TIFF Diary #6: Moving On, The Fabelmans, Corsage, Triangle of Sadness

by Baby Clyde

This was gonna be the big one. A day jam-packed full of the most talked about  films of the festival, from some of the world’s most esteemed auteurs. So why was my favourite movie of the day a middling buddy comedy from the director of America Pie?

You'd think it would be impossible to make a light-hearted farce about the trauma of historic sexual abuse but Moving On from director Paul Weitz and starring the legendary duo of Jane Fonda and Lily Tomlin gives it a good go. I’d happily watch these two in anything but to wholly succeed this probably needed a darker, harder edge instead of Grace and Frankie – The Movie which is essentially what we have here. Having said that it’s thoroughly enjoyable. That's not something I can say for the rest of my days viewing...

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The Phantom Link

• The Atlantic "Fear of a Black Hobbit" insightful piece about politics and 'nostalgia' franchises
• Boy Culture the latest updated edition of "Encyclopedia Madonnica" (one of our all time fav showbiz books) is out. Buy one if you haven't yet and love Madonna. It's a treasure trove.
• Vulture looks at Baz's tortured artists from Moulin Rouge! to Elvis

Very significant Broadway news regarding The Phantom of the Opera, A trans riff on Gotham City characters, Superman II cosplay, and more after the jump...

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TIFF: Margaret Qualley and Christopher Abbott in ‘Sanctuary’

By Abe Friedtanzer

Two-handers aren’t easy to pull off. They require strong actors who understand how to play off each other well enough to keep things interesting for the duration of an entire film. Fortunately, Zachary Wigon’s Sanctuary makes a great case for this format, showcasing excellent performances from its stars, Margaret Qualley and Christopher Abbott. It's a 96-minute power struggle rollercoaster that never lets up…

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TIFF: "The Swimmers"

by Matt St Clair

In an early sequence from The Swimmers, we see both sisters Yusra and Sara Mardini jamming to “Titanium” by Sia. As they’re happily move on the dance floor in slow motion, the camera pans over to the escalating warfare happening in the background. That one scene is perfectly emblematic of the movie’s overall point of view. We watch these two real-life sisters persevere and maintained hope no matter the crises surrounding them... 

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TIFF Diary #5: Disappointing Oscar bait and a surprise favourite

by Baby Clyde

Hugh Jackman and Florian Zeller on the set of "The Son"

Today I had no mid-film snooze problems. The screenings started at midday with Florian Zeller’s adaptation of his own play The Son. I saw the original London production back in 2019: Great performances. Terrible play. Though Zeller has ironed out some of the innate staginess of the source material The Son can’t overcome the fact that this is not a play about the teenage depression epidemic but rather about absurdly inept parenting. The choices made are so ludicrous and the reasoning so shallow I laughed out loud on numerous occasions. They also kept the queasily distasteful, possible twist as a coda which is no less objectionable on film than it was on the stage. Sir Anthony pops up briefly in what is presumably a reprise of his character from The Father. He makes more impact in three minutes than the rest of the cast do in the other two hours of contrived torment. Consider it the first proper clunker of this Oscar season.

Empire of Light was next and has seemingly been genetically engineered in a film lab to garner Oscar noms...

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