Visual Effects Shortlist - Scene Breakdown

By Ben Miller

The 10 finalists for the Best Visual Effects Oscar were announced last week.  Though once reserved for films that pushed the boundaries of what films could visualize, the Oscars have since gravitated towards spectacle and bombast.  Of the 10 films, none came from an independent studio or had a budget less than $100 million.  That isn't to say their effects should be discounted, but don't expect to see something like Ex Machina or shortlisted documentary Welcome to Chechnya from last year.  This category is usually reserved for outright spectacle, and these shortlisted films reflect that.

Let's focus on one specific setpiece per film that highlights the visual effects artists...

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Year in Review: Best Screen Animals from Shark to "Pig"

by Team Experience

Animals didn't always have an easy go of it in 2021 movies. Consider Jonathan Larson's elusive super-neglected cat in tick, tick... BOOM!, wondering if its box would ever again be cleaned. Or, worse, those dalmations in Cruella demoted from loving titular characters to growling weapons. And it's best not to think too long on the fate of either bunny we meet in The Power of the Dog. 

But the following animals were luckier (for the most part) winning enough screen time and giving off enough personality to become an essential part of their movies, so let's talk about them...

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Oscar Chart: Best Supporting Actor's potential spoilers

by Nathaniel R

We live in fear of a Jared Leto nomination. Do you?

When we last dove deep into Best Supporting Actor just over a month ago it felt like there were 10-20 contenders still in the conversation. Sadly once the critics began to throw their weight entirely behind just two contender (Kodi Smit-McPhee in The Power of the Dog and Troy Kotsur in CODA) and the Globes and the Critics Choice came up with almost identical lists  (Kodi + Troy + Ciaran Hinds and Jamie Dornan from Belfast) the race began to look unlike a race at all but more of a slow waiting game until the Oscar nominations which are still five weeks away.

Is there reason to hope for the race to widen again? We'd like to think so...

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The shortest review you will read of "The Matrix Resurrections"

by Nathaniel R

Cons: I didnt understand a lick of The Matrix Resurrection (did you have to memorized the first three?), especially the last act "rescue" involving brain switching which played like a techno-babble illogic exposition in order to give us a botched Sense8 body-switching visual. On the other hand, writer/director Lana Wachowski claiming such ownership from behind the camera felt satisfying despite playing at times like meta snark. Definitely did not enjoy the suggestion that therapists are evil even though the cat with the bell was damn cute. 

Pros: Absolutely loved Jonathan Groff as the new "Mr Smith". Witnessing Keanu & Carrie-Anne fall back in love was a good time; they've always looked sensational together and age-appropriate, too, so that was a rare doublesexy 50something thrill. This has been my review. 

Yours?

Comment Party: What do you think of 1989?

Though it seems like the Oscar are right around the corner they're actually 89 days away!

So let's talk 1989 while your host here works on current Oscar charts. The 62nd Academy Awards has always struck us as an odd Best Picture vintage... maybe because we'd nominate none of them. But all were very popular with audiences at the time. The Oscars went for 2 blockbuster hits with Dead Poet's Society and Born on the 4th of July (yes, kids, audiences used to go for a little of every genre at the movies, not just superhero films. Both were among the top ten grossers of the year alongside things that would be hits nowadays like Batman and Ghostbusters II). The eventual winner was another very big hit in Driving Miss Daisy. To fill out the category a not-so little sleeper success Field of Dreams, and 1 arthouse favourite My Left Foot. With the exception of the Oliver Stone war drama and My Left Foot (inexplicably rated R), all were family friendly, too...

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