Yes, No, Maybe So: "The Dark Knight Rises"

It's our practice to break trailers down to their components which make us eager / annoyed / unsure. But for this sort of event we're aware we're supposed to be all YES, already in the (bat) tank. But let's break this down anyway. Batman would surely appreciate the importance of rituals and this is how we do.

The Greatest Logo in the History of Super Logos

YES

• That friction between Anne Hathaway's menacing whispers and that young choirboy's national anthem is perfect. But then Chris Nolan movies are always good with the sound.
• The chanting at the end is also hot: Best Sound Editing #2 here we come.
• Oooh Escher-like staircases inside. Where are we? Let's go to there.
• The brief glimpses of Inception players Joseph Gordon-Levitt and Marion Cotillard are welcome. Because movie trailers are future movies invading our dreams, right? Come on in.
• Anne Hathaway's Hepburn hat. This is so girly for a Nolan movie. They better bring it with Catwoman. That's sacred ground!
• I'm fond of the trailer's and possibly the movies interest in vertical points of view rather than horizontal spaces. Batman should be vertiginious. He is Gotham City.
• It also makes me happy that he is fighting during light snow flurries for some reason.
• That collapsing football field is sick. Also reminds me of Sunnydale as sinkhole at the end of Buffy the Vampire Slayer. And anything that reminds of Buffy...
• "Ward" the quarterback, eh? I hope that's a Dick Grayson/Robin injoke because these movies need a few jokes.

 

NO 

• Football? for a second I thought I was watching the wrong trailer.
• Ugh where is Aaron Eckhart?! I feel cheated.
• Um... Anne Hathaway doing Catwoman at a masked ball? Is this a Batman Returns homage? I'm not sure I'm comfortable with this. I love me some Hathaway but #PfeifferPforever. Don't risk direct comparison!

MAYBE SO 

• Christian Bale looks so haggard. Is this an intriguing aestethic choice or is he just bone tired from all the weight loss muscle gain flip-flopping of the past ten years?
• Speaking of weight loss/gain. Can someone give Tom Hardy a role where he is forced to lose the steroid look and the alien trapezius. He looks so much better human.
• Speaking of... what kind of voice is he doing? And will I be able to decipher the words under that mask. Covering up the best pair of male lips in the movies is such a crime!
• More politics with the Mayor and such zzz
• I'm not sure I trust Chris Nolan with political plotlines/metaphors. As I recall The Dark Knight was quite muddled in the messenging arena. And we REALLY don't need martyr heroes made of the 1% in the movies nor the 99% as angry crime mobs and that's kind of what the visuals and Catwoman's speech suggest, right? Is this Iron Lady 2: Right Wing Harder !? 

Are you a Yes, No or Maybe So?
This tweet from Matt Patches is a perfect joke about how wild people go for every glimpse of future event movies, particular movies by the blogosphere's favorite human person director Chris Nolan.

Hee.

So perhaps for this one we should just ask how much of a "Yes" you are?

And since we've got Oscar on the brain (tis the season) why don't we go there, too, in the comments. Batman Begins received one nomination (Cinematography) and The Dark Knight eight bids with two wins (Supporting Actor and Sound Editing). What's the ceiling for this one without the elevating force of Heath Ledger (RIP) but with the momentum of this franchise's epic epicness and ever expanding Nolan mania ?

39 Original Songs Aim To Have Oscar Singing Along...

If you've ever read Inside Oscar, you'll know that the Best Original Song category at the Oscars has been infuriating people since time immemorial. They regularly snub instant classics and even when a great movie song is nominated it will usually lose. The music branch gets far less flak from the media than other controversial Academy subcategories like the Documentary group or the Foreign Language Film nominating committee but that's only because everyone knows that songwriting has very little to do with the actual art of cinema ... unless you're writing an original musical. Brett McKenzie's work on The Muppets aside, that really only happens once a decade or so.

Four other quirks to know. 

1. The music branch HATES Madonna as a songwriter (the list of classic songs snubbed is alarming and her W.E. song "Masterpiece" has already been jettisoned) but likes her as a singer (both times she has sung other people's material -- Evita and Dick Tracy -- wins followed).
2. They actually have an average point system to determine nominations rather than a  hierarchal ballot like most categories so you can theoretically torpedo someone you don't like by giving them a bad score.
3. Three, a maximum of two songs from any movie can be nominated so if you are the only person who wrote an original musical that year, you can't hog the category even though you did more work than anyone else.
4. They can't even be trusted to let the original performers perform them on the ceremony (Hi Beyoncé!) so don't get too excited about seeing Robbie Williams, Elton John, Zooey Deschanel, Lady Gaga, Jordin Sparks, Melissa Manchester, or any of the other celebs who sang this year's eligible tunes.

I'm rooting for Captain America's "Star Spangled Man" because it's a) awesome and b) actually used for narrative purpose rather than end credit pleasantries. Both are so rare in this category! So watch it get shut out.

Here's the eligibility list with as many music videos as I could find after the jump...

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Random Question For Anyone Who Lived Through the 1980s

How hard would you have laughed at someone who  told you in 1988 that scary seductress Glenn Close (of Fatal...Liaisons fame) and firestarter Sinéad O'Connor of "The Lion and the Cobra" fame would one day be nominated for a Golden Globe for penning an end credits lullaby to a quaint little movie about a gender bending waiter by the name of Albert Nobbs?

Glenn Close and Sinéad O'Connor at the Albert Nobbs premiere

Funny how things change. Makes you wonder how tame today's provocateurs will be in 2034.

poll by twiigs.com

Which of the Golden Globe "Song" nominees will repeat with an Oscar nomination? Or here's a better question for you: why do the Golden Globes even have this category when they don't have on air musical performances by which to jusity it? 

We Need To Talk About Tweet Length Reviews

December (sigh)... it defeats me every year. In 2012 I'm going to start training for it like it's the marathon. Because it is! Maybe I'll try to write one December 2012 article each week all year long so that when the time comes I'll have plenty of time for all the events / screenings / interviews / awards articles. "too many things too many things too many things" to quote Boogie Nights. So here are some things I've been seeing that I have no time to talk about. But let's carve out a teensy bit anyway. None of these will make much of a dent on my "best" or "worst" lists so let's cross them off the eternal to do list with tweet length reviews... (I use to try for seven to ten words but that ends up being a series of adjectives. Giving myself a few more characters now.)

Dear Mr. Spielberg. Jamie Bell is very nice to look at. Were you not aware of this? Thanks.

THE ADVENTURES OF TINTIN
In which Tintin and his dog Snowy seek out a pirates treasure through a series of infinite setpieces
Review: Oft described as "endlessly fun" and the endless part is true. Inventive and spectacular looking but utterly exhausting. Pirates again? B-/C+
Oscar? The Animated branch might reject it under the umbrella of "mo-cap is not animation!" disdain. Me I have no problem whatsoever with mo-cap but I prefer it when it looks less realistic (like in Monster House). If you're aiming for real-looking human characters, just let me see the actual actors. Jamie Bell is very nice to look at and hiring him only to hide him away is a disservice to eyeballs everywhere.

ARTHUR CHRISTMAS
Will a child be left without a gift on Christmas? Three generations of Santas spring into action.
Review: Gimmick thoroughly mined for madcap fun though it's a shade too busy. Wonderful voice work. Plenty of heart, too (which Tintin lacks). B
Oscar? Given the generally anemic animated film race, it will be a real shame if this one from Aardman doesn't score a nomination. But I think it will. 

KUNG FU PANDA 2
In which Po realizes he was adopted and fights the peacock who is trying to end Kung Fu and conquer China.
Review: Disposable with uneven humor but the palette is pure wow. I was as hypnotized as Po whenever the peacock fanned those white and red feathers. B-/C+
Oscar? Though it's the second highest grossing animated film of the year, I don't expect it to score with Oscar voters. The Globe snub is telling but depressing. If you have to have a sequel in the lineup why Cars 2? KFP 2 is better looking and funnier and has a better story and a better hero and villain. Better on all counts.

MARGIN CALL
In which a group of 1%ers and financial analysts predict / cause the economic apocalypse
Review: This involving horror film about our powerlessness and corporate greed is boosted by perfect timing though not quite above telefilm level. B
Oscar? Given the multiple "first film" prizes J.C. Chandor has won, I'm guessing this has a really solid shot at an Original Screenplay nomination. But if any of the actors were going to have found favor yet, I think we would have seen some SAG interest... at least in Ensemble. 

TINKER TAILOR SOLDIER SPY
In which... no, I don't know what happens and I really truly was paying attention.
Review: Super handsome filmmaking, ace score, gifted ensemble but too restrained to feel, too info-crowded to follow: B
Oscar? Even when a movie has incredible craft elements, it rarely gets nominated if voters don't love the film as a whole. I'm doubtful this one will pick anything up. But maybe one nomination, two max in visual categories or screenplay.

WE NEED TO TALK ABOUT KEVIN
In which a woman gives birth to a bad seed and suffers greatly for it.
Review: Miscast and weirdly art-film parodic in its repetitions / obviousness. Tilda's eyeballs feel the horror, though. B-/C+
Oscar? I'm more surprised than you are that Tilda gained traction for this one. I thought the film too inaccessible but apparently that Julia, I Am Love momentum finally pushed her over some kind of art goddess edge and she's back in the Oscar conversation where she nearly always belongs.

Tilda and her demonic boy(s)

I would also like to note that I really was rooting for this film before seeing it because I think Lynne Ramsay's previous feature Morvern Callar (2002) is ten kinds of amazing but I was sorely disappointed. I hope it doesn't take her 9 more years to deliver film #4.

I'm still trying to get full reviews out for Iron Lady, War Horse, Albert Nobbs, Extremely Loud and Melancholia (lol. Hi several months later!) cuz I got shit to say. We shall see. I need to stop time for one week to catch up. Perhaps I should call up Hamish Linklater from The Future and get on that?

It's Michelle/Marilyn for Dallas, Florida, Vegas and Chicago

The critical map continues to unfold with only three films scoring repeatedly: The Artist, The Descendants and The Tree of Life. All of them recently picking up another "best of year" prize. I had expected Hugo to feature more prominently after its high profile NBR win but that hasn't come to pass. But isn't it awfully nice to see a year with three major critical players even if you don't much like one of them (for me that's The Descendants). In short: Death to sweeps!

Michelle Williams is dominating the critics awards

While she's not quite a sweeper Michelle Williams is going to be on a lot of airplanes if she intends to attend all of these critics ceremonies that plan to honor her work in My Week With Marilyn! After the jump prizes from... Chicago and St. Louis who both just announced, Dallas Ft Worth, Florida, and Las Vegas (which I missed last week oopsie).

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