All This, and Linking Too

Matt Patches gives us the best news of the day for New Yorkers. The Alamo Drafthouse is coming.
Lists of Note Preston Sturges "11 rules of box office appeal" Tee hee.
Cinema Blend new details on Matt Damon's Promised Land. It involves fracking.
Scanners a wonderful interview with Bette Davis circa 1988. She would have turned 104 this weekend.

Pajiba the highest grossing female led action films (not adjusted for inflation)
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The Awl unanswered questions about teen movies. Here's a sample:

Say Anything…: How many times did Lloyd use the boombox trick in future relationships, and was his song selection always “In Your Eyes,” or did it change to reflect the current hits?

Tom Shone on the Titanic 3D conversion. I love Tom Shone.

Finally Boy Culture reminded me of this  year old interview with one of my favorite character actresses (and incidentally one of my favorite lesbians) Miriam Margolyes. I love her in everything -- remember how fun she was lusting after The Bening in Being Julia?. She is hilarious and she was totally dissing the Oscars for their big stars in supporting categories problem.

It was a very good film called The Age of Innocence and I was marvelous in it. I was! The reason I wasn't nominated was because of WINONA RYDER AND I DON'T LIKE HER! What happened was she was nominated as a supporting actress instead being nominated as a leading actress. If she'd jolly well kept herself to herself and been a leading actress, they would have nominated me as supporting. I was livid."

Box Office, Happy Easter Nostalgia

Did you end up moviegoing this weekend? I actually stayed home. Quiet weekend which is sometimes what ya need. The Hunger Games continues to devour the nation's entertainment budget with a bigger third weekend than most films can muster on their first. Otherwise it was a nostalgia weekend, especially for the 27-34 year-old set with 1999's American Pie cast reunited and the Titanic (1997) rerelease.

If you're part of that demo, were you feeling the nostalgia? Don't lie. You've quoted "one time at band camp..." before.

TOP TEN (Estimates)
01 THE HUNGER GAMES  $33.5 (cum $302.8) Reviewed
02 AMERICAN REUNION  $21.5 new in wide release
03 TITANIC 3D  $17.3 rerelease (cum. $25.7)
04 WRATH OF THE TITANS $15 (cum. $58.8)
05 MIRROR MIRROR  $11  (cum $36.4) Reviewed 
06 21 JUMP STREET  $10.2 (cum. $109.5) Reviewed
07 THE LORAX  $5 (cum. $198.2)
08 SALMON FISHING IN THE YEMEN $.9 (cum. $4.6)
09 JOHN CARTER  $.8 (cum. $67.9) Reviewed
10 SAFE HOUSE $.5 (cum. $124.7)

The cast of Damsels in Distress

Talking Points
• Damsels in Distress, Whit Stillman's long awaited return debuted in limited release with a decent $16,000 per screen average on 4 screens.
• 21 Jump Street is rapidly approaching the impressive gross of The Vow. So, go Chan. 
• Despite working so hard for media attention Bully only added one screen this weekend. Bizarre. 

"Into the Woods" Watch...

When Stephen Sondheim's "Into the Woods" was announced as part of the great Shakespeare in the Park series for this summer (July 23rd- Aug 25th), I felt like living happily ever after. It's such a great show and seeing it outdoors may well feel like how it was always meant to be seen. With the recent announcement that Amy Adams would be playing the Baker's Wife (a wonderful part) it occurred to me ~ this won't be the first time she's sung in Central Park.

Lately Shakespeare in the Park has been easing up a bit on the star casting preferring midlevel stars or stage talent or one big name but the casting of Adams may signal a change. My friend Tom at the Broadway Blog got  me way too excited about what might follow with this little bit (after the jump).

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Take Three: Melissa Leo

Craig here, back with the third and final season of 'Take Three'.

This week: Melissa Leo

Take One: Red State (2011)
Leo gives an ugly yet riveting supporting performance as Sara in Kevin Smith’s Red State. She’s the matriarch with no maternal manners of the Five Points Trinity Church and wife to Michael Parks’ Phelps-like religious nutjob. We first see her open a trailer door to three horny teens who, we eventually gather, she entraps with the promise of a ‘good time’. She’s chugging a beer, resignedly eyeing these unsuspecting victims, playing her part in their “punishment”. Leo makes Sara immediately unlikeable. She’s a fully paid-up cult member either lost in ecstatic zeal (when Parks’ Abin spouts his bile-filled sermons) or riddled with utter contempt for ‘outsiders’ (all other times). But at no point does Leo deliver a two-dimensional portrait of hatefulness.

It takes a seasoned pro to make such a distanced and indefinably spiteful presence feel truly compelling. There’s something horribly absorbing about the way Leo carries herself. [More after the jump]

Click to read more ...

April Foolish Predictions: The Supporting Categories

Nowhere is the "April Foolish" descriptive more appropriate than in the Supporting Categories. They're generally the last major categories to clear up in each Oscar race since so much rides on the success of a film and/or its leading players. Coattails are often required even if the performance is great all by its lonesome. Witness the sad fate of Vanessa Redgrave's Coriolanus performance in the last race. She was easily the greatest but barely any awards group noticed since reviews for the film were lukewarm and it was barely released at that.

Vanessa Redgrave and Terence Stamp are old married in "Song for Marion"

Redgrave might be in play again this year, though, with a warmer title role in Song For Marion. The last time she was in the Oscar race (20 years ago) she was playing a dying woman who worked as a catalyst for the protagonist's emotional journey and the same is probably true here in this film about her husband (Terence Stamp) who joins the church choir to please her. The supporting categories are often home to heartwarmers like that and they're much kinder to senior actors as well so the cast of Quartet (Maggie Smith, Tom Courtenay, Billy Connolly and Pauline Collins) Dustin Hoffman's directorial debut about retired opera singers, might win kudos too.

If Oscar wants to lean darker -- they love villains in both of the supporting categories -- they might latch on to the sure to be controversial Django Unchained but it's worth noting that Pulp Fiction is the only Quentin Tarantino film that has managed multiple acting nominations. So it's anyone's guess as to who will be named "best in show" this time out but my money is currently on the villain (Leonardo DiCaprio) and his captive (Kerry Washington) 

Crowded Films
We can't possibly know this early on who the standouts will be in various crowded films but we can guess. Ben Affleck's Argo, Kathryn Bigelow's Zero Dark Thirty, and Steven Spielberg's Lincoln might be key films to watch for the Supporting Actor category since they all involve dangerous military operations and the cast lists are deep. Les Misérables will undoubtedly be the film that will spark the most early discussion about the Supporting Actress category since Anne Hathaway, Amanda Seyfried, Samantha Barks and Helena Bonham-Carter will all have key moments they can own.

Can David O. Russell get two of his supporting ladies nominated again? The Silver Linings Playbook has Jacki Weaver and Jennifer Lawrence

Double Dipping?
Oscar has really gone crazy for doubling up in Supporting Actress this past decade. It just keeps happening that two actresses are nominated from the same film. Two more films which might be in play for the ol' twice over are Hyde Park on Hudson (The Olivias, Williams and Colman) and David O. Russell's The Silver Lining Playbook (with previous nominees Jennifer Lawrence and Jacki Weaver)

Can all those "Rampart" raves, help Woody Harrelson in his next role as a dog-loving mobster?
The April Foolish Predictions...

BEST SUPPORTING ACTRESS
See where they rank: Amy Adams, Redgrave, The Bening, JLaw hot off Hunger Games, Mary Todd "Sally" Lincoln, Nicole Kidman, The Olivias and the Les Mis girls.

BEST SUPPORTING ACTOR
See where they rank: All those men still waiting for a win like Leo, Woody & Joaquin, plus previous winners Lee Jones, Waltz, and many more.

Naturally you'll want to sound off on all the wonderful possibilities. Which performances do you have warm fuzzy hunches about? Which performances do you think I'm overestimating?