Curio: Dolly Days

Alexa here. With Dolly getting most of the votes in Nathaniel's poll, I felt it necessary to point out that, along with making some Joyful Noise of late, she is also celebrating a birthday this week. While she's had an uneven film presence during her career (Straight Talk was not exactly the vehicle we would hope for her), she can coast on the combined effect of 9 to 5 and Steel Magnolias to qualify as a film star.  So here's a few curios to celebrate the Queen of Country's 66 years. 

9 to 5 Alamo Drafthouse poster by Print Mafia.Sugar Magnolia cupcake toppers, now for sale!Click to see Dolly morph into Kristen Chenoweth...

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When the Globes Cut To Commercial...

One of my very favorite things about the Golden Globes is the scan of the crowd whenever they're cutting to commercial or returning. You feel like you're in the room, mingling. Or, rather, gawking. You catch little glimpses of conversations ("they know each other?!?"), unofficial screen reunions (Colin & Julianne!), and you end up pondering the sometimes amusing seating arrangements. For instance, Madonna and Meryl Streep, once vocal rivals over Evita (1996), were separated only by Meryl's dutiful husband Don Gummer who never seems to enjoy these things. At one commercial break Madonna was seen gabbing away. He said not a word. 

Here are some of my favorites shots from the evening.

Zooey Deschanel has her thumbs up for Ryan Kwanten. Whatever for? Care to make a guess? I immediately made a false memory that she had actually played Lizzy Caplan's role on True Blood. If you squint they do look kind of alike and imagine what Zooey could do on V.

Laura Linney has either been demoted to the TV section, that outer elevated rim, or she was running about visiting. But she and Charlize obviously like each other. There will  be enthusiastic hugging and kissing.

Viola was extremely eager to get her Moet refilled (wouldn't you be?). Octavia is probably looking off into the distance but it's fun to think that's she's all "slow down girl! You haven't won yet!" 

[sniffle]

three more after the jump including two Marilyns

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Blue Moments With Jodie & Fassy

Was it just me or was last night's Golden Globe ceremony less gold than blue? (It was even unfortunately brown what with all the references to Bridesmaids poop jokes). "Blush" was both a red carpet trend and something that stars were having to do.

The evening literally began with a beaver joke and ended with a dick gag. Both Jodie Foster and Michael Fassbender were good sports about the below-the-belt ribbing but what the hell did they spike the drinks with last night?

Jodie's Beaver
Ricky Gervais set the bawdy tone kicking off with a joke that seemed to be about Mel Gibson (he wasn't allowed to talk about him) but morphed into a much better one about Jodie Foster. He can't mention Mel Gibson...

Especially not Jodie Foster's Beaver. I haven't seen it myself. 

I've spoken to a lot of guys here. They haven't seen it either.  

...But that doesn't mean it's not any good!

One of the talking dumbheads at E! after party actually thought that was a joke about Jodie still being hot after birthing two children. Oh no, honey, no. That's not what the joke was about. 

Elton John did not think this joke was funny in a subsequent cutaway -- though he knew what the joke was about -- but he had a permascowl on his face throughout the evening, only smiling when Morgan Freeman interrupted his own speech to say "Hi Elton"

Fassbender's Frontal
When Clooney won Best Actor, He gave a beautiful shout out to his friend and former co-star Brad Pitt before going straight for the Fassbender dick jokes, even pantomiming a golf swing without a golf club.

Also you get to meet a lot of other wonderful young actors.  I met -- I'd like to thank Michael Fassbender for taking on the frontal nudity responsibility that I had.

Really Michael?  Honestly, can you play golf with your hands behind your back?

Go for it man, do it. 

George, George, George... 

Surely that was as good as a $100 million blockbuster for upping Michael Fassbender's Q Quotient round the world. 

ACE Eddie Nominations. Will They Transfer to Oscar?

The editors have spoken. Though editing is an artform that greatly fascinates me I nearly always take issue with the ACE nominations. More than most craftsmen, the editors in the guild and in Oscar's editing branch seem to just pick their favorite Best Picture contenders every year even in cases where the editing might not be anywhere close to its strongest element. I understand why people love Hugo for example -- I really do despite my protestations -- but even though I think Thelma Schoonmaker is one of the most gifted editors who ever walked the earth, her work on Hugo is not up to her general (very high) standards. I've discussed this with Nick several times so I know I wasn't imagining it. We were both flabbergasted at the amount of shot / reverse shots where the children just sort of stare at each other blankly in scene after scene.

There is so much dead space in that picture weighing it down. Not trying to pick on Thelma but their choices across the board just look like they were trying to catch up on the Oscar buzz.

COMEDY or MUSICAL Nominees

• The Artist - Anne-Sophie Bion & Michel Hazanavicius
• Bridesmaids - William Kerr & Michael L Sale
• Midnight in Paris - Alisa Lepselter
• My Week With Marilyn - Adam Recht
• Young Adult - Dana E Glauberman

Another interesting point of discussion is Bridesmaids. Given the improvisational nature of the performances, it must have been hell to edit (a very enjoyable kind of hell) so points for managing and it definitely takes great editing skill to make that many jokes land. So props to Kerr & Sale (who are far from the least worthy nominee in this lineup). But, with the compliments out of the way, isn't one of the main criticisms of Bridesmaids that it feels shapeless, haphazard and that it's way too long? And isn't editing a great factor in whether or not movies feel that way?

Dana Glauberman at the Hollywood Awards last yearMy favorite nomination here might be Dana Glauberman's (pictured left)  for Young Adult. I think she's really special as editors go (see also: Up in the Air for which she was absurdly not Oscar nominated). Her work for Reitman tends to have great rhythm, the cut choices are smart and it's just tight tight tight. There is no fat on that picture whatsoever.

Will any of the comedy nominees make it to Oscar? The Artist might. You could also argue that editing is even slightly more crucial to the success of comedy (it's all in the timing) and action (it's all in the rhythms and sustained tension) than to dramatic pictures. And yet with Oscar you'll find that mostly drama is honored... because that's where the "best pictures" are located. In short, I'd like the editors to think a little harder on their selections from year to year. 

DRAMA Nominees

• The Descendants -Kevin Tent
• The Girl with the Dragon Tattoo - Angus Wall & Kirk Baxter
• Hugo - Thelma Schoonmaker
• Moneyball - Christopher Tellefsen
• War Horse - Michael Kahn

Christopher Tellefsen in the editing bayMy vote -- if only I had one -- would go to Christopher Tellefsen in a split second. Moneyball had such great easy flow, consistently engaging whether it was cutting from footage to flashback to the linear story being told, and really attuned to the nuances of Brad Pitt's star turn.

Will all of these make it to Oscar?
I truly think Tellefsen is deserving, which is why I worry he's the most likely to be dropped when Oscar nominations roll in. Argh!

ANIMATED FEATURE Nominees

• The Adventures of Tintin - Michael Kahn
• Puss in Boots -Eric Dapkewicz
• Rango - Craig Wood

More nominations for television over at the American Cinema Editors official site. 

Morning After. Three Globey Flashbacks, One Winners List

1. Miss Golden Globe y'all.

It's Andie Macdowell's daughter Rainey Qualley. She totally did a great job, directing traffic with those arms like she was born to work on a tarmac guiding 747s to their gates. I mean this in the nicest possible way because some Miss Double Gs totally shirk their navigational responsibilities. She was just not having people stand in the wrong spot.

2.  Uggie is Made of Ham

Not only was he pulling focus during the Best Picture speech, he was also working the red carpet, with or without Penelope Ann Miller as Vanna White. I hope he's being compensated well.

3. Laura Dern, a skinny Christmas Tree with THE FACE on top.

HAPPY HOLIDAYS!

Complete Winners List in case you missed it... I know I missed a few of these during the live blog.

MOVIES
Picture, Drama: “The Descendants.”

Picture, Musical or Comedy: “The Artist.”

Actor, Drama: George Clooney, “The Descendants.”

Actress, Drama: Meryl Streep, “The Iron Lady.”

Director: Martin Scorsese, “Hugo.”

Actor, Musical or Comedy: Jean Dujardin, “The Artist.”

Actress, Musical or Comedy: Michelle Williams, “My Week With Marilyn.”

Supporting Actor: Christopher Plummer, “Beginners.”

Supporting Actress: Octavia Spencer, “The Help.”

Foreign Language: “A Separation.”

Animated Film: “The Adventures of Tintin.”

Screenplay: Woody Allen, “Midnight in Paris.”

Original Score: Ludovic Bource, “The Artist.”

Original Song: “Masterpiece” (music and lyrics by Madonna, Julie Frost, Jimmy Harry), “W.E.”

TELEVISION

Series, Drama: “Homeland,” Showtime.

Series, Musical or Comedy: “Modern Family,” ABC.

Actor, Drama: Kelsey Grammer, “Boss.”

Actress, Drama: Claire Danes, “Homeland.”

Actress, Musical or Comedy: Laura Dern, “Enlightened.”

Actor, Musical or Comedy: Matt LeBlanc, “Episodes.”

Miniseries or Movie: “Downton Abbey (Masterpiece),” PBS.

Actress, Miniseries or Movie: Kate Winslet, “Mildred Pierce.”

Actor, Miniseries or Movie: Idris Elba, “Luther.”

Supporting Actress, Series, Miniseries or Movie: Jessica Lange, “American Horror Story.”

Supporting Actor, Series, Miniseries or Movie: Peter Dinklage, “Game of Thrones.”