Emmys Watch: Who will fill seven empty slots in Outstanding Supporting Actor in a Comedy Series?

Our team is breaking down the top contenders in all the major Emmy races and highlighting some of our favorites over the next few weeks. Today, we’re looking at Outstanding Supporting Actor in a Comedy Series.

How many men from "Ted Lasso" can earn nominations for Outstanding Supporting Actor in a Comedy Series?

By: Christopher James

In terms of precursors and returning nominees, we are flying blind with Outstanding Supporting Actor in a Comedy Series, which is exciting.

We only have one returning eligible performer this year (Kenan Thompson - Saturday Night Live). Both the SAG and Golden Globe Awards didn’t nominate a single eligible comedy supporting actor performance. Both went all-in on Schitt’s Creek and last year’s winner, Dan Levy. The Critics Choice TV Awards pointed out some dark horse favorites that could have a shot in this wide open category. However, this is a wide open category that will likely be a key place where new shows can demonstrate their strength and rack up nominations. Shows like Ted Lasso and The Flight Attendant could make a big splash here, or the Emmys could just nominate a majority of the Saturday Night Live cast. 

Read on to see who is in contention this year...

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Movie review: "Censor"

By Tim Brayton

Giallo homages, modernising the sordid, stylish vibe of Italy's cultishly beloved, violent and colorful 1970s thrillers, have gone from being an odd little niche project to a veritable cottage industry over the last decade. It takes more than just dousing a movie in candy colors to stand out, and so that's the first thing to praise about Censor, the extraordinarily self-assured debut feature by Welsh director Prano Bailey-Bond, is that it has so much to offer. Though it is very candy colored.

The film, currently open in limited release, isn’t exactly a giallo homage, to be honest. Above all else, it's a love letter to the Video Nasties, the notorious list of movies targeted for prosecution on home video by the British government’s Department of Public Prosecutions in the 1980s, when the film is set...

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Tribeca 2021: This "Poser" Sneaks Up on You

by Jason Adams

It is said that our 20s are spent trying to figure out who we are, accumulating likes and dislikes, testing out identities like stage costumes for some great reveal, to be determined. You fake it until you make it, the "it" being some semblance of a self. It's a precarious and unsettling time for a lot of people, and Ori Segev and Noah Dixon's film Poser, screening at Tribeca, does a fine job actualizing on-screen that amorphous state of flirting with emptiness, giving us a slow-burn Single White Female for the 21st century in the process...

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The heartbreaking beauty of "Brief Encounter"

by Cláudio Alves

Ever since I listened to Robert Altman's commentary track on the Gosford Park DVD, I've bristled at the idea that someone needs to be a certain age to enjoy a film. In that bonus feature, Altman mentions that Gosford Park has nothing to offer to fourteen-year-old boys, and they shouldn't get to watch it. As a fourteen-year-old boy for whom Gosford Park was a favorite, I felt personally attacked. A bit more than a decade later, I've grown less annoyed at such blanket statements about age and movie appreciation. As it turns out, there are films that can gain something when the audience seeing them is more mature. You may be asking yourself, what does this have to do with Brief Encounter or our 1946 celebration? Apologies for my long-windedness.

I'm trying to introduce a personal realization I had. While I might have loved Brief Encounter when I was a teen, I knew not of its power. Now, I think it's one of the best and most devastating films ever made…

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Review: "Holler"

By Ben Miller

2010's Winter's Bone was a surprise Sundance success that depicted the poverty-stricken community of middle America. Debra Granik's debut made Jennifer Lawrence a star and earned four Oscar nominations.  Directors have tried to replicate that film to varying degrees of success, and writer/director Nicole Riegel tries her hand with Holler.

Jessica Barden stars as Ruth, a teenager on the verge of high school graduation. When she receives her acceptance into college, she and her brother Blaze (Gus Harper) join an illegal scrap metal crew in order to get the money she needs to further herself...

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