Weekend Box Office

by Nathaniel R

Downton Abbey: A New Era didn't open half as well as its predecessor which is a pity since it's a better film and a great night out for fans. Perhaps it's true that adult audiences just aren't returning to the theaters in the way younger audiences have? Still there was one piece of good news this weekend for fans of adult-oriented movies...

Weekend Box Office May 20th-22nd 🔺 = new or expanding /  ★ = Recommended links if we've written about it
WIDE (OVER 800 SCREENS)	PLATFORM RELEASES
DOWNTON ABBEY: A NEW ERA	HAPPENING

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SoCal Journalism Nominees 2022

by Nathaniel R

Congratulations to the journalists, critics, and cultural commentators nominated for the 64th annual SoCal Journalism Awards (mostly for articles from 2021). The winners will be announced on June 25th. You probably read some of the people! There are dozens upon dozens upon dozens of categories covering all fields, but we thought you might like seeing some that are related to screen entertainment. So after the jump, seven of those categories...

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Cannes Diary #6: Something weird this way comes

by Elisa Giudici

This (unconscious?) cosplay of Jesse Buckley doing Paul Verhoeven’s The 4th Man during the Q&A session for Men made my day!  After the jump some surreal comedy, a horror oddity, a terrifying thriller that might contend for awards, and a directorial debut... 

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Cannes at Home: Day 5 – A Tale of Two Victors

by Cláudio Alves

The fourth day of Main Competition screenings saw the premiere of two films by former Palme d'Or winners. First up, Swedish auteur Ruben Östlund returned to the Croisette after taking the festival's top honor with The Square. Triangle of Sadness is the director's first film since then, perchance indicating a newfound obsession with geometrical titling. Reactions have skewed positive, though there are dissenting voices. Then, it was time for Cristian Mungiu to present R.M.N, this year's first major Palme contender as far as critical reception is concerned (Elisa's review). It should be noted that this is the fourth time Mungiu has presented a film in the Main Competition – all three previous projects won prizes, setting a good precedent for the Romanian master. 

Logically, when discussing these laurelled artists, the mind drifts to their victorious flicks. Today's Cannes at Home selections are The Square and 4 Months, 3 Weeks and 2 Days…

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Cannes Gowns, Round 6: Alicia, Marion, Isabelle, and Tilda

Previous Cannes 2022 Fashion Polls: 1, 2, 3, 4, and 5 

Alicia Vikander arrived at Cannes to promote her new series Irma Vep (finally ending the drought of her once ubiquitous husband Michael Fassbender in the public eye - he wore a simple tux), Marion Cotillard was on hand for the premiere of her new film Brothers and Sisters (which was poorly reviewed, alas) and daringly wore what looked like shorts to her premiere. Isabelle Huppert was in town for that buzzy donkey flick EO (review) and though she wore a simple black gown for the premiere she then showed up in this eye catching sure-to-be-divisive full body look thereafter. Fashion icon Tilda Swinton never leaves Cannes after only one lewk so she was out again after her 3000 Years premiere wearing a much different more adrogynous look.

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