Dandridge was a sensation in Carmen Jones becoming the first Black woman to receive a Best Actress nomination. In any other year, her loss would be seen as a huge scandal but because of Judy’s legendary star turn in A Star Is Born the fact that Ms Dandridge was also deserving has been almost entirely overshadowed...

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Almost There: Thandiwe Newton in "Crash"

by Cláudio Alves

Happy belated birthday to Thandiwe Newton, who turned 50 last Sunday. From Flirting (1991) to God's Country (2022), the British actress has impressed across a variety of genres and roles, be they prestige melodrama or pulpy sci-fi. There's a tremendous flexibility to her screen presence, a vast range showcased even in projects that never quite rise to her level. Such is the case of Crash, Paul Haggis' divisive Best Picture winner, where Newton is just one thread within a broad tapestry of tricky racial dynamics, each storyline intertwining with ten others. Hyperlink cinema was all the rage in the 00s, and this particular example surely propelled Newton closer to the Oscar race than she'd been before or since.

Though it's no fun to look back on Crash, we shouldn't let the picture's general awfulness bleed into the memory of Newton's work. She's a beacon of quality, shining brightly amid the offensive generalizations which crash into sanctimonious incompetence…

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