Yes, No, Maybe So: "Green With Envy"

Most of the time the lack of trailers at critic screenings is a wondrous blessing. I used to love watching trailers before movies but now that they show 7 to 8 of them before a feature and do so after commercials it feels like every movie is 3 hours long now. Still I really wish I'd seen the trailer to Green With Envy in front of Pirates of the Caribbean (review) this weekend...

I am crazy in love with the bait & switch here. Get to looking right now if you haven't yet seen it.

Regarding Green With Envy... just for fun as it doesn't actually exist... are you a Yes, No or a Maybe So?

• I'd love to say Yes given the warm (felt) fuzzies coming off this trailer but it looks so generic. Yes, I  know that's part of the joke. But still... the world needs no more generic romcoms.The genre needs another Annie Hall level game changer, right?

Regarding The Muppets... Yes, No or Maybe So?

• I feel nothing but eternal affirmatives whenever Miss Piggy is near. I purchased a ticket for this in perpetuity when I was 5.

Cannes: Best Actress and Best Actor

Hmmm. Not sure what to make of this. It's both awesome in that Kirsten Dunst is realizing she's part of history (why am I hearing a Drew Barrymore lispy childhood throwback in her voice? It's so cute) and troubling. You see, as we've discussed before the Melancholia press conference can't have been easy for her but my personal feeling is that she should defer the LvT questions -- say as little as posssible -- rather than join in the condemnation. He is, after all, her director of the performance that's bringing in the accolades and helping her win her first huge Best Actress prize as a star. She needs to  separate herself but still be gracious about it. If her performance ends up being one of the best of the film year, hopefully she'll have the chance to perfect this tricky balance later on in Oscar season.

For the French speakers among you, to balance things out, here's Best Actor winner Jean DuJardin from The Artist.

Reader Spotlight: K.M. Soehnlein

Are you still enjoying the reader spotlights? I hope you've found a few kindred spirits in the featured readers thus far. Today, I'm talking to K.M. Soehnlein in San Francisco who is a longtime reader and also a novelist. Discovering that novelists read you is a bit humbling. Anyway... let's talk!

Nathaniel: So... earlier this year you received the Warren Beatty book "STAR" from a Film Experience contest. What's your favorite nugget so far?
K.M. SOEHNLEIN: There’s a nugget on every page of “Star,” if by nugget you mean hot steamy chunk of gossip: “He made love to [Joan] Collins relentlessly, although every now and then he would accept calls while he was inside her.” In the Introduction to the book, Peter Biskind, the author, says he’s interested in Beatty as “one of the foremost filmmakers of his generation…at the intersection between politics and culture.” But he also talks about how difficult Beatty was to get interviews with, and you start to suspect, as the negative characterizations of Beatty pile up, that maybe Biskind is enacting some kind of revenge on his “star.”

But! There are absolutely page-turning stories about film production. I just finished reading the chapter on Bonnie and Clyde. I had no idea it was so difficult to get this film or that it was the vehicle that saved Beatty from a string of flops that would have sunk his career before he was 30.
 
You've written books yourselves and graciously sent me two. I'm really enjoying "The World of Normal Boys" and especially love the movie references, duh! How autobiographical are they?

Soehnlein's book references three huge musicals of its era

I’m glad you like the book! The scenes in my novel are mostly fictional – I never went to a drive-in to see Saturday Night Fever with the sexy older boy next door – but the music, the setting, the flavor of the times, that’s all from experience. Yeah, I’m a child of the 70s which meant we had one “stereo system” in the house. My parents had lots of soundtrack albums, so that was the first music I listened to as a kid: The King and I, Funny Girl, Godspell (we were Catholic), and the one I got completely obsessed about, West Side Story. I had every lyric memorized before I'd ever see these movies. I don’t think I could overstate the phenomenon of Grease when it came out in 1978. Kids were OBSESSED with it. I used to walk around with the girls in my neighborhood playing the soundtrack on portable cassette player, acting like the Pink Ladies.
 
Your three favorite actresses. Go.
Old school: Natalie Wood would be my first answer but that’s not because she was the best actress – in fact she’s often pretty terrible – but just because of my West Side Story obsession. When she cries those tears of injustice at the end of the film – “How many bullets left in this gun? Enough for you, and you, and you?” – I think some kind of tragic template lodged in my blood that has never quite left. Reigning queen: Julianne Moore. It might be a redhead identification thing, but I love her in everything. I especially like her in comedies, from The Big Lebowski to The Kids are All Right, though my favorite performance is in Far From Heaven. Rising star: Give me more Michelle Williams. (Meek’s Cutoff recently opened in San Francisco.)

Take an Oscar away. Give it to someone else.
Only one? Didn’t one of your recent readers get six? OK let’s take away Cate Blanchett’s Oscar for that hammy imitation of Katherine Hepburn in The Aviator and give it to any of the four women she was nominated against: Laura Linney in Kinsey, Virginia Madsen in Sideways, Sophie Okonedo in Hotel Rwanda, or Natalie Portman in Closer. (Maybe if Natalie had won that year we could have seen Michelle Williams win this year… Sorry, wishful thinking.) Just for the record I love me some Cate Blanchett but I’d have given her the statue all the way back for Elizabeth. Sorry, Gwyneth.

Supporting Actress 2004

Name your favorite in each of the following 4 genres: Drama, Horror, High School, Woody Allen.
Drama Something by Mike Leigh, probably Naked or Secrets and Lies. Horror Carrie. High School The Incredibly True Adventures of Two Girls in Love, which was my good friend Maria Maggenti’s debut back in the mid-90s and which I have a huge sweet spot for. (Plus: Dale Dickey in an early role.) Woody Stardust Memories.

They put you in charge of the movies. How do you wield this awesome power?
Well if I can be completely self-interested the first thing I’d do is green-light the film adaptation of The World of Normal Boys which I’ve been trying to get made for ten years.

Then I’d wield my awesome power to dump money on all the filmmakers I love: Mike Leigh, Todd Haynes, John Cameron Mitchell, Kelly Reichardt, Spike Lee, John Waters, etc. etc. etc. I’d put limits on the amount of money any single film could cost. I’d set up some kind of incredibly well-funded National Film Agency, maybe run by a cabinet-level Secretary of the Arts, (how about Meryl Streep?). I’d make sure artists had health care. Socialism. Yes please.

previous spotlights

Box Office: Pirates, Having No Challengers, Steals All The Booty

No new movies dared challenge the fourth adventure of Johnny Depp's Jack Sparrow so it easily outpaced older films and took home most of the gold. But given that the series has been an overperformer and that even cheating with those stupidly inflated 3D ticket prices, it was well underneath the grosses of the second and third outings. In even better news, Bridesmaids avoided the typical 50% second week drop, just as we predicted dipping less than 20%. That signals a long and lucrative run, powered by word of mouth, provided it can hold on to screens. That's always the trick in the summer.

The Box Office (Actuals)

01 PIRATES OF THE CARIBBEAN: ON STRANGER TIDES new $90.1 [review]
02 BRIDESMAIDS $20.8 (cumulative $59.3)
03 THOR $15.4 (cumulative $145.3) [review]
04 FAST FIVE $10.5 (cumulative $186.1)
05 PRIEST $4.7 (cumulative $23.8)
06 RIO $4.6 (cumulative $131.6)
07 JUMPING THE BROOM $3.7 (cumulative $31.3)
08 SOMETHING BORROWED $3.5 (cumulative $31.5)
09 WATER FOR ELEPHANTS $2.1 (cumulative $52.4) [review]
10 TYLER PERRY MADEA'S BIG HAPPY FAMILY $.9 (cumulative $51.7)

What About Woody?
Despite being on only 6 screens, Woody Allen's MIDNIGHT IN PARIS took in a huge half a million. It would have easily hit the top ten had it opened wider. Half a million on half a dozen screens is a big deal for a Woody Allen film opening that small, his best ever actually, even topping the relatively robust tiny opening for Match Point (2005). Was it Rachel McAdams and Owen Wilson? Was it the warm Cannes buzz? We've long believed that if more films opened while the media was talking about them it might help generate audience interest. But year after year auteur films lose all the momentum of their festival bows while they wait it out for six months-two years-never for a theatrical window.

What did you see this weekend? My weekend was an absurd bust. [Pity Party Alert!] I went to a birthday party out of town an entire day early and then, depressed at my costly flub, I went to the movies and was somehow two dollars short for a ticket and had forgotten my bank card. I sincerely hope your weekend was not as pathetic.

Take Three: Danny Glover

Craig here with Take Three. Today: Danny Glover

Over the last decade Glover hasn’t seen the prolonged exposure that he once enjoyed, yet mostly still deserves. But he’s been doing good work in a vast array of projects, both mainstream and arthouse none the less. In a quintet of artful independents The Royal Tenenbaums (2001), Manderlay (2005), Bamako (2006), Honeydripper (2007) and Blindness (2008) he gave strong, varied turns. Barnyard, The Shaggy Dog (both 2006) and Alpha and Omega added family fare to his résumé. A couple of pay-the-rent Saws (first and fifth) and a thankless turn in Death at a Funeral (2010) didn’t harm his career. A couple of presidential engagements, Battle for Terra (2006) and 2012 (2009), kept him afloat. And finally some bona fide solid gold support in Dreamgirls (2006) and Shooter (2007) reminded multiplex audiences just how good he is.

Take One: Be Kind Rewind (2008)
But the most recent role in which he’s perhaps been most memorable was as the ageing, single, Fats Waller-loving video-shop owner Mr. Fletcher in Michel Gondry’s 2008 comic throwback Be Kind Rewind. He starts out like a kind of reluctant, but good-hearted curmudgeon unwilling to embrace DVD, but he ends up an accidental impresario of both old-school values and new ventures by joining the ranks of the neighbourhood “sweders” to make a community doc on Fats Waller. He typifies both the film’s antiquated side (VHS), but also its embracing of new technologies (DVD, digital) and social connection (people + cinema = growth). The scenes of him trotting off to memorialise Fats and snoop on his rivals would make an endearing film of its own. If Danny Glover could “swede” a film of himself doing just that, I’d be happy.

Two more takes after the jump including the Angry film for which we hope he will be remembered...

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